Avesnes sur helpe (3 risultati)

1 Blatt, verso weiß. Condizione: Gut. Ca. 10,5 x 15,5 cm. Randlos beschnitten. Gut erhalten. Sprache: Deutsch Gewicht in Gramm: 250.

"L'art Arabe d'après les monuments du Kaire depuis le VIIe siecle jusqu' le fin du XVIIIe siècle" Paris 1869-1877 [Das seltene wie dekorative Blatt an den beiden oberen Ecken braunrandig, am rechten Rand mit kleiner Druckstelle und am unteren und linken Rand etwas braunfleckig.] "Mandarah. Salon de Reception au Rez-De-Chaussee" original chalk lithograph on clay plate approx. 30.5x38.5cm on handmade cardboard (42.5x53cm) by B.Schmidt after Prisse d'Avernes; from: "Achille Constant Prisse d'Avennes, L'art Arabe d'après les monuments du Kaire depuis le VIIe siecle jusqu' le fin du XVIIIe siècle; Paris 1869-1877 [The rare and decorative sheet has brown margins on the two upper corners, a small pressure point on the right edge and some brown spots on the lower and left edge.] This plate and its explanation was based on Prisse's extensive and thoroughgoing observations made during his many years of residence in Egypt. Between 1827 and 1844 he worked first for Muhammad Ali as an engineer and teacher, and then independently, exploring the country's ancient monuments along the Nile as far as Nubia. Dressing and living as a Muslim, and having mastered both classical Arabic and the local dialects, he was well-placed to study and understand Egyptian society. At the same time he knew and exchanged scholarly expertise with other long-term foreign residents, but only a few of these equaled his ability so effectively to cross the cultural boundaries between East and West.…

"L'art Arabe d'après les monuments du Kaire depuis le VIIe siecle jusqu' le fin du XVIIIe siècle" Paris 1869-1877 [Das seltene wie dekorative Blatt am unteren linken Eck und den beiden oberen Ecken braunrandig.] "Monument Sepulcral pres de Kyman El-Gyouchy" original, tinted chalk lithograph approx. 32.5x47.5cm on handmade cardboard (46x58cm) by Asselineau after Prisse d'Avernes; from: Achille Constant Prisse d'Avennes "L'art Arabe d'après les monuments du Kaire depuis le VIIe siecle jusqu' le fin du XVIIIe siècle" Paris 1869-1877 [The rare and decorative sheet has brown margins on the lower left corner and the two upper corners.] This plate and its explanation was based on Prisse's extensive and thoroughgoing observations made during his many years of residence in Egypt. Between 1827 and 1844 he worked first for Muhammad Ali as an engineer and teacher, and then independently, exploring the country's ancient monuments along the Nile as far as Nubia. Dressing and living as a Muslim, and having mastered both classical Arabic and the local dialects, he was well-placed to study and understand Egyptian society. At the same time he knew and exchanged scholarly expertise with other long-term foreign residents, but only a few of these equaled his ability so effectively to cross the cultural boundaries between East and West. …