asher ethan miller (24 risultati)

Paperback. Condizione: Very Good. Condizione sovraccoperta: Not issued. 48 pp. Fast shipping from NYC!

Hardcover. Condizione: Used - Very Good. This beautiful volume features a compendium of the Metropolitan Museum's finest European paintings dating from 1800 to 1920. The focus is on French art of this period--of which the Museum possesses the most comprehensive collection outside of France--but extraordinary pictures by artists of other nationalities are also included. Thanks to a succession of generous and discerning donors--from the H. O. Havemeyers to the Walter H. Annenbergs--this publication presents a history of painting in Paris from Prud'hon to Picasso, by way of Delacroix, Corot, Courbet, Manet, Monet, Degas, Cezanne, Seurat, and many others. Very nice clean, tight copy free of any marks.

Condizione: acceptable. Book is considered to be in acceptable condition. The actual cover image may not match the stock photo. Book may have one or more of the following defects: noticeable wear on the cover dust jacket or spine; curved, dog eared or creased page s ; writing or highlighting inside or on the edges; sticker s or other adhesive on cover; CD DVD may not be included; and book may be a former library copy.

Softcover museum bulletin (Winter 2013, Volume LXX Number 3), covers and text are both fine, 48 pp with 68 color images (f). Book.

Paperback. Condizione: Near Fine. 1st. 48 pages, colour illustrations; 28 cm. Metropolitan Museum of Art Bulletin, volume LXX, number 3 (Winter 2013). Catalogue of the exhibition held at the Metropolitan Museum of Art, New York, January 22 to April 21, 2013. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. *** "In 2003 the Metropolitan Museum acquired a collection of more than fifty paintings that represent a key period in European history, beginning in the 1780s with the advent of the French Revolution and concluding soon after the abdication in 1848 of France's last king, Louis-Philippe. Assembled by the New York connoisseur Wheelock Whitney between 1972 and 2000, this remarkable collection underscores the role of the natural world as a source of inspiration for European artists living on the cusp of the modern epoch, and it provides ample evidence of a rich tradition of painting out of doors, en plein air, nearly a century before Impressionism." - Publisher. Size: 4to.

Hardcover. Condizione: Very Good. Hardcover in very good condition. The jacket has a few traces of slight wear to the edges and some light creases on the front flap. Pages are clean; text and images are clear. CM. Used.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hardcover in very good condition. Binding is sound; all text and images are clear. CM. Used.

Paperback. Condizione: New. A fresh look at the ways nineteenth-century European and Ottoman artists portrayed and promoted the Middle East through interpretations and emulations of Islamic art and design  Colonial and imperial expansion, technical advancement, and artistic transformation in the nineteenth century catalyzed the global marketplace and sparked a wave of European picture-making focused on North Africa and the Middle East. Known as Orientalism, the genre inspired by Islamic cultures relied equally on fact and fantasy to create iconic images both celebrated and interrogated today. This book tells a new, multifaceted story, taking into account how major figures ranging from the French painters Ingres, Delacroix, and Gérôme to the Ottoman statesman and artist Osman Hamdi Bey shaped an understanding of their world by incorporating Islamic motifs into their pictures. Addressing manifold questions about ethnic and racial difference, gender, power relations, and colonialist attitudes, the publication reinterprets beloved works of art such as Gérôme's Bashi-Bazouk and Ingres's La Grande Odalisque. Authors uncover that Orientalism was more than a genre of European easel painting by detailing its impact on decorative arts and architecture as well as collecting practices, which inspired a deep admiration for Islamic art and prompted a design revolution with an enduring legacy in Europe and the United States.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule: The Metropolitan Museum of Art, New York(June 12, 2026-February 28, 2027).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Well-preserved copy--clean, crisp with solid binding. "New Edition".

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Well-preserved copy: clean, crisp, solid binding.

Paperback. Condizione: New. A fresh look at the ways nineteenth-century European and Ottoman artists portrayed and promoted the Middle East through interpretations and emulations of Islamic art and design  Colonial and imperial expansion, technical advancement, and artistic transformation in the nineteenth century catalyzed the global marketplace and sparked a wave of European picture-making focused on North Africa and the Middle East. Known as Orientalism, the genre inspired by Islamic cultures relied equally on fact and fantasy to create iconic images both celebrated and interrogated today. This book tells a new, multifaceted story, taking into account how major figures ranging from the French painters Ingres, Delacroix, and Gérôme to the Ottoman statesman and artist Osman Hamdi Bey shaped an understanding of their world by incorporating Islamic motifs into their pictures. Addressing manifold questions about ethnic and racial difference, gender, power relations, and colonialist attitudes, the publication reinterprets beloved works of art such as Gérôme's Bashi-Bazouk and Ingres's La Grande Odalisque. Authors uncover that Orientalism was more than a genre of European easel painting by detailing its impact on decorative arts and architecture as well as collecting practices, which inspired a deep admiration for Islamic art and prompted a design revolution with an enduring legacy in Europe and the United States.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule: The Metropolitan Museum of Art, New York(June 12, 2026-February 28, 2027).

Paperback. Condizione: Brand New. 256 pages. 10.50x8.50 inches. In Stock.

Hardcover. Condizione: Used - Very Good. The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised andexpanded edition of the 1989 publication 'Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection,' thishandsome volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations.' 'This is a revised and expanded edition of a book originally published by the Philadelphia Museum of Art in 1989 under the title 'Masterpieces of Impressionism and Post-Impressionism: the Annenberg Collection''--T.p. verso.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Condizione: New.

Paperback. Condizione: New. A fresh look at the ways nineteenth-century European and Ottoman artists portrayed and promoted the Middle East through interpretations and emulations of Islamic art and design  Colonial and imperial expansion, technical advancement, and artistic transformation in the nineteenth century catalyzed the global marketplace and sparked a wave of European picture-making focused on North Africa and the Middle East. Known as Orientalism, the genre inspired by Islamic cultures relied equally on fact and fantasy to create iconic images both celebrated and interrogated today. This book tells a new, multifaceted story, taking into account how major figures ranging from the French painters Ingres, Delacroix, and Gérôme to the Ottoman statesman and artist Osman Hamdi Bey shaped an understanding of their world by incorporating Islamic motifs into their pictures. Addressing manifold questions about ethnic and racial difference, gender, power relations, and colonialist attitudes, the publication reinterprets beloved works of art such as Gérôme's Bashi-Bazouk and Ingres's La Grande Odalisque. Authors uncover that Orientalism was more than a genre of European easel painting by detailing its impact on decorative arts and architecture as well as collecting practices, which inspired a deep admiration for Islamic art and prompted a design revolution with an enduring legacy in Europe and the United States.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule: The Metropolitan Museum of Art, New York(June 12, 2026-February 28, 2027).

Hardcover. Condizione: Brand New. new edition. 338 pages. 12.00x9.25x1.00 inches. In Stock.

Paperback. Condizione: New. A fresh look at the ways nineteenth-century European and Ottoman artists portrayed and promoted the Middle East through interpretations and emulations of Islamic art and design  Colonial and imperial expansion, technical advancement, and artistic transformation in the nineteenth century catalyzed the global marketplace and sparked a wave of European picture-making focused on North Africa and the Middle East. Known as Orientalism, the genre inspired by Islamic cultures relied equally on fact and fantasy to create iconic images both celebrated and interrogated today. This book tells a new, multifaceted story, taking into account how major figures ranging from the French painters Ingres, Delacroix, and Gérôme to the Ottoman statesman and artist Osman Hamdi Bey shaped an understanding of their world by incorporating Islamic motifs into their pictures. Addressing manifold questions about ethnic and racial difference, gender, power relations, and colonialist attitudes, the publication reinterprets beloved works of art such as Gérôme's Bashi-Bazouk and Ingres's La Grande Odalisque. Authors uncover that Orientalism was more than a genre of European easel painting by detailing its impact on decorative arts and architecture as well as collecting practices, which inspired a deep admiration for Islamic art and prompted a design revolution with an enduring legacy in Europe and the United States.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule: The Metropolitan Museum of Art, New York(June 12, 2026-February 28, 2027).

Taschenbuch. Condizione: Neu. Orientalism | Between Fact and Fantasy | Asher Ethan Miller (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2026 | Metropolitan Museum of Art | EAN 9781588398147 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Soft cover. Condizione: Fine. 2nd printing (of the 1988 first edition/printing) large, thick trade paperback in As New (some light storage touches), unread condition from the original publisher's warehouse! Hard to find massive and useful medical tome but especially scarce thus.

Hardcover. Condizione: As New.

Hardcover. Condizione: New.

Broché. Condizione: Bon état. in-4 Description :318 pp. Petites rayures sur la couverture. Langue : Anglais Nb de volumes : 1.