bardazzi adele (113 risultati)

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Paperback or Softback. Condizione: New. A Gaping Wound: Mourning in Italian Poetry. Book.

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Condizione: New. New edition NO-PA16APR2015-KAP.

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hardcover. Condizione: Fine.

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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. «Deeply versed in recent theoretical discussions of the lyric form in general and the elegy in particular, Adele Bardazzi also brings to bear queer thinking on temporality and philosophical treatments of mourning to shift the understanding of Montale's verse, contesting the division between an early lyrical phase and a later ironic phase. A rich combination of sensitive readings and critical reflection.»(Jonathan Culler, Cornell University, Author of Theory of the Lyric) «In a series of carefully wrought readings of poems in which Montale writes of his lost loves, death, mourning, and his own quite particular vision of the afterlife, Adele Bardazzi both challenges traditional interpretations of Montalian poetic beloveds and offers her own convincing overview of the eschatological dimension of one of the twentieth century's most essential bodies of verse. A surprisingly fresh take on a much-studied poet, this fine book gives new life to the realm of death in which Montale's poetry of mourning is so tenaciously rooted.»(Rebecca West, William R. Kenan, Jr. Distinguished Service Professor Emerita of Italian, University of Chicago)?«Adele Bardazzi's book offers an original perspective on Montale's work. The poetics of mourning allows on the one hand to read the text in the light of the theory of the lyric and, on the other hand, to highlight the importance of some figures in Montale's poetry, through an evocative comparison with the myth of Orpheus and Eurydice and that of Persephone.» (Niccolò Scaffai, Associate Professor of Literary Criticism and Comparative Literature, University of Siena)?This book is as much about the living as it is about the dead. It investigates how the dead dwell in the world of the living and how that continuing relationship has inspired particular forms of poetic writing. It analyses how poetry assumes the key responsibility of voicing grief and thus creates a unique space in which the dead's presence is sustained, in a constant state of potential transformation and renewal.This monograph explores this topic with reference to one of the most important poets of the twentieth century, Eugenio Montale (1896-1981), and his principal collections, from Ossi di seppia (Cuttlefish Bones) (1925) to Quaderno di Quattro anni (Notebook of Four Years) (1977). These primary texts are enhanced by a critical framework that brings three different areas of enquiry into dialogue: scholarship on mourning, theories of the lyric, and feminist approaches. Questions explored include the following: How does mourning become a crucial creative and ethical force in literature? What kind of poetry draws on, and may even require, the presence of an absent female lyric addressee? How does this affect the nature of poetic discourses on mourning and lyric poetry more broadly? This book offers the first comprehensive study of Montale's poetics of mourning accessible to both scholars in Italian Studies and scholars interested, more broadly, in modern poetry,

Brossura. Condizione: new. Osimo, 2023; br., pp. 88, cm 15x21,5.(Lacustrine. 21). Libro.

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Paperback. Condizione: new. Paperback. Deeply versed in recent theoretical discussions of the lyric form in general and the elegy in particular, Adele Bardazzi also brings to bear queer thinking on temporality and philosophical treatments of mourning to shift the understanding of Montales verse, contesting the division between an early lyrical phase and a later ironic phase. A rich combination of sensitive readings and critical reflection.(Jonathan Culler, Cornell University, Author of Theory of the Lyric) In a series of carefully wrought readings of poems in which Montale writes of his lost loves, death, mourning, and his own quite particular vision of the afterlife, Adele Bardazzi both challenges traditional interpretations of Montalian poetic beloveds and offers her own convincing overview of the eschatological dimension of one of the twentieth centurys most essential bodies of verse. A surprisingly fresh take on a much-studied poet, this fine book gives new life to the realm of death in which Montales poetry of mourning is so tenaciously rooted.(Rebecca West, William R. Kenan, Jr. Distinguished Service Professor Emerita of Italian, University of Chicago) Adele Bardazzis book offers an original perspective on Montales work. The poetics of mourning allows on the one hand to read the text in the light of the theory of the lyric and, on the other hand, to highlight the importance of some figures in Montales poetry, through an evocative comparison with the myth of Orpheus and Eurydice and that of Persephone. (Niccolo Scaffai, Associate Professor of Literary Criticism and Comparative Literature, University of Siena) This book is as much about the living as it is about the dead. It investigates how the dead dwell in the world of the living and how that continuing relationship has inspired particular forms of poetic writing. It analyses how poetry assumes the key responsibility of voicing grief and thus creates a unique space in which the deads presence is sustained, in a constant state of potential transformation and renewal.This monograph explores this topic with reference to one of the most important poets of the twentieth century, Eugenio Montale (18961981), and his principal collections, from Ossi di seppia (Cuttlefish Bones) (1925) to Quaderno di Quattro anni (Notebook of Four Years) (1977). These primary texts are enhanced by a critical framework that brings three different areas of enquiry into dialogue: scholarship on mourning, theories of the lyric, and feminist approaches. Questions explored include the following: How does mourning become a crucial creative and ethical force in literature? What kind of poetry draws on, and may even require, the presence of an absent female lyric addressee? How does this affect the nature of poetic discourses on mourning and lyric poetry more broadly? This book offers the first comprehensive study of Montales poetics of mourning accessible to both scholars in Italian Studies and scholars interested, more broadly, in modern poetry, discourses of mourning, and lyric theory. This book offers the first comprehensive study of Italian poet Eugenio Montales poetics of mourning. His principal collections are read through a critical framework using scholarship on mourning, lyric theory and feminist approaches. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Taschenbuch. Condizione: Neu. Neuware -«Deeply versed in recent theoretical discussions of the lyric form in general and the elegy in particular, Adele Bardazzi also brings to bear queer thinking on temporality and philosophical treatments of mourning to shift the understanding of Montale's verse, contesting the division between an early lyrical phase and a later ironic phase. A rich combination of sensitive readings and critical reflection.»(Jonathan Culler, Cornell University, Author of Theory of the Lyric) «In a series of carefully wrought readings of poems in which Montale writes of his lost loves, death, mourning, and his own quite particular vision of the afterlife, Adele Bardazzi both challenges traditional interpretations of Montalian poetic beloveds and offers her own convincing overview of the eschatological dimension of one of the twentieth century's most essential bodies of verse. A surprisingly fresh take on a much-studied poet, this fine book gives new life to the realm of death in which Montale's poetry of mourning is so tenaciously rooted.»(Rebecca West, William R. Kenan, Jr. Distinguished Service Professor Emerita of Italian, University of Chicago) «Adele Bardazzi's book offers an original perspective on Montale's work. The poetics of mourning allows on the one hand to read the text in the light of the theory of the lyric and, on the other hand, to highlight the importance of some figures in Montale's poetry, through an evocative comparison with the myth of Orpheus and Eurydice and that of Persephone.» (Niccolò Scaffai, Associate Professor of Literary Criticism and Comparative Literature, University of Siena) This book is as much about the living as it is about the dead. It investigates how the dead dwell in the world of the living and how that continuing relationship has inspired particular forms of poetic writing. It analyses how poetry assumes the key responsibility of voicing grief and thus creates a unique space in which the dead's presence is sustained, in a constant state of potential transformation and renewal.This monograph explores this topic with reference to one of the most important poets of the twentieth century, Eugenio Montale (1896-1981), and his principal collections, from Ossi di seppia (Cuttlefish Bones) (1925) to Quaderno di Quattro anni (Notebook of Four Years) (1977). These primary texts are enhanced by a critical framework that brings three different areas of enquiry into dialogue: scholarship on mourning, theories of the lyric, and feminist approaches. Questions explored include the following: How does mourning become a crucial creative and ethical force in literature What kind of poetry draws on, and may even require, the presence of an absent female lyric addressee How does this affect the nature of poetic discourses on mourning and lyric poetry more broadly This book offers the first comprehensive study of Montale's poetics of mourning accessible to both scholars in Italian Studies and scholars interested, more broadly, in modern poetry, discourses of mourning, and lyric theory. 264 pp. Englisch.

hardcover. Condizione: Fine.

hardcover. Condizione: Very Good. Cover and edges may have some wear. Clean, unmarked copy.

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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

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Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. Poetry has always maintained a particular relationship with mourning and its rituals, but what is it that lyric discourse has to offer in coping with death, grief, and bereavement? On the other hand, how does mourning become a central creative force in lyric poetry? How does this affect the nature of its discourse and the desires it performs? Focusing on poems by Giacomo Leopardi, Guido Gozzano, Giorgio Caproni, Giorgio Bassani, Amelia Rosselli, Antonella Anedda, and Vivian Lamarque, the essays collected in this volume explore how poetry dwells on the boundaries between high lyric and vernacular forms, the personal and the political, the local and the national, the individual and the collective, one's own story and public history, the masculine and the feminine, individual expression and shared language. The Italian poetic tradition finds two crucial milestones in two collections of poems devoted to the lost beloved, Dante's Vita Nova and Petrarch's Canzoniere, and its modern and contemporary ramifications have much to offer for reflection on the ethics and poetics of mourning.Adele Bardazzi is Irish Research Council Postdoctoral Research Fellow at Trinity College Dublin and Honorary Faculty Research Fellow at the University of Oxford. Francesco Giusti is Career Development Fellow and Tutor in Italian at Christ Church, University of Oxford. Emanuela Tandello is Emeritus Student of Christ Church, Oxford. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New.