balfour ian (137 risultati)

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

hardcover. Condizione: Good. Crease/bruise to cover and pages.

hardcover. Condizione: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Condizione: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Hardcover. Condizione: Fine. 544 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. The dust jacket is a clear, see through plastic cover. NOTE: Book still in original publisher shrink wrap.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Good. Condizione sovraccoperta: Included. X-Library book. Standard wear to cover and typical library markings. Includes dust jacket. 100% Money Back Guarantee!!!

Condizione: very_good. This books is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Hardcover. Condizione: Very Good. clean, unmarked copy.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Condizione: New.

Hardcover. Condizione: new. Hardcover. Translating the experience of film- filmmakers, writers, and artists explore the elements of film that make us feel "outside and inside at the same time.""Every film is a foreign film," Atom Egoyan and Ian Balfour tell us in their introduction to Subtitles. How, then, to translate the experience of film-which, as Egoyan says, makes us "feel outside and inside at the same time"? Taking subtitles as their point of departure, the thirty-two contributors to this unique collection consider translation, foreignness, and otherness in film culture. Their discussions range from the mechanics and aesthetics of subtitles themselves to the xenophobic reaction to translation to subtitles as a metaphor for the distance and intimacy of film. The essays, interviews, and visuals include a collaboration by Russell Banks and Atom Egoyan, which uses quotations from Banks's novel The Sweet Hereafter as subtitles for publicity stills from Egoyan's film of the book; three early film reviews by Jorge Luis Borges; an interview with filmmaker Claire Denis about a scene in her film Friday Night that should not have been subtitled; and Eric Cazdyn's reading of the running subtitles on CNN's post-9/11 newscasts as a representation of new global realities. Several writers deal with translating cultural experience for an international audience, including Frederic Jameson on Balkan cinema, John Mowitt on the history of the "foreign film" category in the Academy Awards, and Ruby Rich on the marketing of foreign films and their foreign languages-"Somehow, I'd like to think it's harder to kill people when you hear their voices," she writes. And Slavoj Zizek considers the "foreign gaze" (seen in films by Hitchcock, Lynch, and others), the misperception that sees too much. Designed by Egoyan and award-winning graphic designer Gilbert Li, the book includes many color images and ten visual projects by artists and filmmakers. The pages are horizontal, suggesting a movie screen; they use the cinematic horizontal aspect ratio of 1.66-1. Subtitles gives us not only a new way to think about film but also a singular design object.Subtitles is being copublished by The MIT Press and Alphabet City Media (John Knechtel, Director). Subtitles has been funded in part by grants from The Canada Council for the Arts, The Henry N.R. Jackman Foundation, and the Toronto Arts Council, and the Ontario Arts Council. Translating the experience of film: filmmakers, writers, and artists explore the elements of film that make us feel "outside and inside at the same time." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: Very Good. Towards a New Laocoon This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Soft cover. Condizione: Good. Some general wear, name in front, text block clear and binding good. WR.

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Trade Paperback. Condizione: VG-. used trade paperback edition. lightly shelfworn, corners somewhat bumped. light scuffing to covers, bottom edge of text block may be lightly discolored from shelfwear. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. British First. Minimal wear; otherwise a solid, clean copy with no marking or underlining; collectible condition; well illustrated with both black and white and colour photographs and reproductions of paintings; 224 pages; dust jacket is protected by a mylar cover. Book.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 546 pages. Hardcover. Texts in English. Mild shelfwear to the edges of the boards and associated rubbing to the printed acetate jacket. Else, the binding is tight, the interior clean and free of markings. Bound in illustrated paper covered boards and wrapped in a printed acetate jacket. A fascinating look at culture, film, and the intersections between one and the other. Book.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. First edition, 1st printing. Attractive & unread hardcover in Fine+ condition, w/slight nick on printed clear acetate jacket front & slight bowing to binding due to unique oblong presentation, o/w good as new. "'Every film is a foreign film,' Atom Egoyan and Ian Balfour tell us in their introduction to SUBTITLES. How, then, to translate the experience of film---which, as Egoyan says, makes us 'feel outside and inside at the same time'? Taking subtitles as their point of departure, the thirty-two contributors to this unique collection consider translation, foreignness, and otherness in film culture. Their discussions range from the mechanics and aesthetics of subtitles themselves to the xenophobic reaction to translation, to subtitles as a metaphor for the distance and intimacy of film. The essays, interviews, and visuals include a collaboration by Russell Banks and Atom Egoyan, which uses quotations from Banks's novel The Sweet Hereafter as subtitles for publicity stills from Egoyan's film of the book; three early film reviews by Jorge Luis Borges; an interview with filmmaker Claire Denis about a scene in her film Friday Night that should not have been subtitled; and Eric Cazdyn's reading of the running subtitles on CNN's post-9/11 newscasts as a representation of new global realities. Several writers deal with translating cultural experience for an international audience, including Frederic Jameson on Balkan cinema, John Mowitt on the history of the 'foreign film' category in the Academy Awards, and Ruby Rich on the marketing of foreign films and their foreign languages---'Somehow, I'd like to think it's harder to kill people when you hear their voices,' she writes. And Slavoj Zizek considers the 'foreign gaze' (seen in films by Hitchcock, Lynch, and others), the misperception that sees too much." [jacket copy] "Designed by Egoyan and graphic designer Gilbert Li, the book includes many color images and ten visual projects by artists and filmmakers. The pages are horizontal, suggesting a movie screen; they use the cinematic horizontal aspect ratio of 1.66:1. SUBTITLES gives us not only a new way to think about film but also a singular design object." Hardcover w/brilliant corners & crisp edges; 532pp; looks perfectly Fine w/o the printed acetate jacket, quite presentable & collectible.

Hardback. Condizione: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Hardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hard Cover. Condizione: Very Good. First Edition. Hardcover without dust jacket, xiv + 132 pages; very gently used ex-library copy with stamps, labels and card pocket, but no issues noted, all text pages very clean and unmarked.

Hardcover. Condizione: New. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries.

Hardcover. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.