Barcet e (4 risultati)
Da: Jean-Paul TIVILLIER, MEYS, FranciaJean-Paul TIVILLIER
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 5,00
EUR 23,00 spedizioneSpedito da Francia a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloPARIS, Édition Française Illustrée, 30, rue de Provence, 1916, FA.31x23,5, fascicule en 1 cahier agrafé au dos; couverture illustrée en couleurs (les 2 plats); 16 pages en pagination suivie sur l'année (273 à 288), y compris la couverture; illustrations en noir et en couleurs in et hors-texte - illustrations pleine page couleurs… de M. de GASTYNE, LEROY, MAHIAS, CAPPIELLO (double page), GUYON, VILLEMOT, P. ALLIER. (Collection La Baïonnette - 2e Année - N°44 - 04 Mai 1916). Bon état général. Français Revues.
- Altre immagini
Editore: Félix Juven ca 1910, Paris, 1910
- Rilegato
Da: Librairie Aubry, Cormeray, FranciaLibrairie Aubry
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Quasi ottimo
EUR 30,00
EUR 27,10 spedizioneSpedito da Francia a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloCouverture rigide. Condizione: Bon. Illustrations de E. Barcet dont 4 hors texte en couleurs. Petite mouillure en marge sur les 100 dernières pages, coins émoussés. Bon état. Réf 21954. In-12 (14x16 cm), 301 pages, reliure d'époque (486g).
- Altre immagini
Editore: PARIS, 1906
Da: Le-Livre, SABLONS, FranciaLe-Livre
Contatta il venditoreVenditore con 5 stelleMembro dell’associazione: ILAB
Condizione: Usato - Quasi ottimo
EUR 35,80
EUR 42,00 spedizioneSpedito da Francia a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloPas de couverture. Condizione: bon. ROD0081397: 21 avril 1906. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 16 pages illustrées de nombreuses gravures en noir et blanc. Premier et second plats illustrés en couleurs par Barcet et Ricardo Florès. . . . Classification Dewey : 70.441-Journaux sa…tiriques anciens.
- Altre immagini
Editore: Paris, 1896
- Rilegato
- Arte / Stampa / Poster
Da: Trillium Antique Prints & Rare Books, Franklin, TN, U.S.A.Trillium Antique Prints & Rare Books
Contatta il venditoreVenditore con 3 stelleCondizione: Usato - Ottimo
EUR 281,56
EUR 8,68 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Fine. This first edition, folio lithograph after a poster is from "Les Maitres de l'Affiche". The work was published by Imprimerie Chaix under the direction of Jules Cheret in Paris between 1896 and 1900. The prints were published as a monthly subscription, with 4 sent each month to subscribers. On 16 occa…sions "bonus" plates of original designs by noted artists were also included. Each lithograph features the blind embossed stamp of Maitres de l'Affiche designed by Cheret. Celebrated artists of the time contributed to the work including Steinlen, Mucha, Toulouse-Lautrec, Bonnard, Forain, Grasset, Meunier, Louis Rhead, Dudley Hardy, Beggarstaff, Edward Penfield et al. --- Jules Cheret was considered the father of poster art. "He dominated the series, with one in every four Maitres by him, the first in each monthly instalment, and 7 of the Special plates, a total of 67. With over 1000 poster designs to his credit, his large representation in the series is justified, although some critics have pointed out that, as the artistic director, he may have been biased towards selecting his own work." (Appelbaum p.iii) Cheret demonstrated a unique combination of artistic, technical, and entrepreneurial talent that spearheaded the poster industry. He opened his own print shop in 1866 in Paris and from 1881 on his shop operated as part of the Chaix firm which gave us "Les Maitres de l'Affiche". --- Among the most sought after plates in the work are the "Job" and "Moulin Rouge" by Toulouse Lautrec. Rennert noted of the "Job" by Mucha that "more than any other work of Mucha's, this beauty established him as the master of convoluted hair and the creator of unforgettable popular images; the poster was used for years in many variants all over the world, sometimes with marginal text in various languages. A classic by any standard." (Rennert, PAI-XLIX 389) "Jane Abdy called it "a secular icon," and indeed it is a magnificent production, considering that it advertises cigarette paper. "The background, in a dull imperial purple is a perfect foil for the golden curls of the smoking girl, whose locks are spread over the poster like the delicate filigree work of an Indian bracelet"(Abdy, p.136) --- This art subscription was created during the Belle Epoque period in France. "There was nothing exclusive about the 'joie de vivre' that swept Paris, at a delirious pace, out of the 19th century into the 20th. As Victor Hugo had observed, the city lived by, and for, the whole human race. Haussman's great boulevards had opened up a spacious stage where Paris made a spectacle of herself by day and night. Outdoors and indoors the walls of buildings flowered with posters that took their themes from the passing show of 'La Vie Parisenne.' Advertising never knew happier days. The most ephemeral of the arts has left us with a vision of the 'good old days' that vanished forever in the gunsmoke of 1914. Those gay nineties and naughty noughts that will always be remembered as 'La Belle Epoque.'(The beautiful era)" (Horizon p. 97) --- "By the 1890s the streets of every great metropolis were enlivened by large colourful posters (see The Great Poster Movement). The poster had not only caught the fancy of the broad public, but its best examples were already being regarded as works of art (specifically, as fine prints) to be exhibited, reviewed in journals, collected and reprinted in a manageable form. In the last five years of the century, the Imprimerie Chaix was to play great part in codifying, hallowing and perpetuating the ebullient period of 'La Belle Epoque.' It was in those years that the firm published "Les Maitres de l'Affiche" (Masters of the Poster) reduced lithographic versions, in authentic colours, of the best posters of Europe and America, by more than 90 great artists, posters that bring the period to life." (Appelbaum p.iii) --- The work is in very good to excellent condition. There may be a few minor imperfections to be expected with age. Please review the ima. E.Barcet (illustratore).
