barry moser designer (29 risultati)

Condizione: acceptable. All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Soft cover. Condizione: New. No Jacket. First Thus. First edition thus 1994. Published by University of California Press. Large softcover without DJ as issued. Condition new, square tight and clean book, corners not bumped, no edgewear, spine not creased, no markings of any kind, no names, no underlinings, no highlights, no bent pages, not a reminder. 4to, 272 pages, illustrated by Barry Moser.

Paperback. Condizione: New. In shrink wrap.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condizione: Very Good.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Thus. Stated first. First American trade issue of the Pennyroyal edition of the work, as designed and illustrated by Moser, together with his commentary and afterword. Very Good hardcover copy, tight binding, mild foxing to page edges, minor fading to board edges, dust jacket covers lightly worn with minor chipping to edges. Tall 4to. - over 9¾ in. - 12 in., 146pp.

Condizione: New. In.

Oversized Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Barry Moser (illustratore). Like New, sealed in publisher's shrinkwrap; May show gentle wear from handling.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Fair. 1st Edition. Stated First printing. A very clean copy. The Jacket has a repair to a tear on the spine. This edition of Alice's Adventures in Wonderland presents Lewis Carroll's classic tale in a striking modern interpretation by American artist Barry Moser. His wood?engraved illustrations give the familiar story a darker, more psychological tone, replacing Victorian whimsy with sharp, expressive character studies and a sense of dreamlike unease. Moser's design is spacious and elegant, with typography and image working together to create a fine?press reading experience. The engravings reinterpret Carroll's characters?Alice, the White Rabbit, the Cheshire Cat, the Queen of Hearts?with a contemporary edge that highlights the surreal and unsettling qualities of the text.

hardcover. Condizione: Very Good. University of California Press; Berkeley, 1982. Hardcover. First Printing. Pennyroyal Edition. Review Copy with review folder laid in. A Very Good, purple boards and red cloth spine with purple lettering on spine, binding sturdy and intact, some sunning along board edges, top text block edge stained red, mild rubbing along board edges, trace handling marks, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, small red stain verso bottom spine edge, Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 146pp., acknowledgements and colophon in rear, b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition.

hardcover. Condizione: New. Moser, Barry (illustratore). In shrink wrap. Looks like an interesting title!

Wraps. First edition. 24 pages. 25x 14 cm. A selection from business letters of Philip E. Lilienthal, designed by Moser, printed by Harold McGrath in an edition of 1000 at the Pennroyal Press in Northampton. Title page engraving of Lilienthal by Moser. Orig. cream wrappers lettered in red and black. Fine.

hardcover. Condizione: New. Moser, Barry (illustratore). In shrink wrap. Looks like an interesting title!

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Both volumes have very light wear on the spine tips while the 2 upper corners on Looking-Glass are bent. Wonderland has a previous owner's book plate on the 2nd page. Both books State: "First Printing". The contents are clean, bright & unmarked, the bindings are tight. The dust jackets have very, very light wear on the edges. No chips or tears. Not price clipped, $19.95 on the flaps. These 2 volumes weigh over 2 kilos so extra postage may be required.

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. Barry Moser (illustratore). 1. Auflage. Anzahl Seiten 146, sehr guter Zustand, Winner The American Book Award.

Hardcover. Condizione: Very good. Condizione sovraccoperta: Good. Barry Moser (illustratore). Format is approximately 8.75 inches by 12 inches. [16], 994, [12] pages. Two column format. Illustrations. DJ has some wear and soiling. The acclaimed illustrator brings the King James Bible to life with luminous, often haunting images that capture the ordinary human qualities of the book's well-known characters. The Holy Bible, designed and illustrated by Barry Moser, is as thrilling an experience as you'll ever find inside a dust jacket. Moser, the foremost fine press illustrator of our time, spent four years crafting the 232 relief engravings that illustrate this Bible. Moser's Bible is also available in a Viking Studio edition on acid-free paper, with a satin ribbon marker, specially-sewn binding, and cloth case. These details give the book, as a physical object, a weight and presence that dignifies its reader. It is no overstatement to say that when you begin turning the pages revelation occurs. Even from the first illustration--Adam and Eve, with unapologetically adult bodies, breathtakingly chunky and imperfect, making their way along a stream in the Garden of Eden--it's clear that Moser has a vision of God and humanity whose humility will change the way you see the world. There are so many surprises here: Abram is jaunty; Balaam's Ass stretches his mouth wide, teeth bared, conveying the comic terror of the idea that God would speak through his creatures; Moser's first illustration of the Savior, depicts Jesus as such a goofy, joyful, solid man that your heart will leap, wanting to be with him. And in some measure, Moser's Bible will bring everyone who touches it a little closer to that rabbi. --Michael Joseph Gross. In 1967 Barry Moser moved from Tennessee to New England and was teaching at The Williston Academy in Easthampton, Massachusetts. He was soon befriended by Louis Smith, a glazer, framer, and print collector who introduced him to Leonard Baskin with whom he studied at Baskin's Gehenna Press. Walking into the pressroom of Gehenna Press was like walking into another age, to a former life. The effect was such that Moser convinced Williston's administration that the school needed a printing press. They acquired a 12 x 18 Chandler Price clamshell press, that came with a run of Goudy Oldstyle. A corner room of the old Easthampton railroad station was given over to set up Williston's Castalia Press and there Moser printed his first letterpress, limited edition book, The Red Rag in 1969. In the spring of 1969 Moser was commissioned to illustrate a trade book, The Flowering Plants of Massachusetts (Vernon Ahmadjian, University of Massachusetts Press, that was not published until 1979). He became fascinated with plants and plant lore and as a result named his press Pennyroyal (Mentha pulegium), and under that imprint he published The Death of the Narcissus, a portfolio of "botanico-erotic" etchings. It comprised a half-title page, a title page, a haiku poem by the seventeenth century Edo poet Uejima Onitsura, and a colophon. That same year Moser began graduate studies in printmaking at the University of Massachusetts at Amherst where he studied with Jack Coughlin and Fred Becker. On the verge of giving up his quest to master that famously difficult medium of wood engraving, Becker, a master wood engraver himself, encouraged Moser to persist. Under his tutelage Moser produced a group of engravings to accompany Greek epigrams from the Greek Anthology. It was called Bacchanalia, and was the first Pennyroyal book to use wood engravings as illustrations. Pennyroyal continued to produce a few small books over the next nine years. The most ambitious was Twelve American Writers, a collection of quotations about writing by authors from James Fenimore Cooper to Ernest Hemingway, each paired with corresponding portraits of the authors. It was bound by David Bourbeau. In 1977 Moser met Andrew Hoyem, who asked if Moser would be interested in illustrating Arion Press's forthcoming Moby-Dick. He was, he did, and it was published to g.

Hardcover. Condizione: Fine. Condizione sovraccoperta: No Dust Jacket. Illustrated by Moser, Barry (illustratore). First Edition Thus. This is the deluxe Trade Edition, bound in red cloth with a SIGNED print of the Mad Hatter enclosed in a seperate red cloth tray. Both volumes in the publisher's slipcase. Faint grease pencil price to the slipcase else a Fine grouping. ; The Pennyroyal Edition As Designed And Illustrated By Barry Moser; 13.4 X 8.6 X 0.8 inches; 156 pages; Signed by Illustrator. Signed by Author(s).

Hardcover. Condizione: Very Good. Univ of California Pr October 1982 Binding: Hardcover 1982, Deluxe edition, in near fine condition, includes signed print in second volume. $NRP.

Hardcover. Condizione: New. Condizione sovraccoperta: New. Barry Moser (illustratore). 1st Edition. Barry Moser (illustrator). 1st edition. 1st printing. Holy Bible--King James Version. Designed and illustrated by Barry Moser. Viking Studio, New York, 1999. 994pp. 12 x 8.75 inches. Oatmeal cloth over boards with gilt design on front and spine. NEW. Dust jacket and book both in very fine condition. This is the Viking trade edition from the limited letterpress edition of the Holy Bible published by Pennyroyal Caxton Press. Moser spent four years handcrafting 232 engravings in all. First printing, with full number line. SIGNED by Barry Moser on the colophon page in pencil. He refused to sign any copies in ink. Sewn-in ribbon bookmark. Signed by Illustrator(s).

[18], 994, [12] pp. Illustrated by Barry Moser. 4to. 12" x 8-1/2" Fine / Nr Fine (faint wear & soiling/few faint stains tp front panel). Linen cloth binding. Dust jacket 1st trade printing. PRESENTATION INSCRIPTION by Moser on affixed bookplate to h-t page.

Hardcover. Condizione: As New. 1st Edition. 1st Printing. Signed. 42 pages. Published in 1996. Retrospective collection of short stories, presented as an Artist Book. The single most beautifully produced book of Robert Olen Butler's work. Deluxe Cased Edition of 26 lettered and signed copies. Precedes and should not be confused with the Limited Edition of 250 numbered and signed copies. There is no ISBN. The Deluxe Edition is now rare. An exquisite production by Dwight Agner: Regular-sized volume format. Hand-marbled pictorial boards with brown cloth overboards and gilt titles on the spine, as issued. Short stories by Robert Olen Butler. Three engravings by Barry Moser. Handmade case and matching box by Kannex Fung. Printed on Twinrocker Yale handmade paper by Wisteria Press of Decatur to the highest standards. Without DJ, as issued. Presents, in its ultimate collectible format, Robert Olen Butler's "Coffee, Cigarettes, And A Run In The Park". The title refers to specific narrative details of the stories. The author's first short story, "Moving Day", is supplemented with two more early pieces: "Salem" and "Missing". The luxurious production of this volume cannot be improved upon: It fittingly memorializes Robert Olen Butler's earliest works for posterity. By his own admission, "Moving Day" (1974) was "the only good piece of short fiction I wrote in the first seventeen years of my career". He now has one of the most distinguished bodies of work among American writers to speak of. This book is his tender remembrance of two fundamental aspects of his career: First, his Vietnam memories and experiences, which find their fullest expression in his Pulitzer Prize-winning, "A Good Scent From A Strange Mountain". Second, when and how he found his literary voice, which he asserts always comes from one's unconscious (rather than one's intellect). An absolute "must-have" title for Robert Olen Butler collectors. This is a copy of the Deluxe Cased Edition of 26 lettered and signed copies, indicated as such on the Back Limitation Page: Letter "O". It is very boldly and beautifully signed in black fountain pen by Robert Olen Butler. It is also very prominently and beautifully signed in black ink-pen by Barry Moser. The latter contributed three lovely engravings that are laid-in, all signed on recto by Barry Moser. This title is a great collection. This is one of very few copies of the Deluxe Edition still available online and is in especially fine condition: Clean, crisp, and bright. A rare signed set thus. Winner of the Pulitzer Prize For Literature for "A Good Scent From A Strange Mountain" in 1993. One of the most brilliant writers of our time. A fine collectible set. (SEE ALSO OTHER ROBERT OLEN BUTLER TITLES IN OUR CATALOG). Signed by Author.

Condizione: Near Fine. Limited Edition. A rare matching numbered set of the highly regarded publication; both volumes signed by Barry Moser at the rear colophon and both copy #270. Trade issue bindings in three-quarter morocco stamped in gilt, housed in publisher's clamshell boxes with separate suites of loose signed etchings in chemises: Adventures in Wonderland has 72 full page plates and 3 folding plates as issued, with scarce prospectus laid-in. Through the Looking-Glass and What Alice Found There has 93 plates. Complete. Near Fine. Slipcases with light staining, toning and light wear, slight fraying to joints and light sunning to spines. Barry Moser's most popular productions for his Pennyroyal Press, both major achievements in 20th century fine press book design.

Condizione: Fine. Joseph Goldyne (illustratore). Limited Edition. One of 350 numbered copies signed by the artist, Joseph Goldyne and book designer, Barry Moser. Two volumes. Illustrated with 10 color etchings each signed by the artist, Joseph Goldyne, with tissue guards. Second volume has an extra suite of plates also signed by the artist. Folio, volume I is full gray blind stamped morocco and Volume II is 1/2 gray morocco, with slipcase. Small abrasion to bottom of slipcase. A clean copy with no previous owners' names or other defacements.

Limited edition. Limited edition. Signed by artist and book designer Barry Moser after the colophon; copy #33 of 400. Complete in two folio volumes, each measuring 16" x 11". Bound in publisher's full vellum over boards, gilt-lettered; housed in linen clam shell cases with printed paper labels. With over 230 engraved illustrations by Moser. The text follows the classic King James, or "Authorized" version of The Bible, first published in 1611. The type is Mathew Carter's Galliard and the composition is by Bradley Hutchinson of Texas. Titles and initials are set in Carter's Mantinia, based on inscriptional forms used by Italian Renaissance painter Andrea Mantegna. Three display words were specially commissioned from John Benson. The paper is Zerkall Bible with the watermark of the Pennyroyal Caxton Press. Fine volumes, with typical slight uneveness to vellum color; cases show minor wear. Provenance: from the collection of actor and comedian Robin Williams. The Pennyroyal Caxton Bible is a magnificent production designed by Barry Moser with his own vivid illustrations in mind. This book ranks among the greatest achievements of twentieth-century fine bookmaking because of its attention to detail, artwork and typography. It is the only Bible of the twentieth century in which both the Old and New Testaments are illustrated by a single artist. Poet John Ashbery wrote of the artist, "Moser's artwork is never less than dazzling, and has an enigmatic profundity that sets it apart." The magnum opus for Moser and Pennyroyal, this surely ranks as one the of the highest points of private press work of the 20th century.

Condizione: Very Good. OCLC Number: 24830171 Location: One of 350 numbered copies signed by the artist, Joseph Goldyne and book designer, Barry Moser. 2 volumes. Illustrated with 10 color etchings each signed by the artist, Joseph Goldyne, tissue guards. Second volume has an extra suite of plates also signed by the artist. Folio, volume One is full gray blind stamped morocco and Volume II is 1/2 gray morocco, slipcase. Magnificent limited edition.