Baldung h (9 risultati)

Trade Paperback. Condizione: VG-. used trade paperback edition. lightly shelfworn, corners perhaps slightly bumped. wear to wraps about the spine. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

paperback. Condizione: near fine. Profusely illustrated in b/w. 282 pages. 4to, pictorial wrappers, lightly edgeworn. New Haven: Yale University Art Gallery, (1981). A near fine copy. Catalogue for the travelling exhibition, with stops at the National Gallery and Yale University. Essays by Alan Shestack, Charles W. Talbot and Linda C. Hults. Hans Baldung Grien (illustratore).…

stiff paper wrappers. 4to. stiff paper wrappers. xiv, 281+(1) pages. Essays by Shestack, Charles W. Talbot, and Linda C. Hults. Black and white illustrations. A fine copy. Table of contents, foreword, editors' comments and acknowledgments, list of lenders, bibliographical abbreviations, frequently cited sources. Grien, Hans Baldung (illustratore).…

Soft cover. Condizione: Very Good. Softcover, bound in wraps. Light edge-wear, some spine fading. Text unmarked.

Softcover, 282 pages; very good condition, except spine faded; gift inscription to first blank page; no other internal marks. Foreign shipping may be extra.

Illustrated printed wrappers, 4to, 28 cm, xiv, 281, [1] pp, ills. 89 entries. The exhibition was organized and the catalogue edited by James H. Marrow & Alan Shestack. Contents include: three essays on Baldung and his art: An Introduction to Hans Baldung Grien, by Alan Sheitackl Baldung and the Female Nude, by Charles W. Talbot; Baldung and the Reformation, by Linda C. Halts. From the Editors' Comments: "This exhibition introduces to the American audience the work of Hans Baldung Grien, a German artist active during the first half of the sixteenth century, who is noted for his unprecedented interpretations of traditional religious subjects and his intriguing explorations of topics which sometimes involve imagery of a demonic or erotic nature. His work reflects the changing subject matter and orientation of art in a turbulent period of European history - one which, at least in Germany, nourished a generation of virtuoso draftsmen-painters. Since it is impractical to arrange transatlantic loans of a significant body of sixteenth-century panel paintings, the exhibition is focused upon Baldung's graphic works, particularly his drawings and single-leaf prints. Although Baldung also designed hundreds of woodcut illustrations for printed books, most of these were executed by lesser craftsmen and were subject neither to the care nor to the same degree of the artist's control over cutting and printing as were his single-leaf prints. The latter works, like the drawings, are more accurate reflections of his artistic intentions and therefore constitute the most reliable basis for an evaluation of his graphic style. Most of the genres of Baldung's art are represented in his graphic works and, indeed, he depicted in his prints and drawings many subjects rarely illustrated in his panels. Baldung was, moreover, an inventive and powerful draftsman, whose graphic style has not been studied extensively for many decades. One of the primary aims of the exhibition has thus been to consider this aspect of Baldung's art. . The text of the catalogue has been conceived with a twofold purpose. The essays are designed to introduce readers and visitors to the exhibition, and to explore selected aspects of Baldung's art. The entries are designed to comment extensively upon the exhibited objects, considering such subjects as technique, style, sources, iconography and expression." Near Very Good.…

Paperback. Condizione: New.

Condizione: Good. 4to. 281 pp. Stiff, green and black and white illustrated wraps. Good with sunned spine. Black and white plates, including frontis. Beige, pulpy endpapers. Includes three essays by Alan Shestack, Charles W. Talbot, and Linda C. Hults. Catalogue created on occasion of exhibition at the National Gallery of Art in Washington, D.C. from January 23 through April 5, 1981 and at the Yale University Art Gallery in New Haven, CT from April 23 through June 14, 1981. Heavy volume, additional shipping may apply. First edition.…

No Binding. Condizione: Very Good. Limited Edition. Hans Bildung: [1485-1545] Two 15th century woodcuts from a German Bible with text on the reverse indicating plates 95/96? There are initialled "HB" we believe this to be the artist engraver Hans Bildung/Baldung. One depicts Christ the Redeemer offering salvation and/or death if not following his word and the other depicts St John? Preaching outside the walls of Jerusalem with Jesus in the background entering the city on a donkey. Celestial images adorn the skies. The sizes are 10.5 x 14.5 cm. Tipped onto blue soft 19th century? card Trimmed and removed from 15th century bible. Genuine. c1450-80. NOTE*: Bildung's earliest training as an artist began around 1500 in the Upper Rhineland with an artist from Strasbourg. Beginning in 1503, during the "Wanderjahre" (years of wandering) required of artists of the time, Bildung became an assistant in Albrecht Dürer's studio in Nuremberg, where he perfected his art between 1503 and 1507. HB (Hans Bildung) (illustratore).…