barberini maria giulia (36 risultati)

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Trade Paperback. Condizione: Good. This is a clean book with light wear. Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condizione: new. Hardcover. Jennifer Montagu is a world-renowned art historian whose name has become synonymous with the study of Italian Baroque sculpture. In honor of Jennifer Montagu's immeasurable contribution to the field of Italian Baroque sculpture, sixty-two of the foremost scholars of European sculpture have been invited to participate in a symposium in her honor on 6 - 7 September 2013 at the Wallace Collection, London. Thirty of the papers presented there were selected for the publication as a tribute to this generous colleague and friend who has inspired and mentored dozens of younger historians in European art. Dr. Montagu's academic work began in Political Science at Oxford, but conversations with Ernst Gombrich led her to pursue an advanced degree in art history instead. In 1963, long before the study of Italian bronze statuettes reached the level of interest that it enjoys today, her classic survey, simply titled Bronzes, was met with great enthusiasm, eventually being printed in five languages. Montagu taught at the University of Reading until 1964, when she became an assistant curator of the Photographic Collection at the Warburg Institute. In 1971 she became a full curator of the collection, a position she held until 1991. During these years she published at an indefatigable rate, and following her retirement from that post, her productivity only increased. Montagu was a Slade Professor of Fine Art at Cambridge University, a Mellon Professor at the Center for Advanced Study in the Visual Arts (National Gallery of Art,Washington, D.C.), and a visiting professor at the College de France. Montagu's numerous publications include her monumental study of Alessandro Algardi (Yale University Press, 1985), Roman Baroque Sculpture: the Industry of Art (Yale, 1989) and Gold, Silver and Bronze: Metal Sculpture of the Italian Baroque (Mellon Lectures, CASVA; Yale University Press, 1996). She was appointed LVO (Royal Victorian Order) in 2006 for services to the Royal Collection and CBE (Commander of the Most Excellent Order of the British Empire) in 2012 for her contribution to the history of art. In honor of Jennifer Montagus immeasurable contribution to the field of Italian Baroque sculpture, sixty-two of the foremost scholars of European sculpture have been invited to participate in a symposium in her honor on 6 - 7 September 2013 at the Wallace Collection, London. This book is a tribute to the world-renowned art historian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

HARD BACK. Condizione: Very Good. First. 283pp. Lavishly illustrated in colour & b&w. Heavy item, may attract additional postage.

Hardcover. Condizione: New.

Condizione: new.

Hardback. , . NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.Author: Carlolyn H. MinerFormat: HardbackNumber of Pages: 576Jennifer Montagu is a world-renowned art historian whose name has become synonymous with the study of Italian Baroque sculpture. In honor of Jennifer Montagu's immeasurable contribution to the field of Italian Baroque sculpture, sixty-two of the foremost scholars of European sculpture have been invited to participate in a symposium in her honor on 6 - 7 September 2013 at the Wallace Collection, London. Thirty of the papers presented there were selected for the publication as a tribute to this generous colleague and friend who has inspired and mentored dozens of younger historians in European art. Dr. Montagu's academic work began in Political Science at Oxford, but conversations with Ernst Gombrich led her to pursue an advanced degree in art history instead. In 1963, long before the study of Italian bronze statuettes reached the level of interest that it enjoys today, her classic survey, simply titled Bronzes, was met with great enthusiasm, eventually being printed in five languages. Montagu taught at the University of Reading until 1964, when she became an assistant curator of the Photographic Collection at the Warburg Institute. In 1971 she became a full curator of the collection, a position she held until 1991. During these years she published at an indefatigable rate, and following her retirement from that post, her productivity only increased. Montagu was a Slade Professor of Fine Art at Cambridge University, a Mellon Professor at the Center for Advanced Study in the Visual Arts (National Gallery of Art,Washington, D.C.), and a visiting professor at the College de France. Montagu's numerous publications include her monumental study of Alessandro Algardi (Yale University Press, 1985), Roman Baroque Sculpture: the Industry of Art (Yale, 1989) and Gold, Silver and Bronze: Metal Sculpture of the Italian Baroque (Mellon Lectures, CASVA; Yale University Press, 1996). She was appointed LVO (Royal Victorian Order) in 2006 for services to the Royal Collection and CBE (Commander of the Most Excellent Order of the British Empire) in 2012 for her contribution to the history of art. Hardback.

'Brossurato, leggerissimi i segni di lettura lungo la copertina. In ottimo lo stato dell''interno.' Pagine: 209 Peso: 1.

Condizione: New.

1st Edition. Fine cloth copy in an equally fine dust-wrapper, now mylar-sleeved. Particularly well-preserved overall; tight, bright, clean and strong. Physical description xvii, 283 pages; 32 cm. Subjects: Arts, Baroque Italy Rome; Exhibitions. Arts, Italian Italy Rome; Exhibitions. Art and society Italy Rome History 17th century; Exhibitions. Arts, Baroque Italy Rome. Palaces Italy Rome History 17th century. Rome (Italy) Civilization 17th century. 2 Kg.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. In honor of Jennifer Montagus immeasurable contribution to the field of Italian Baroque sculpture, sixty-two of the foremost scholars of European sculpture have been invited to participate in a symposium in her honor on 6 - 7 September 2013 at the Wallace Collection, London. This book is a tribute to the world-renowned art historian. Num Pages: 576 pages. BIC Classification: ACQB. Category: (G) General (US: Trade). Dimension: 178 x 254 x 47. Weight in Grams: 1948. . 2015. Hardcover. . . . .

1st Edition. Fine cloth copy in an equally fine dust-wrapper, now mylar-sleeved. Particularly well-preserved overall; tight, bright, clean and strong. Physical description xvii, 283 pages; 32 cm. Subjects: Arts, Baroque Italy Rome; Exhibitions. Arts, Italian Italy Rome; Exhibitions. Art and society Italy Rome History 17th century; Exhibitions. Arts, Baroque Italy Rome. Palaces Italy Rome History 17th century. Rome (Italy) Civilization 17th century. 2 Kg. Item is Shipped from Ireland or US locations.

Pagine: 71 Peso: 500 Misure: 24x15cm Brossura illustrata con alette, buona copia ben conservata usuali tracce del tempo.

Hardcover. Condizione: Brand New. 01 edition. 575 pages. 10.00x7.00x1.75 inches. In Stock.

Condizione: New. In honor of Jennifer Montagus immeasurable contribution to the field of Italian Baroque sculpture, sixty-two of the foremost scholars of European sculpture have been invited to participate in a symposium in her honor on 6 - 7 September 2013 at the Wallace Collection, London. This book is a tribute to the world-renowned art historian. Num Pages: 576 pages. BIC Classification: ACQB. Category: (G) General (US: Trade). Dimension: 178 x 254 x 47. Weight in Grams: 1948. . 2015. Hardcover. . . . . Books ship from the US and Ireland.

Collana Il Divano n. 114 - in 16° - pp.111 - Brossura editoriale con copertina illustrata - Libro nuovo.

Condizione: New. KlappentextrnrnIn honor of Jennifer Montagus immeasurable contribution to the field of Italian Baroque sculpture, sixty-two of the foremost scholars of European sculpture have been invited to participate in a symposium in her honor on 6 - 7 Sept.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. 283 pages, superbly illustrated in colour and black and white. The catalogue for the major exhibition, written by the foremost scholars in the field.A heavy book, additional postage will be requested.

Condizione: BUONO USATO. IED. Itinerari d' arte e di cultura. Basiliche ITALIANO Brossura editoriale in cartonato flessibile lucido, copertina con alette ben tenuta, illustrata da fotografia a colori. Perfettamente tenute le pagine, velate da tonalità brunita, così i tagli integri e puliti, ricche di tavole a colori e in bianco e nero, con didascalie nel testo. Il volume potrebbe contenere timbri, il materiale è stato regolarmente acquisito dalla nostra Libreria. Numero pagine 71.

Condizione: NEW.

Condizione: NEW.

Hardcover. Condizione: new. Hardcover. Jennifer Montagu is a world-renowned art historian whose name has become synonymous with the study of Italian Baroque sculpture. In honor of Jennifer Montagu's immeasurable contribution to the field of Italian Baroque sculpture, sixty-two of the foremost scholars of European sculpture have been invited to participate in a symposium in her honor on 6 - 7 September 2013 at the Wallace Collection, London. Thirty of the papers presented there were selected for the publication as a tribute to this generous colleague and friend who has inspired and mentored dozens of younger historians in European art. Dr. Montagu's academic work began in Political Science at Oxford, but conversations with Ernst Gombrich led her to pursue an advanced degree in art history instead. In 1963, long before the study of Italian bronze statuettes reached the level of interest that it enjoys today, her classic survey, simply titled Bronzes, was met with great enthusiasm, eventually being printed in five languages. Montagu taught at the University of Reading until 1964, when she became an assistant curator of the Photographic Collection at the Warburg Institute. In 1971 she became a full curator of the collection, a position she held until 1991. During these years she published at an indefatigable rate, and following her retirement from that post, her productivity only increased. Montagu was a Slade Professor of Fine Art at Cambridge University, a Mellon Professor at the Center for Advanced Study in the Visual Arts (National Gallery of Art,Washington, D.C.), and a visiting professor at the College de France. Montagu's numerous publications include her monumental study of Alessandro Algardi (Yale University Press, 1985), Roman Baroque Sculpture: the Industry of Art (Yale, 1989) and Gold, Silver and Bronze: Metal Sculpture of the Italian Baroque (Mellon Lectures, CASVA; Yale University Press, 1996). She was appointed LVO (Royal Victorian Order) in 2006 for services to the Royal Collection and CBE (Commander of the Most Excellent Order of the British Empire) in 2012 for her contribution to the history of art. In honor of Jennifer Montagus immeasurable contribution to the field of Italian Baroque sculpture, sixty-two of the foremost scholars of European sculpture have been invited to participate in a symposium in her honor on 6 - 7 September 2013 at the Wallace Collection, London. This book is a tribute to the world-renowned art historian. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condizione: Neu. Neuware - A tribute to an art historian who fundamentally changed the way we think about Baroque sculpture. A selection of papers from thirty leading scholars of European sculpture, in honor of Jennifer Montagu's contribution to the field of Italian Baroque sculpture.

Brossura. Condizione: new. A cura di De Angelis D'Ossat M. e Schiavon A.Roma, 2011; br., pp. 304, ill. b/n e col., tavv., cm 21x30.(Arte, Disegno, Rilievo, Design). Il volume, frutto del lungo lavoro di ricerca supportato da Getty Foundation di Los Angeles, ridisegna la storia del Palazzo di Venezia - ora sede del Museo Nazionale - e delle sue collezioni di scultura, testimonianze della "vocazione" del monumento già dalla metà del XV secolo. Attraverso le indagini archivistiche, il testo ricostruisce le vicende politiche, diplomatiche e architettoniche legate al maestoso edifìcio dal 1564, a seguito della donazione da parte di papa Pio IV Medici alla Serenissima Repubblica di Venezia; e dal successivo passaggio, dopo le campagne napoleoniche e il Trattato di Campoformio (1797), al dominio degli Asburgo per ospitare l'Ambasciata austriaca presso la Santa Sede e, dal 1871, la legazione austro-ungarica presso il Regno d'Italia. Al contempo, il volume analizza la formazione e la successiva dispersione delle collezioni di scultura antica raccolte nel palazzo dai cardinali veneziani Pietro Barbo, divenuto poi papa Paolo II (1464-1471) e Domenico Grimani, titolare di San Marco dal 1503 al 1523. Sulla traccia delle fonti storiche e dei disegni di Amico Aspertini e di Frans Floris, si è potuto ricostruire il fasto delle collezioni archeologiche conservate nell'edifìcio e oggi confluite nei più importanti musei italiani e stranieri. Libro.

Brossura. Condizione: new. Roma, Museo Nazionale del Palazzo Venezia, 22 ottobre - 21 dicembre 2008.A cura di Barberini M. G.Roma, 2008; br., pp. 104, 57 ill. b/n e col., cm 21x27. La brigantina è "un vestito da battaglia" utilizzato a protezione del busto, delle anche e, talvolta, delle braccia che garantiva allo stesso tempo un'ampia libertà di movimento. Fu nel Trecento che venne introdotto il termine "brigantina", per indicare l'equipaggiamento leggero in dotazione a drappelli di mercenari detti appunto briganti, a sua volta derivante dal francese brigaille (multicolore), probabilmente riferito all'abbigliamento variegato di queste truppe. Pur coesistendo con le armature a piastra, le brigantine venivano indossate sia da personaggi illustri che da semplici gregari, e sempre più spesso fornite alle truppe di fanteria e cavalleria, la produzione di brigantine raggiunse i massimi livelli esecutivi nel corso del XVI secolo. In questo volume viene illustrata la brigantina Odescalchi, dei primi del '500, composta da petto e schiena interamente corazzati da più di seicento lamelle sovrapposte e da parti di maglia di ferro ad anelli su spalle e fianchi. Dopo il recente intervento di restauro, la brigantina può oggi finalmente tornare ad essere esposta nel Museo Nazionale del Palazzo di Venezia tra gli altri capolavori della collezione d'armi Odescalchi. Libro.

Condizione: Used: Very Good. Bords de jaquette légèrement froissés sinon très bon état.

Condizione: UsatoBuono. Bross.con cop. ill. a col., cm 27x21, pp 303, molte tavv. e ill. a col. e b/n.

.- Roma. 1989. Fratelli Palombi. 4º menor. 72 p. Profusión de fotos e ilustraciones intercaladas. . . .