barnie john (218 risultati)

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condizione: Very Good. Ice This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Walking the razor edge between grim reality and stoicism, John Barnie once again brings his intelligence, wit and prescient anger to bear on the world we inhabit and the world we are making. In spine-chilling imagery and with a linguistic dexterity that makes words shine, we are taken to a landscape that is exquisite and familiar, yet simultaneously overwhelmed with wreckage and grief. Staring not only into time's abyss, but into the carnage wrought by human desire for more and more.Prophetic in the tradition of Robinson Jeffers, but with the lyric compression of William Carlos Williams, whose words provide the epigraph for this collection, Barnie imagines his quiet rural homeland occupied and brutalised in the central sequence, 'Occupied': 'the safety net / so full of holes you couldn't catch a whale in it [.]/ I knew the days of iridescence were lost for ever.' ('Iridescence') While in 'M.A.D.: The Sequel' rhymes skip along with an irony reminiscent of William Blake's use of nursery rhyme metre to convey horror. As the world is incinerated we hear: 'cry if you must / there was no one to gather / the heart's dust.'.

Condizione: New.

Paperback. Condizione: New. Afterlives sees John Barnie engaging with images once again, as he did in his book A Year of Flowers. Here, Barnie deploys his skills of perception to respond to a group of paintings in Peter Lord's art collection. These are images that have been familiar to Barnie for years, yet he approaches them with characteristic freshness and humanity. There are no mere descriptions here. Rather, Barnie inhabits the images, speaking from within or engaging with their subjects as a persona just outside the frame. And as he does so, we are taken on a narrative journey, gaining insight into not only how poetry and art interrogate one another, but how each image, peered at 'through thick cracking varnish', reveals layers of history and the mores that accrete into hierarchies, prejudices, injustices and the inability to read one another across cultural gaps. The poems in Afterlives reverberate with the ghosts from the pictures, whose roles are still being played out in the divisive echo-chambers of today's insiders and outsiders. Rich with social commentary, delivered with wit, and sometimes a hint of mischief, there is a serious intent at work here: the voice of those who know 'whose tragedy they are in'-'their own'. And who know also that they: 'will defy anything / that gets in their way'.It is rare that I read a poetry volume at one sitting. But I did so with this one. Indeed, in its delicacy and wit, and in Barnie's deeply appealing pleasure in his book's subject-matter-something that radiates from it throughout-I am left wondering if A Year of Flowers might just be the best piece of work that he has given us so far-Matthew Jarvis, reviewing A Year of Flowers in Poetry Wales.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. "We need more writers with bite. We have lived in the flatlands too long," writes John Barnie in one of his 'observations' ('Art in the Flatlands'). And bite he delivers. Ranging across politics, history, culture, ecological disaster, the meaning of truth, poetry, what we mean by identity and more. Barnie shares a window onto the world that is both erudite and particular. Leaning towards pessimism in a darkening world, these observations are often provocative, not from any bullish desire to antagonise, but as the result of mining a rationalist line of thought with an honesty and consistency that is applied as much to the author as to his subjects. There is a clarity here that some may find uncomfortable, but the aim is always dialogue above agreement; intellectual engagement above cheap solutions and sentimentality. Barnie asks us to think, consider and dig deeper, but most of all he asks that we ".live richly among our secondary self-created meanings, while recognising them for what they are. To face without flinching the nullity of the great void." ('Varieties of Meaning') Tsunami Days is a vital collection of essays for those prepared to engage with its unflinching observations.

Condizione: New.

Paperback. Condizione: New. In a tight sequence of 33 poems, In the Shadow of the Yew, John Barnie leads us through 'the cemetery of hopes' (Conrad). A layered monologue in a distinctive voice that is incisive and deeply questioning, Barnie asks whether the suffering of humanity and the suffering we inflict renders our species a curse. '.better than both / is the one who has never been born, / who has not seen the evil / that is done under the sun.' says the writer of Ecclesiastes, and Barnie sits in a long line of writers who consider that the natural world would be better off without us. There's a note of Leopardi, Hardy, Beckett, Cioran and, above all, Robinson Jeffers in this unflinching collection, with a tone that builds on Jeffers's The Double Axe and its philosophy of inhumanism.And yet, at the heart of this collection, is tenderness and compassion. Woven through poems that refuse to turn away from war and torture, starvation, greed, injustice and suffering, there are glimpses of a childhood by the banks of the Usk, fragments of the stories of friends and loved ones and homage to writers who have come before the poet. And there is a litany of extinct flora and fauna interspersed through the sequence as well as lines mourning so much loss:six hundred million birds have disappeared from Europe what tonnage is that how many hearts pattering faster than rain on a canopy of leavesAt heart there is a delight in the world that humanity is laying waste to, a yearning for life that is otherwise and the repeated cry: What do we do now?

Paperback. Condizione: New. Afterlives sees John Barnie engaging with images once again, as he did in his book A Year of Flowers. Here, Barnie deploys his skills of perception to respond to a group of paintings in Peter Lord's art collection. These are images that have been familiar to Barnie for years, yet he approaches them with characteristic freshness and humanity. There are no mere descriptions here. Rather, Barnie inhabits the images, speaking from within or engaging with their subjects as a persona just outside the frame. And as he does so, we are taken on a narrative journey, gaining insight into not only how poetry and art interrogate one another, but how each image, peered at 'through thick cracking varnish', reveals layers of history and the mores that accrete into hierarchies, prejudices, injustices and the inability to read one another across cultural gaps. The poems in Afterlives reverberate with the ghosts from the pictures, whose roles are still being played out in the divisive echo-chambers of today's insiders and outsiders. Rich with social commentary, delivered with wit, and sometimes a hint of mischief, there is a serious intent at work here: the voice of those who know 'whose tragedy they are in'-'their own'. And who know also that they: 'will defy anything / that gets in their way'.It is rare that I read a poetry volume at one sitting. But I did so with this one. Indeed, in its delicacy and wit, and in Barnie's deeply appealing pleasure in his book's subject-matter-something that radiates from it throughout-I am left wondering if A Year of Flowers might just be the best piece of work that he has given us so far-Matthew Jarvis, reviewing A Year of Flowers in Poetry Wales.

Paperback. Condizione: New. Walking the razor edge between grim reality and stoicism, John Barnie once again brings his intelligence, wit and prescient anger to bear on the world we inhabit and the world we are making. In spine-chilling imagery and with a linguistic dexterity that makes words shine, we are taken to a landscape that is exquisite and familiar, yet simultaneously overwhelmed with wreckage and grief. Staring not only into time's abyss, but into the carnage wrought by human desire for more and more.Prophetic in the tradition of Robinson Jeffers, but with the lyric compression of William Carlos Williams, whose words provide the epigraph for this collection, Barnie imagines his quiet rural homeland occupied and brutalised in the central sequence, 'Occupied': 'the safety net / so full of holes you couldn't catch a whale in it [.]/ I knew the days of iridescence were lost for ever.' ('Iridescence') While in 'M.A.D.: The Sequel' rhymes skip along with an irony reminiscent of William Blake's use of nursery rhyme metre to convey horror. As the world is incinerated we hear: 'cry if you must / there was no one to gather / the heart's dust.'.

Condizione: New.

Paperback. Condizione: New. Set in a future that may not be too distant, the ice caps have melted and the Atlantic Conveyor of warm water from the tropics to the North Atlantic has collapsed, plunging North America and Europe into a new ice age.Famine, death and conflict stalk the frozen continents, but in the city-state of Banda, one Assault Corps lieutenant questions the totalitarian regime, making himself vulnerable just as he meets and falls in love with Galathea, the embodiment of warmth and beauty absent from their society. As they begin to explore the forbidden past together, Banda braces for the next attack.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Very Good+. Condizione sovraccoperta: Very Good. 1st Edition. Light wear to jacket at top of spine.

Paperback. Condizione: new. Paperback. Walking the razor edge between grim reality and stoicism, John Barnie once again brings his intelligence, wit and prescient anger to bear on the world we inhabit and the world we are making. In spine-chilling imagery and with a linguistic dexterity that makes words shine, we are taken to a landscape that is exquisite and familiar, yet simultaneously overwhelmed with wreckage and grief. Staring not only into times abyss, but into the carnage wrought by human desire for more and more.Prophetic in the tradition of Robinson Jeffers, but with the lyric compression of William Carlos Williams, whose words provide the epigraph for this collection, Barnie imagines his quiet rural homeland occupied and brutalised in the central sequence, Occupied: the safety net / so full of holes you couldnt catch a whale in it []/ I knew the days of iridescence were lost for ever. (Iridescence) While in M.A.D.: The Sequel rhymes skip along with an irony reminiscent of William Blakes use of nursery rhyme metre to convey horror. As the world is incinerated we hear: cry if you must / there was no one to gather / the hearts dust. Never for the faint-hearted, Dunes of Cwm Rheidol sees John Barnie at the height of his powers, writing poetry that is heart-breaking and true. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Afterlives sees John Barnie engaging with images once again, as he did in his book A Year of Flowers. Here, Barnie deploys his skills of perception to respond to a group of paintings in Peter Lords art collection. These are images that have been familiar to Barnie for years, yet he approaches them with characteristic freshness and humanity. There are no mere descriptions here. Rather, Barnie inhabits the images, speaking from within or engaging with their subjects as a persona just outside the frame. And as he does so, we are taken on a narrative journey, gaining insight into not only how poetry and art interrogate one another, but how each image, peered at through thick cracking varnish, reveals layers of history and the mores that accrete into hierarchies, prejudices, injustices and the inability to read one another across cultural gaps. The poems in Afterlives reverberate with the ghosts from the pictures, whose roles are still being played out in the divisive echo-chambers of todays insiders and outsiders. Rich with social commentary, delivered with wit, and sometimes a hint of mischief, there is a serious intent at work here: the voice of those who know whose tragedy they are intheir own. And who know also that they: will defy anything / that gets in their way.It is rare that I read a poetry volume at one sitting. But I did so with this one. Indeed, in its delicacy and wit, and in Barnies deeply appealing pleasure in his books subject-mattersomething that radiates from it throughoutI am left wondering if A Year of Flowers might just be the best piece of work that he has given us so farMatthew Jarvis, reviewing A Year of Flowers in Poetry Wales Poetry inspired by paintings from Welsh artists from 18th Century onwards. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. In a tight sequence of 33 poems, In the Shadow of the Yew, John Barnie leads us through 'the cemetery of hopes' (Conrad). A layered monologue in a distinctive voice that is incisive and deeply questioning, Barnie asks whether the suffering of humanity and the suffering we inflict renders our species a curse. '.better than both / is the one who has never been born, / who has not seen the evil / that is done under the sun.' says the writer of Ecclesiastes, and Barnie sits in a long line of writers who consider that the natural world would be better off without us. There's a note of Leopardi, Hardy, Beckett, Cioran and, above all, Robinson Jeffers in this unflinching collection, with a tone that builds on Jeffers's The Double Axe and its philosophy of inhumanism.And yet, at the heart of this collection, is tenderness and compassion. Woven through poems that refuse to turn away from war and torture, starvation, greed, injustice and suffering, there are glimpses of a childhood by the banks of the Usk, fragments of the stories of friends and loved ones and homage to writers who have come before the poet. And there is a litany of extinct flora and fauna interspersed through the sequence as well as lines mourning so much loss:six hundred million birds have disappeared from Europe what tonnage is that how many hearts pattering faster than rain on a canopy of leavesAt heart there is a delight in the world that humanity is laying waste to, a yearning for life that is otherwise and the repeated cry: What do we do now?

paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condizione: new. Paperback. In a tight sequence of 33 poems, In the Shadow of the Yew, John Barnie leads us through the cemetery of hopes (Conrad). A layered monologue in a distinctive voice that is incisive and deeply questioning, Barnie asks whether the suffering of humanity and the suffering we inflict renders our species a curse. .better than both / is the one who has never been born, / who has not seen the evil / that is done under the sun. says the writer of Ecclesiastes, and Barnie sits in a long line of writers who consider that the natural world would be better off without us. Theres a note of Leopardi, Hardy, Beckett, Cioran and, above all, Robinson Jeffers in this unflinching collection, with a tone that builds on Jefferss The Double Axe and its philosophy of inhumanism.And yet, at the heart of this collection, is tenderness and compassion. Woven through poems that refuse to turn away from war and torture, starvation, greed, injustice and suffering, there are glimpses of a childhood by the banks of the Usk, fragments of the stories of friends and loved ones and homage to writers who have come before the poet. And there is a litany of extinct flora and fauna interspersed through the sequence as well as lines mourning so much loss:six hundred million birds have disappeared from Europe what tonnage is that how many hearts pattering faster than rain on a canopy of leavesAt heart there is a delight in the world that humanity is laying waste to, a yearning for life that is otherwise and the repeated cry: What do we do now? Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

paperback. Condizione: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.