aubrey beardsley illus (38 risultati)

hardcover. Condizione: Very Good. 1948; brown paper covered boards with gold titles; wear and discoloration around edges; corners are bumped; 4to,9 3/4" to 12" tall; Previous owner's name on ffep; interior is clean and unmarked; 63 pages. Additional shipping charges may need to be requested due to size or weight of book.

Soft cover. Condizione: Fine. No Jacket. 1st Edition. First edition thus. Softcover. 80 pages. Illustrated by Aubrey Beardsley. Fine condition. (I8).

Condizione: Good. 1967. First Edition Thus. 151 pages. Paperback book with pictorial cover. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Paper cover has mild edge wear with light rubbing and creasing. Some light marking and tanning.

Paperback. Condizione: Very Good-. Reissue Edition. 47 pages; B&W illustrations. Minor shelf wear and creasing on the covers. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence.

Ex library, scruffy copy, first edition, super octavo hardcover (VG-) in d/w (VG-); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Sm. 8vo. White decorative bds. w. yellow, black all-over design, backstr. white w. black lettering, design, framed in yellow lines. Dj. unclipped, chipped at edges w. som large chips. Frontis. Illus. 120pp. on yellow acid paper w. some closed tears. Contents very tight.

First Edition. Near fine paperback copy; slightly edge-bumped and creased. Remains well-preserved overall Physical description; 1 volume : illustrations. Subjects; Beardsley, Aubrey (1872-1898). Illustrators Great Britain Biography. Drawing, English 19th century. Decoration and ornament Art nouveau. Erotic drawing, English. 3 Kg.

First Edition. Very good paperback copy; slightly edge-bumped and creased. Remains well-preserved overall Physical description; 1 volume : illustrations. Subjects; Beardsley, Aubrey (1872-1898). Illustrators Great Britain Biography. Drawing, English 19th century. Decoration and ornament Art nouveau. Erotic drawing, English. 3 Kg.

First Edition. Very good paperback copy; slightly edge-bumped and creased. Remains well-preserved overall Physical description; 1 volume : illustrations. Subjects; Beardsley, Aubrey (1872-1898). Illustrators Great Britain Biography. Drawing, English 19th century. Decoration and ornament Art nouveau. Erotic drawing, English. 1 Kg.

First Edition. Near fine paperback copy; slightly edge-bumped and creased. Remains well-preserved overall Physical description; 1 volume : illustrations. Subjects; Beardsley, Aubrey (1872-1898). Illustrators Great Britain Biography. Drawing, English 19th century. Decoration and ornament Art nouveau. Erotic drawing, English. 1 Kg.

Quarto, illus light card covers, black lettering to spine, frontispiece, 60pp, illus, VG- (light creasing & curling to spine & edges, heavy fading to spine & covers, light chafing & soiling to covers, light tanning & foxing/soiling to page edges, v heavy cracking to gutters throughout- glue is brittle & cracking).

Hardcover. Condizione: As New. First Printing thus. Bonded-leather illustrated hardcover. All page edges gilt; decorative end pages; ribbon marker; hubbed spine. Cover art by Aubrey Beardsley and Howard Pyle. 8vo. ix, 850 pp. B/w illustrations by Arthur Rackham Ships fast with tracking.

hardcover. Condizione: Fine. Illus. by Aubrey Beardsley (illustratore). 5th ed. 4to, 538 pp., Fifth edition (facsimile of the fourth edition). Fine copy in fine dust jacket & slipcase.

4to. Original gilt lettered brown cloth (page edges discoloured - otherwise VG), dustwrapper (tears at edges - in protective cover, not price clipped). Pp. lv + 538with b&w drawings by Aubrey Beardsley (previous owner's inscription on front endpaper).

Hardcover. Condizione: Very Good. Second edition. Publisher's green cloth, gilt-stamped lettering on spine, upper board ornately stamped in gilt; 8vo; pp. xxxviii, 166, [2] (ads), plus frontispiece portrait of Dowson by Rothenstein, photographic portrait of Dowson, 4 plates and an illuminated initial by Beardsley. Spine tips and corners lightly chipped and frayed; tear on rear joint; boards a little rubbed. Crack in the gutter after FFEP (tho binding remains tight); early ownership signature pencilled on FFEP; first and last few leaves foxed (including frontispiece portrait); some light soiling here and there, but generally text block is clean.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. xxviii, 561 p. 31 cm. B&w line drawings. Red cloth in mylar-covered dustjacket. Top edge gilt. Red ribbon.

Hardcover. Condizione: Very Good. Reprint. Hardback. Slip-Case. 4to. pp 61. Original publisher's blue cloth, lettered black on white front cover label. Facsimile of the 1896 edition. Ownership signature (in pencil) of V&A curator and writer on art, Stephen Calloway. Copiously illustrated in black and white throughout. Limited edition of 515 copies, this being no. 160. Slight spotting to endpapers, otherwise very good indeed in slightly used and faded slip-case.

FIRST EDITION, octavo, green buckram boards, gilt lettering & green illus to spine, green lettering & illus to front board, deckled page edges, illus title page, unpaginated prelims + 184pp, illus, VG (moderate scuffing & bruising to extrems, moderate soiling & foxing to spine, light to moderate chafing & soiling to boards, moderate to heavy tanning & chipping to page edges, light tanning & foxing/soiling to eps, prev. owner's name in ink to ffep, light foxing & soiling sporadically throughout, occasional cracking to gutters).

Hardcover. Condizione: Very good. Condizione sovraccoperta: Good. lv, 538 p., interspersed with plates. 29 cm. 22 full-page b&w drawings and numerous smaller decorations. Facsimile of the third edition with three extra illustrations. Black cloth hardcover with gilt impressing in mylar-covered matching dustjacket. Top edge gilt. Scuffs and small tears to jacket, incl. large mark at top front. P. 221 has tear in margin. Small stain on rear free endpaper. Light soiling to text block edge. Print at p. 242 is actually misplaced at p. 244. The book that made Aubrey Beardsley's reputation as an artist and greatly influenced the work of other illustrators. Fourth Edition, facsimile of the third edition with addenda.

Condizione: Acceptable. 25 cm; [24] leaves text on Insel hand-made paper, and [15] full-page illustrations by Aubrey Beardsley on Strathmore Japan (including title page and dramatis personae). Bound in original boards, worn, spine perished, boards loose. Several plates somewhat foxed. The first German appearance of Aubrey Beardsley's illustrations to Oscar WIlde's play. Wilde first published the play in French (in 1896) before the English and later German editions appeared. Wilde's play with Beardsley's iconic illustrations inspired Richard Strauss's opera of the same name. # 350 in an edition limited to 725 copies.

hard cover. Condizione: Very Good. Large paper. Quarto (26cm); xviii, 65 pages, [16] leaves of plates. Bound in original red cloth stamped in blind with Aubrey Beardsley poppy design . Original dust jacket, with the same design in red on a tan ground. Dust jacket mildly frayed at spine ends, corners and top edge, with a closed tear on the upper panel repaired with cello tape and a closed tear on the lower panel without intervention, yet unusually sound and entire. Cloth about fine. Scattered light foxing in text. The last of the John Lane "Bodley Head" editions of the classic collaboration between Aubrey Beardsley and Oscar Wilde. Lane was the first English publisher of the work in 1894, but it was dropped after the 1930 edition as Allen Lane (John's nephew) transformed the houseinto the more mainstream Penguin Books. This is the large paper quarto version (the book also appeared in a smaller octavo format). Despite the detailed list of defects, this is an unusually well-preserved copy.

Blue hardback cloth cover. Condizione: Good. Limited Edition [500]. G : in good condition. Rebacked. Cover rubbed. Page edges browning. Hinge at title cracked. 220mm x 160mm (9" x 6"). 67pp, 15pp + plates. 10 plates by Aubrey Beardsley.

Hardcover. Condizione: Very Good. This edition with Beardsley illustrations, limited edition of 1,600 copies. This copy specially bound in half-morocco with raised bands and gilt decoration on the spine, printed boards, top edges gilt, matching printed endpapers. Cover shows minor rubbing to the extremities, some minor stains on the top edges. Pages are lightly tanned and clean, profusely illustrated. Original navy cloth cover and spine with gilt decorations bound in at the rear.

With an Introduction by Professor Rhys. 2 vols. Embellished with many original designs by Aubrey Beardsley. 4to, publisher's white gilt-decorated cloth, t.e.g. First edition; one of 1,500 copies. Attractive old bookplate on the pastedown of Vol. I. Spines and cloth sides very slightly tanned; small black stain near the center of the spine of Volume I; contents clean and attractive.

Hardcover. Condizione: Near Fine. Large very thick (538pp)4to, elaborate gilt design, the 3rd edition, a master piece of late Art Nouveau illus, and a sharp antidote to minimalism, the most complete edition, small name on back of front board, else Fine.(shipping overseas considerably extra).vvcl2/1back).

Hardcover. Condizione: Very Good. Munchen: R. Piper, 1912. Second edition (Pp. 55). Quarto (30 cm) in pictorial paper over boards, cloth spine; twenty-one images including frontispiece image of Beardsley, two tipped in with pencil notations, eight pages of adverts. Eighth in the series Modern Illustrators (including Edvard Munsch, Ernst Neumann among others), in German. Cover with minor soil and rubbing. A Very Good copy.

Temple Classics Edition. Four volumes. Duodecimo, pp., 312; 308; 314; 324, plus tissue-guarded photogravure frontispieces and title-pages to each volume after drawings by Aubrey Beardsley. Uniformly bound in soft olive calf, titled in gilt to spine, owl vignette in gilt to upper board within blind double-rule border. Spines faded to brown, top edges dull, very slight shelf-wear to spine-tips. Contents clean and bright, a very attractive set. The four frontispieces are taken from the celebrated Beardsley edition of Morte D'Arthur, first published between 1893 and 1894. His first substantial commission, it was the book that instantiated Beardsley as an artist, and which first demonstrated his inimitable style. Calloway, Stephen, 'Aubrey Beardsley', 48.

Condizione sovraccoperta: dj. First Thus. 12mo (17.75cm.); publisher's cloth in light tan decorative dust jacket printed in brown and orange; [6],187pp.; frontispiece and decorations throughout. Jacket extremities gently rubbed, small chip at spine crown, spine a bit toned, else Near Fine in Very Good or better jacket. "A New York Theatre Guild Production" - upper jacket panel. A modern adaptation of Jonson's 17th-c. comedy; this version was later adapted for George Antheil's 1953 opera.

8Vo Hardcover. Condizione: Fair. Ltd. 247pp. Stated numbered and liomited edition: No 41 of 251. Brown boards, golden lettering on spine. Text and artwork is clean on unmarked, uncreased pages. Hinges are intact, heavy chipping anf chunking on joints and outer spine. Textblock is square with deckled edges. Moderate++ overall shelf/timewear, boardwear, board edge and cornerwear, abrading, foxing on inner boards and endpapers, pageblush throughout, PO bookplate on inner front.

Reprint. Slim octavo (19cm); dark red publisher's cloth, stamped in gilt (front); 53pp, 12 plates (missing one). Boards mildly worn and soiled, some rubbing to extremities; textblock toned along edges and page margins; foxing and soiling intermittent throughout; some passages marked in pencil; gift inscription on ffep. Else Very Good, scarce. Wilde's Salomé was published in 1891, originally in French. An English version came about in 1894, but not before a tiff over the translation work done by Lord Alfred Douglas, who was Wilde's paramour at the time. This 1920 reprint retains the iconic artwork by Aubrey Beardsley and all sixteen original illustrations are listed in the index; however, the plate with illustration 4 ("The Woman in the Moon") is presumed missing, with evidence of its loss between pgs. 6 and 7.