B j stiles (48 risultati)

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Staple-Bound Wraps. Condizione: Very Good. Book is illustrated card stock i near fine condition. No markings. Binding is tight. Contents include: An Open Letter To The American Liberals; Sex In The Future. And More. The October 1966 issue of motive Magazine (Volume XXVII, Number 1) launches a new editorial season under the direction of B. J. Stiles and managing editor Ron Henderson. Published as the American socio-political landscape grew increasingly fractured, this issue deeply examines the moral underpinnings of the Black Power movement, the ethics of global military intervention, and the shifting landscape of modern higher education. The socio-political centerpiece is an incisive analysis of the civil rights movement's evolving terminology and philosophy, parsing the radical demands for systemic reform and economic equity. Paralleling these domestic racial tensions, the text offers sharp critiques of U.S. foreign policy and the escalating human cost of the Vietnam War. On the cultural and institutional front, the issue evaluates the changing role of the university campus as a breeding ground for both secular dissent and progressive student-led social activism. The visual identity of this volume opener is anchored by the raw, highly expressive art of featured graphic artist and printmaker Bruce Carter. His striking, bold woodcuts provide a somber, visually arresting commentary that runs alongside an experimental layout of contemporary poetry and critical book reviews reflecting the turbulent autumn of 1966.…

Pictorial Card Covers. Condizione: Near Fine. Book is illustrated card stock i near fine condition. No markings. Binding is tight. Contents include: Paul Tillich's Impact Upon American Life; Richard Harrell Rogers; Sculptor Stop The War In Vietnam. And More. The May 1966 issue of motive Magazine (Volume XXVI, Number 8) serves as the 25th-anniversary volume finale. Edited by B. J. Stiles, this prominent publication of the Methodist Student Movement blends avant-garde art, poetry, and radical theological and socio-political commentary. The primary textual focus centers on a poignant cultural lamentation by William Stringfellow linking the systemic dehumanization of the Vietnam War directly to domestic racial crises like the Watts riots. Complementing this theme, Mike Thelwell provides stark field notes regarding socio-economic inequities and grassroots civil rights resistance within the Mississippi Delta. The theological section features a robust intellectual assessment of Paul Tillich's overarching impact on academic circles and secular culture by Guy B. Hammond, alongside John D. Godsey's moving memorial tribute analyzing the historical-theological legacy of Carl Michalson following his tragic death in a commercial airliner crash. Visually and creatively, the issue highlights the expressive welded steel figures of San Antonio sculptor Richard Harrell Rogers, a substantial multi-poet layout featuring sea-change motifs, and Will Inman's somber elegiac ode to the late philosopher Martin Buber.…

Staple-Bound Wraps. Condizione: Very Good. Book is illustrated card stock i near fine condition. No markings. Binding is tight. Contents include: Summer 1968: In Memoriam/Celebration To Peggy Quade And Mary Teresa & Peter Vivona And More. The January 1969 issue of motive Magazine (Volume XXIX, Number 4) is a highly collaborative and experimental publication edited by B. J. Stiles under the Board of Education of the Methodist Church. Published as campus and social radicalism reached a peak in early 1969, this issue explicitly challenges standard editorial structures by blending performance art, advanced typography, and interactive media. The defining structural centerpiece of this issue is an expansive avant-garde focus on multimedia convergence, showcasing the intersections of sound, performance, and text. The volume contains the musical composition score for David Ahlstrom's "Sonata Number Eight", which is uniquely examined alongside the theatrical, philosophical prose of Roger Ortmayer's essay "Unknowing Games". The issue treats these components as interconnected artistic rituals, examining how independent movement, performance, text, and music operate in synthesis on the page. This media critique is paired with a timely cultural essay by New York Times contributor William Kloman, analyzing the shifting societal paradigms of the late 1960s counterculture alongside the concepts of figures like Marshall McLuhan. Creatively, this vintage art magazine package includes a highly unique fold-out print illustration and an intact artistic poster insert, rendering it a notable milestone in avant-garde student journalism, typographic experimentation, and 1960s underground design. …

Staple-Bound Wraps. Condizione: Near Fine. Book is illustrated card stock i near fine condition. No markings. Binding is tight. The December 1967 issue of motive Magazine (Volume XXVIII, Number 3) functions as a historical artifact of 1960s counterculture, radical theology, and political activism published by the Methodist Student Movement. The periodical features critical commentary on anti-war efforts, generational divides, and social tensions alongside avant-garde art. The December 1967 issue of Motive Magazine (Volume XXVIII, Number 3), edited by B. J. Stiles, offers a critical perspective on late-1960s counterculture, civil rights tensions, and theological shifts. It features prominent contributions including Howard Zinn's essay "History as Private Enterprise" and analyses concerning the era's "Death of God" movement.…

Staple-Bound Wraps. Condizione: Very Good. Book is illustrated card stock i near fine condition. No markings. Binding is tight. Contents include: God Is Alive In Dubuque- Maybe; Radical Theology- Which Way Now! And More. The December 1967 issue of motive Magazine (Volume XXVIII, Number 3) is edited by B. J. Stiles, with managing editor Ron Henderson and art editor Dennis Akin. Published amidst a winter of deep societal division, this issue heavily addresses racial polarization, the evolving cultural identity of American masculinity, and radical projections for the future of religious institutions. The visual focus begins on the front cover with a striking "riot wreath" collage designed by Dennis Akin, combining a photograph by Wallowitch to depict the human anguish, systemic racism, and urban destruction fracturing black and white communities. In the textual features, Clifford W. Edwards provides a forward-looking, countercultural piece titled "Grokking the Church of A.D. 2000," which adapts contemporary science-fiction terminology to analyze institutional religious adaptations. The cultural and media section includes Al Carmines' analytical critique, "3 Views of the American Male," which evaluates shifting cinematic and psychological archetypes of masculinity. The literary and philosophical text is anchored by William Bloom's prose contribution, "With Sympathy and Thanksgiving". Creatively, the volume includes extensive graphic elements, showcasing an etching titled "Renaissance Dreamer" by Noyes Capehart Long on Cover 3, and an experimental text titled "The Fable of the Hare and the Tortoise" by Jerome W. Berryman on Cover 4.…

Staple-Bound Wraps. Condizione: Very Good. Book is illustrated card stock i near fine condition. No markings. Binding is tight. Contents include: University Inside Out; A Portfolio Of Prints By Warrington Colescott; North Vietnam Journal; South Africa Report. And More. The February 1969 issue of motive Magazine (Volume XXIX, Number 5) marks a crucial structural transition as the publication's official imprint shifted to the newly formed Division of Higher Education of the Board of Education of the United Methodist Church. Edited by B. J. Stiles, this installment stands out as a major literary and countercultural milestone, heavily engaging with anti-war philosophy, civil disobedience, and radical social observation. The textual backbone of this issue features prominent collaborative commentary by celebrated Trappist monk and social critic Thomas Merton, alongside the radical anti-war priest Daniel Berrigan and civil liberties journalist Nat Hentoff. Together, these pieces analyze the escalating intersection of faith, draft resistance, and systemic domestic political polarization in early 1969. Creatively and visually, rather than spotlighting a single featured printmaker or sculptor, this 56-page volume serves as an expansive collective showcase, heavily reproducing exceptional, raw, and politically charged 1969 college student art work. This dynamic visual design directly mirrors the magazine's shifting identity away from institutional religiosity toward a bold, faith-based, grassroots liberal activism and student-led social commentary.…

Staple-Bound Wraps. Condizione: Near Fine. Book is illustrated card stock i near fine condition. No markings. Binding is tight. Contents include: So Old So Soon; The Opposition in South Africa; The Revolution Of Freedom: The Christians & The Marxist Struggle And More. The December 1968 issue of motive Magazine (Volume XXIX, Number 3) is a highly sought-after publication of the United Methodist Church's Division of Higher Education. It captures the fierce, shifting crosscurrents of radical politics, generational student division, and international human rights struggles in the immediate aftermath of the turbulent 1968 Democratic National Convention. The political centerpiece is Mark Lieberman's primary investigative report, "So old, so soon, SDS speaks again," offering a critical look at the factional divides inside the Students for a Democratic Society following a tense, three-day National Council assembly in Boulder, Colorado. Shifting from domestic counterculture movements to global systematic crises, Colin Legum contributes an extensive, comparative analysis exposing the mechanics of white supremacy and racial segregation under apartheid in South Africa. On the theological front, the publication addresses changing structural paradigms by examining German theologian Jürgen Moltmann's philosophical engagement with Marxism, radical liberation thought, and structural socio-economic critiques. The creative identity of the issue is anchored by an exhaustive, multi-page feature exploring the intricate portfolio and printmaking aesthetics of artist David Driesbach, a prominent contemporary exponent of experimental and surreal visual graphics.…

Staple-Bound Wraps. Condizione: Near Fine. Book is illustrated card stock i near fine condition. No markings. Binding is tight. Contents include: Four Meanings of 'The Death Of God'; The Church College and the Secular City And More. The April 1966 issue of motive Magazine (Volume XXVI, Number 7) continues the publication's twenty-fifth anniversary volume under the editorial direction of B. J. Stiles and managing editor Ron Henderson. Positioned at the intersection of radical theological shifts and mid-1960s social movements, this issue heavily addresses systemic socio-political power structures and the emergence of the "Death of God" theological movement. The socio-political centerpiece is Mike Thelwell's analytical commentary, "Beyond the Great Consensus: The Politics of Poverty," which deconstructs federal anti-poverty frameworks and advocates for alternative, grassroots community mobilization. In the realm of theology, the issue tackles the contemporary secularization of the church, prominently featuring a collaborative or multi-perspective focus titled "Four Meanings of 'The Death of God,'" which explicitly dialogues with the radical secular concepts advanced by theologians like Paul van Buren and William Hamilton. The creative contributions within this issue serve as experimental and liturgical commentary on the texts. Anthony Towne provides the written text for a special liturgical feature called "Doxology," which is paired with expressive graphic illustrations by artist Elizabeth Korn. The literary section is rounded out by poetic entries, including Gerald Locklin's "Porgy Agonistes," Gemma d'Auria's "A Friday Seed," and Ted-Larry Pebworth's "The Third Day". …

Staple-Bound Wraps. Condizione: Very Good. Book is illustrated card stock i near fine condition. No markings. Binding is tight. Contents include: The Afro-American Past; Color And World Politics. And More. The April 1968 issue of motive Magazine (Volume XXVIII, Number 7) stands as an extraordinary, historically pivotal artifact in 20th-century underground publishing. Released under the editorial guidance of B. J. Stiles during the exact month of Dr. Martin Luther King Jr.'s assassination, this volume captures the American social fabric at a terrifying, transformative boiling point. The primary textual layout confronts the raw mechanics of racial injustice, institutional white supremacy, and the desperate, burning demands for Black Liberation. These urgent domestic reckonings are paired with a searing moral assessment of the Vietnam War, diving into the expanding network of draft resistance and the radicalization of campus anti-war protests. Theologically, the issue mirrors the chaos on the streets, deconstructing traditional institutional religious frameworks in favor of a militant, prophetic liberation theology that demands immediate, concrete social action. Creatively, this issue is a powerhouse of 1960s visual dissent. It features a spectacular multi-page focus showcasing the dark, satirical, and deeply intricate draftsmanship of legendary printmaker and political cartoonist Arthur Geisert. His elaborate etchings offer a biting allegorical critique of bureaucratic corruption and human folly, running alongside a stark selection of avant-garde poetry that feels like an emergency broadcast from the American counterculture. …

Staple-Bound Wraps. Condizione: Very Good. Book is illustrated card stock i near fine condition. No markings. Binding is tight. Contents include: The Dominican Republic: The Results Of Forty Years Of Bungling; Chaos In Science. And More. The December 1965 issue of motive Magazine (Volume XXVI, Number 3) is edited by B. J. Stiles and published by the Methodist Student Movement. This winter volume serves as a critical sounding board for late-1965 progressive thought, heavily confronting the moral crisis of the Vietnam War and the institutional responsibilities of the modern church amid rapid secularization. The defining theological and political text of this issue is a prominent, early anti-war address by the radical activist and theologian William Stringfellow. His commentary offers a scathing critique of American military intervention in Southeast Asia, framing draft resistance and political dissent as essential matters of Christian conscience. Alongside this powerful address, the issue features an intellectually rigorous assessment of contemporary theological ethics, exploring how the Church must adapt to a rapidly evolving, secular world. Creatively, this issue is anchored by the vivid, high-contrast imagery of renowned printmaker and graphic artist Otis Huband. His raw, expressionistic woodcuts and linear graphics visually reinforce the issue's focus on existential anxiety, social protest, and human struggle, which are further explored through a dedicated section of avant-garde poetry and critical book reviews. …

Staple-Bound Wraps. Condizione: Very Good. Book is illustrated card stock i near fine condition. No markings. Binding is tight. Contents include: Wanted: Some Hope For The Future; Violence In Africa: Reality And Strategy. And More. The February 1968 issue of motive Magazine (Volume XXVIII, Number 5) is edited by B. J. Stiles and stands as a major cultural milestone, arriving on the eve of the historic Tet Offensive. This issue heavily addresses the psychological, moral, and systemic fractures dividing the American public over the Vietnam War, draft resistance, and the generational revolt against institutional authority. The primary textual layout centers on a searing, highly influential socio-political dialogue titled "The Seduction of America," which features prominent commentary by radical anti-war activists, legal scholars, and underground journalists. This centerpiece dissects the escalating legal battle over the selective service system, the ethics of civil disobedience, and the domestic cost of international military intervention. Parallel to this, the theological essays offer a sharp, progressive critique of traditional church complacency, advocating for a radical, secular faith embedded directly within the counterculture, campus ministries, and civil rights resistance. Visually and creatively, this issue functions as an experimental gallery of mid-1960s dissent. It features a spectacular, multi-page layout showcasing the raw, high-contrast woodcuts and expressionistic graphics of printmaker Bruce Carter, alongside an intricate portfolio of line drawings and layout design by art editor Dennis Akin. This visual package runs alongside an avant-garde poetry section mirroring the restless, fragmented mood of early 1968. …

Staple-Bound Wraps. Condizione: Very Good. Book is illustrated card stock i near fine condition. No markings. Binding is tight. Contents include:Computing The Future: Automation & Economic Development; James Bond: Americas New Hero. And More. The January 1966 issue of motive Magazine (Volume XXVI, Number 4) is a crucial mid-winter volume edited by B. J. Stiles and published by the Methodist Student Movement. This issue heavily documents the escalating intersection of the mid-1960s civil rights movement, economic inequality, and the evolving theological dialogue surrounding institutional religion's role in modern secular society. The primary socio-political commentary features a substantial layout on the systemic struggles for racial justice and economic reform in the deep South, analyzing both the successes and structural roadblocks following major voting rights demonstrations. Parallel to these domestic crises, the issue challenges current university paradigms, offering a critical look at student alienation, academic freedom, and the growing secularization of campus ministry. Theologically, the texts bridge existential thought with progressive Christian social action, pressing for an active, modern faith that operates directly within urban and political environments rather than behind church walls. The creative identity of this issue is distinguished by the inclusion of powerful visual graphics and block prints that serve as thematic commentary. It highlights an experimental poetry section and showcases striking artistic contributions, including the raw, emotionally charged woodcuts of printmaker Bruce Carter, which underscore the volume's themes of social unrest and human dignity. …

Stiff Card Stock Wraps. Condizione: Very Good. Motive Magazine (January 1967, Vol. XXVII, No. 4) delivers a searing, intellectual critique of American domestic and foreign policy at the dawn of the pivotal year of 1967. Published by the Methodist Student Movement, this influential issue balances progressive theological reflection with sharp, anti-war commentary as the conflict in Vietnam escalates. The volume features a blend of avant-garde poetry, underground graphic illustrations, and analytical essays that challenge institutional racism, socioeconomic inequality, and the ethical moralities of draft resistance, serving as a vital socio-political time capsule of the 1960s campus protest era. Book is illustrated card stock with minor edge wear. Book is clean, tight and bright, no markings. Binding is solid. Pages have yellowed a bit with age. Volume XXVII, # 4. Contents include: New Left Man Meets The Dead God; Islam- Purposeful, But Not Productive. And More!!.…

Stiff Card Stock Wraps. Condizione: Very Good. Motive Magazine's November 1968 special issue, "The Great American Election Machine," delivers a countercultural critique of the United States electoral system during the 1968 presidential election. Published by the Methodist Student Movement, the volume uses radical essays, satire, and artwork to examine the disillusionment of the student movement regarding American democracy. We Go From Here?Book is illustrated card stock with minor edge wear. Book is clean, tight and bright, no markings. Binding is solid. Pages have yellowed a bit with age. Volume XXIX, # 2. Contents include: Wallace: The Self Fulfilling Prophecy; Where Do We Go From Here? And More!!.…

Pictorial Card Covers. Condizione: Very Good. Book is illustrated card stock with minor edge wear. Book is clean, tight and bright, no markings. Binding is solid. Pages have yellowed a bit with age. Volume XXVII, #2. Stands as a landmark, progressive entry of the highly influential monthly periodical published by the Methodist Student Movement. Embracing avant-garde sensibilities and counterculture politics, this specialized issue moves far beyond traditional religious reporting to deliver a sophisticated, radical critique of mid-1960s international filmmaking. Through academic essays, intellectual film reviews, and bold graphic design, the volume explores cinema as a crucial medium for social revolution, analyzing how emerging directors, independent features, and the Czechoslovak and French New Wave movements challenged establishment morality and institutional taboos.…

Stiff Card Stock Wraps. Condizione: Very Good. Motive Magazine (March/April 1967, Vol. XXVII, Nos. 6 & 7) - Special Double Issue stands as one of the most famous, radical, and visually striking entries in the history of the Methodist Student Movement's legendary monthly publication. Released at the height of the Vietnam War and the global counterculture movement, this expanded double volume completely sheds conventional religious layout in favor of avant-garde poetry, underground political essays, and striking anti-war artwork. The magazine serves as an intellectual lightning rod for the mid-1960s New Left, tackling structural racism, civil disobedience, changing sexual ethics, and the draft, which ultimately cemented its reputation as a highly sought-after artifact of American social revolution. Book is illustrated card stock with minor edge wear. Book is clean, tight and bright, no markings. Binding is solid. Pages have yellowed a bit with age. Volume XXVII, # 6. & 7 Contents include: Advance Upon Canaan; The University In A Cybernated Era; Confronting The Machine and More!.…

paperback. Condizione: Fair. March 1968 paperback. Shelf wear and staining to covers and edges. Pages are tanned, but unmarked.

Paperback. Condizione: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good copy with clean pages.

Soft cover. Condizione: Near Fine. Book is illustrated card stock with very light edgewear and bumped corners. Black & white photos throughout. Contents Include: The BEATLES: Troubadours Of The New Kingdom; The Draft & The Generation Gap; All Those Incredible People Dropping Out, and more.

Paperback. Condizione: Good+. First Edition. In pictorial wraps, 4to, 40pp. (light shelfwear, browning to page edges, stain to upper cover at top edge). Includes contributions by: John Tagliabue, Martin Marty, Nat Hentoff, Jack Dobbs, David Wiley, Jim Crane, William Porter, et al. Size: 4to - over 9¾" - 12" tall. Book.…

Paperback. Condizione: Good+. First Edition. In pictorial wraps, 4to, 56pp. (light shelfwear, browning to page edges). Includes contributions by: Judson Crews, Ronald Williams, Newell Snow Booth, Miller Williams, Valdo Galland, John Pauker, et al. Size: 4to - over 9¾" - 12" tall. Book.

Paperback. Condizione: Good+. First Edition. In pictorial wraps, 4to, 72pp. (light shelfwear, browning to page edges, stain to upper cover at top edtge). Includes contributions by: Thomas Webner, Philippe Maury, Jim Crane, Herbert Hackett, Preston Roberts, Thomas C. Oden, John Deschner, Gibbons Ruark, James Hiner, Anthony Towne, et al. 25th anniversary issue. Size: 4to - over 9¾" - 12" tall. Book.…

Hardcover. Condizione: UsedGood. Hardcover; SI Version, Second Vector Edition; fading and shelf wear to exte rior; former owner's stampings on endpaper and first title page; otherwise in good condition with clean text, firm binding.

Softcover. Condizione: Very Good-. Pages are slightly browned. ; "Motive is the magazine of the Methodist Student Movement." Contents include A Mercy Filled and Defiant Christmas, a poem-painting by Kenneth Patchen.

Soft cover. Condizione: Good. No Jacket. 1st paperback edition, 1st printing ; ix, 304 pp. ; illustrated ; color photographic stiff paper wrappers ; LCCN:75-39121 ; ISBN:0801578469 ; Contents: The lure and lore of old toys -- The boundaries of toy collecting -- Starting a collection -- Condition and other factors that affect toy values -- Some techniques of toy collecting -- Identification and research -- Distinguished past, promising future -- Directory of manufacturers -- Identification marks ; foxing and sunning on edges ; crease on cover ; G. Book.…

Trade Paperback. Condizione: Very Good. 279 pp. Solidly bound copy with minimal external wear, crisp pages and clean text. Minor cut and edge wear to front and back cover. Minor stains on front and back cover. Pictures of actual copy -not displayed here!- available upon request.

Hardcover. Condizione: Near Fine. No Jacket. 5th or later Edition. Set of 7 books, all hard bound, all pages clean and tight with no markings, light soiling on page edges, light soiling on book covers, cartoon figures of Sesame Street characters introducing each book, A, B and number 1, C, D and number 2, E and F and number 3, G, H, I and number 4, J, K and number 5, L, M and number 6, n, O, NS p and number 7. Not a complete set, illustrated with drawings and photos of Sesame Street characters teaching letters and numbers. Mel Crawford, Michael Frith, Joseph Mathieu, Harry McNaught, Kelly Oeschsi, Michael J. Smolin, Carol Spinbet (illustratore).…

Magazine. 50p., 8.5x11 inches, previous owner's name penciled on table of contents, pages lightly and evenly toned, else very good magazine. Motive was a Methodist student publication.