Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Barbieri, Gian Paolo (illustratore). Presumed First Edition. Presumed first edition. 14 x 11 inches. Translated from the Italian. Printed in Italy, November 2004. Bound in off-white cloth hardboards, with brown lettering. Unbumped spine head and tail, and with sharp corners. Text block firmly bound in. With 103 numbered pages. Commentary by Giusi Ferré and Martina Corgnati. The book with numerous duo-tone photo images by Barbieri, including some triple-page spreads. An immensely clean interior; no fingering marks or other demerits observed. Either unread or very lightly read. Note that there is a vertical semi-crease near the fore-edge of the blank rear FEP, fairly minor. The transparent plastic dustjacket is fully illustrated. In a light-duty slipcase of black card stock. The slipcase with a small discreet label to the bottom rear. A Fine copy in a Fine DJ in a Very Good slipcase. 3 lbs. 2 oz. Gian Paolo Barbieri [b. 1938] is a photographer primarily known as a fashion photographer. A self-taught photographer, his first professional work was an apprenticeship to a Harper's Bazaar photographer. Barbieri opened his own studio in Milan in 1964. Barbieri photographs in analog and does not retouch his pictures. One of his early cameras was a Reflex Voigtländer 35mm. In 1968 he was awarded the Biancamano Prize as Best Italian Photographer and was named one of the 14 best international fashion photographers by the German magazine Stern in 1978. The book "innatural is about fragments of tropical nature, a distinguishing subject of Gian Paolo Barbieri's research, carried out all over the Southern Hemisphere, from Madagascar to the Seychelles, from Polynesia to Tahiti. This deluxe book, consisting of 50 photographs sumptuously printed and created with large negatives, is organized in single pieces, as well as in 'diptychs' and 'polyptychs,' proposing different variations on the same subject. The selection reflects the wealth of the references of the photographer, who constantly casts a glance at the history of art, in particular to Gauguin.".
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