ballatore sandy (16 risultati)

Staplebound Wraps. Condizione: Fine. 4to, pp. unnumbered, [7] color plates.

Soft cover. Condizione: Near Fine. Illustrations Throughout (illustratore). 1st Edition. One Of 750 Copies. 11" X 8 1/2". Exhibition Catalog With A Long Interview With The Artist In 1974. Near Fine, A Little Rubbing Around Spine Edge. No Marks Or Stains Or Creases Or Tears.

Wraps. Condizione: VG+. "Ceramic Art/Contemporary Art, The Dissolution of Boundaries" by Sandy Ballatore. Artists represented are Philip Cornelius; Jack Earl; Sherry Karver Fein; Verne Funk; Joanne Hayakawa; Steve Reynolds; Jerry Rothman & Paul Soldner. ; Exhibition Catalog 10 March - 11 April, 1980; 26 sepia tone; 8vo Oblong; [18] pp.

Soft Cover. Condizione: Fine. First Edition; First Printing. 14 illustrations by various Los Angeles artists. Essay by Sandy Nelson-Ballatore. Published on the occasion of the exhibition at Arco Center for Visual Art, Los Angeles, CA, : February 22 to April 2, 1983. ; Tight and clean. Solid binding. A faint hint of age-tanning to wraps, otherwise in Very Good condition. No inscriptions. No remainder mark. Not ex-library. ; Square 8vo; 32 pages.

Soft cover. Condizione: Very Good. No Jacket. 40 pp. with B/W and full-colour illustrations. Catalogue for an exhibition from April 23 to May 19, 1985 At the Los Angeles Municipal Art Gallery.Light edgewear and shallow 1 inch diagonal crease at lower front corner. The Allrich Gallery stamp on title page. Tucked between pages 10 and 11 are two postcards featuring work by Neda Alhilali, one from the Allrich Gallery, the other from the Bank of America's Plaza Gallery. "Few artists in history, or in contemporary life for that matter, work naturally in the areas of craft and fine art simultaneously. The gap between the fine art and craft realms - which Alhilali ignores - is perpetuated by the artists and craftspeople themselves: they usually place themselves in one area or the other, believing that the two should be different in appearance and purpose. Alhilali reveals, however that masterful art, as in the past, still combines the conceptual assertiveness of fine art with the physical virtuosity of craft. The two cannot be separated in art that expands upon history and moves enthusiastically into the future. 'As the influence of my past becomes clearer,' Alhilali states, 'I am with greater determination involved with the future. My work addresses itself more to the human spirit than to. the art scene. Of course I consider myself fortunate that as a contemporary artist I am at liberty to choose my objective and to combine painting, sculpture, fabric design or any other approach that might appear appropriate.'".

First Edition. First edition. Oblong softcover. 16 pages. Exhibition catalog for a show that ran September 20 through October 20, 1974. Text includes a brief foreword by Sandy Ballatore who also interviews Foulkes as well. Includes numerous black and white illustrations. A near fine copy in stapled wrappers with some very minor wear.

[16] pp.; 21.5 x 27.8 cm.; staple bound; black-and-white; edition size 750; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held September 20 - October 20, 1974. With an interview between Llyn Foulkes and Sandy Ballatore. Includes an exhibition checklist and exhibition history. Good. Curl to spine edge, scratching to covers with edge wear and 1.5 cm. bumping to upper right corner of catalogue. Contents otherwise clean and unmarked.

Condizione: Good. 4to. 53 pp. Very good with marginal edgewear. Soft cover. Includes black and white plates. Wrappers feature reproduction of Room with Twin Skylights, Facing Wall Removed by Robert Irwin. Also includes essays by Sandy Ballatore, Mary Stoffier, Lucy Lippard, Pamela Hammond, Lee Fleming et al. First edition.

Softcover. Condizione: VG. Summer 1982. Color pictorial wraps, 84 pp., profuse bw images, several in color. Second anniversary issue, with these articles: "Morandi and [Paul] Wonner: The Metaphysical Philosopher Meets the Abstract Realist," by Suzann Beottger and Sandy Ballatore; "New Art in Seattle," by Pamela Hammond; and "James Turrell: Lights," by Pamela Hammond. Includes reviews of exhibitions and performances, including the following artists: Judy Simonian, Jim Morphesis, Emerson Woeffler, Neda Al-Hilali, Andy Spence, Billy Al Bengston, John Buck, Ree Morton, Carl Chew, Gifford Myers, Lynda Barry, Guy Williams, Herbert Bayer, Stephen De Staebler, Morris Graves, Edie Ellis, Donna Henes, Carole Caroompas, and Joseph White. Chronicles histories of galleries in Los Angeles, Santa Monica, Santa Barbara, and San Francisco.

Paperback. Condizione: Good. Pages clean; bottom 2" of spine split (below the lower staple), else moderate wear to covers. Staple-bound 32-page booklet. Catalogue for an exhibition at George Sand Gallery, January 8 - February 28, 1977. Among the artists included: Dona Geib, Ann Gerber, Virginia Holt, Maggie Landau, Elisa Lottor, Sandra McKee, Lorel Michel, Cece Milder, Ginette Mizraki, Mari Stein, Norma Jean Squires. Size: 8" x 9".

48 + pp.; 27.9 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; August-September 1975 issue of Journal, edited by Peter Clothier. Contents include: "Editorial Comment," by Peter Clothier; "'We the People,' a Proposal," by Joyce Shaw; "Thoughts Toward Two Art Pieces," by David MacDermott; "Up from the Hole," by Tom Edwards; "Cast Aspersions," by Tim Spain; "Libra Piece," by David Antin; "Of What Use Are They: Women in Industry," by Barbara T. Smith; "Poem, for Shirley and Wallace," by Michael McClure; "Influencing Events #4/Putting Surface," by John White; "Alexis Smith: Object-Language Collages," by Sandy Ballatore; "Excerpts from Nine Fantasy Projections," by Diane Calder Belsley; "Postcards," by Norman Lock; "Untitled," by Rachel Rosenthal; "Poem," by Stephanie Jackson; "'Redder, Bluer, Yellower,'" by Vincent Robbins; "Autobiography/History," by Fred Lonidier; "Poems," by Edie Danieli; "Robuses," by Richard Turner; "Performance Notes: Marlin Line, Part 2," by Claudia Chapline; "McTowersmaid: Food Novel 2," by Martha Rosler; "Schemata for Construction of a Solar System," by B.J. Goldberg; "Write: Rite," by S. Weisser; "Pages from Three Books," by Bruce Fier; "Two Poems," by Morrie Warshawski; "Untitled," by Paul Dillon; "Transcription of a Story.," by Joe Potts; "John White: a Review," by Pat Trimble "Catalog: Subject/Object Show." Cover by Joyce Shaw. Very Good. Rubbing of covers and cover edges. 3.5 cm. dog-ear to bottom left corner of verso and 2.3 cm. of creasing to top right corner of recto. Contents clean and unmarked.

Condizione: Good. 8vo. Square. [62] pp. Soft Cover. Stapled Wraps. Black and white plates throughout. Very Good, covers toned.Provenance: From the collection of the Peter Norton Family Foundation, Santa Monica, CA. In 2003, Norton, the founder of Norton Utilities, became the chairman of the board of MoMA PS1.

Paperback. Condizione: Good. First Edition. 72 pages. Features: Political Textiles in American History; Contemporary Political Fiber - criticizing the social fabric; Judy Chicago's Fiber Art - revising history, changing society; The Afghan War Rugs - fiber expressions from a war-torn country; Political Fiber - a portfolio; The Krefeld Experiment - changing the course of industrial embroidery; Lou Cabeen; Emiko Toda Loeb; Pamela Becker; and more. Clean and unmarked with moderate wear. A sound copy.; Magazine; 4to - over 9¾" - 12" tall; Fiberarts - The Magazine of Textiles, Summer 1990, Vol. 17, No. 1 - Political Fiber Political Textiles in American History; Contemporary Political Fiber - criticizing the social fabric; Judy Chicago's Fiber Art - revising history, changing society; The Af.

Soft cover. Condizione: Very Good. Slim quarto, approx 11 inches tall, 48pp, an illustrated up-side-down book, each side with the opposite point of view in narrative, in publisher's pictorial wrappers, staple-bound (moderate wear, hint of toning, else very good).

62 pp.; 26.8 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; The first issue [only published issue?] of Images & Issues Magazine, published in Summer 1980. Edited by Sandy Ballatore. Contents include: "Photography's Response to Constructivism," by Robert Atkins; "Nothing is Better than the First Attempt: Jay McCafferty and Gregg Renfro," by Sandy Ballatore; "Space/Time/Sound-1970s," by Mary Stofflet; "Vija Celmins: A Survey Exhibition," by Jan Butterfield; "Ed Moses and Peter Lodato: Analysis of Two Painters," by Adrienne Rosenthal; "Post Post-Art, Where Do We Go From Here," by Douglas Davis; "Reality Games," by Sandy Ballatore; "Philip Guston: A Very Anxious Fix," by Jan Butterfield; "Art, Audience, and the Dinner Party," by Judy Chicago; "Taste, Kitsch, Art, Metaphor: Steven Kaltenbach," by Charles Shere; "A Barbizon of Performance: What's Cooking III, San Diego," by Sanda Agalidi; "Scott Burton: Individual Behavior Tableaux," by Michael Auping; "John Cage on Joyce, Duchamp, Satie," by Robert Atkins and "How Long is the Present?," by David Antin. Cover: Werner Mantz. Very Good. Dusting of covers and light edge wear. Contents clean and unmarked.

Soft cover. Condizione: Very Good. 1st Edition. Sm.4° - 18 issues - 64pp each - B/w reproductions. 18 Issues as from Winter 1980-1981 to July/August 1984 of Images & Issues - Contemporary Art Review.Written by a writer/artist/curator/educator, this book is a treasure. Sandy Ballatore (Nelson) has taught art history, writing, and English to all ages, from first grade through adults. Text in English language. Original wrappers (Milano Kazanjian, Arata Isozaki, carlos Almariz, Tom Holland, Joyce Treiman, Pegan Brooke & Terry Schoonhoven). In Very good condition.