bartholomew bland (85 risultati)

Unknown. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Perfect Paperback. Condizione: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Oversized.

Condizione: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. Soft cover edition. Condition: Very Good with light wear to covers and no marks to text.; Quarto.

Perfect Paperback. Condizione: Good. Satisfaction 100% guaranteed.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: As New. As new.

paperback. Condizione: Very Good.

Soft cover. Condizione: New. New. Still in plastic wrapping.

Soft cover. Condizione: Fine. Clean pages. No markings.

Perfect Paperback. Condizione: As New.

Paperback. Condizione: Used like new. Used like new softcover in matte printed wraps. Text is clean and free of marks or underlining. Minor shelf wear. (8 x 0.2 x 10 inches) Includes photos and art prints. 50 pp. Fast shipping in a secure book box mailer with tracking. The Hudson River Museum's exhibition Got Cow? Cattle in American Art, 1820-2000 takes a lighthearted but serious approach to an animal that is a favorite subject for artists as well as an animal with immense popular appeal. Got Cow? explores the cow's appearance in over 65 works of painting, photography, sculpture, and drawing. This exhibition shows the animal in simple domestic scenes from19th-century genre and folk art to 20th-century idealized visions of American agriculture, and then to today's sometimes startling commentaries on the cow. The common touch of the cow and its link to nurture could doom its depictions to kitsch but artists both contemporary and classic have celebrated the cow s endurance, solidity and bovine beauty. In Hudson River School paintings the cow suggests the gentle, civilizing hand of the farmer on the wild American landscape. As the United States shifted its economy from farm to the factory, artists such as Andy Warhol and Roy Lichtenstein, attracted by the cow's form and pattern, using it as a symbol of traditionalism in contemporary art. Got Cow? shows the cow's role in art as a reference to mythology, literature, sexual stereotype, dreams, caricature, labor, and as a food source. Today cows are favorite subjects of artists such as Janet Fish who combines humor and landscape in her trompe l oeil painting, while Gloria Houng takes a serious view picturing the cow s innocence as a symbol of victimization, a creature displaced from its traditional environment by industry and blindly led to slaughter. Among the artists represented in Got Cow? are Tom Althouse, Janine Antoni, Patricia Bellan-Gillan , George Bellows, Thomas Hart Benton, Samuel Colman, Currier and Ives, John Steuart Curry, Richard Deon, Lois Dodd, Rickstraw Downes, Thomas Eakins, John Whetten Ehninger, Tyler Fenn, Janet Fish, Leslie Galluzzo, Marshall Glasier, Red Grooms, Richard Haas, James M. Hart, Thomas Hewes Hinckley, Gloria Houng, William Henry Howe, George Inness, Neil Jenney, Luis Jimenez, Alan Kessler, Susan Leopold, J. C. Leyendecker, Roy Lichtenstein, Molly Luce, Paul Manship, Peter Max, George Herbert McCord, Diana Michener, Edward Moran, Don Nice, Didier Nolet, Alphonso Palumbo, Edith Mitchell Prellwitz, Robert Rauschenburg, Norman Rockwell, George Rodrigue, Immi Storrs, Louis Comfort Tiffany, Arthur Tress, Andy Warhol, and Neil Welliver.

Hardcover. Condizione: New. Brand new hardcover. In original shrink wrap.

Oversize Paperback. Condizione: FINE. As new. Faintest shelfwear to cover edges. Catalog for the exhibition held in Yonkers, NY September 25, 2010 to January 16, 2011. "traces the emergence of the 'landscape as subject' in the hands of Hudson School paintersÂThe first wave of American autumn painters had a preference for the glories of Indian Summer, the season of golden sun, harvest, bright colors and soft skies." 52 pages of text with large illustrations, followed by 42 pages of color illustrations (3 per page), alphabetical by artist, with title and year, medium and size, and owner. 9"x12".

First Edition. First edition. Softcover. 103 pages. Exhibition catalog for a show that ran May 28 through September 11, 2011. Foreword by Director Michael Botwinick. Essays by Bartholomew F. Bland and Roger Panetta. Includes numerous color imags. A clean very near fine copy in wrappers.

First Edition. A near fine copy -- very clean, bright and structurally sound. We provide PROTECTIVE packaging. Photos of our books are always available upon request. SELLING USED AND RARE BOOKS ON ABE SINCE 1997 AND IN OUR STORE IN THE BERKSHIRES FROM 1987 TO 2015.

Hardcover. Condizione: Fine. Dust Jacket Included. 1st Edition. U.S.A.: Hudson River Museum (2008). First edition. First printing. Hardcover. Fine. A clean, tight copy. Comes with mylar dust jacket cover. Shipped in well-padded box. Smoke-free shop. Defect-free. Fine, issued with out jacket art, quato. 0.0.

Paperback. Condizione: New. ON MY MODERN MET'S TOP TEN LIST OF BEST CREATIVE BOOKS TO CELEBRATE THE 50TH ANNIVERSARY OF MOON LANDING The moon-its face, color, and power-threads through the tapestry of American landscape painting, holding timeless allure for artists and beloved by viewers of paintings everywhere. The Hudson River Museum has organized The Color of the Moon: Lunar Painting in American Art-the first major museum examination of the moon in American visual arts from the nineteenth through the twentieth centuries for a 2019 exhibition. This timely presentation also celebrates the fiftieth anniversary of the Apollo 11 mission when, in 1969, American astronauts first stepped onto the surface of the moon. From the romantic silvery moonscapes of nineteenth-century artists to the abstractions by artists of the twentieth century who explored the moon, the perfect orb, and tapped into its spiritual possibilities, this celestial body, closest to Earth, remains constant in our sky, though our relationship to it and our home planet changes, as technology extends our reach toward space. The Hudson River Museum, Fordham University Press, and the James A. Michener Art Museum are joint publishers of the lavishly illustrated catalog The Color of the Moon: Lunar Painting in American Art. In engaging essays, author Stella Paul maps the colors of the moon; catalog co-editors Bartholomew F. Bland and Laura Vookles explore Hudson River School and Modernist moonscapes and their cultural resonance; and curators Melissa Martens Yaverbaum and Ted Barrow sight the moon's passage in art of both the Gilded and Space ages. The exhibition and catalog have been made possible by a generous grant by the Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, Inc. The Color of the Moon: Lunar Painting in American Art Hudson River Museum, Yonkers, NY February 8 - May 12, 2019 James A. Michener Art Museum, Doylestown, PA June 1 - September 8, 2019.

Condizione: New. 88 pp., Paperback, new. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

hardcover. Condizione: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Condizione: New. 108 pp., Paperback, new. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Softcover, 140 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Soft cover. Condizione: Fine. No Jacket. Book in color photographic wraps has just hints of wear, tight, bright and unmarked. Profiles of the women and men who have made the home their humor subject. INSCRIBED inside front cover, 'To., with best wishes for the good time we had in Chicago. Sincerely, Penelope Fritzer'.

Wrappers. Condizione: New. 80 pages. Illustrations. Still in shrink-wrap. Published on the occasion of the exhibition at the Coral Gables Museum in an online collaboration with Lehman College Art Gallery December 1, 2020-March 14, 2021. Book.

Exhibition catalog, 138 color illustrations. Softcover, 197 pages, oblong 12x9 inches. Condition: very good (cover rubbed). ISBN 9780823280971.

First Edition. First edition. Softcover. 33 pages. Exhibition catalog for a show that ran February 9 through May 31, 2008. Features a foreword by Michael Botwinick and an essay by Bartholomew F. Bland. Includes numerous color illustrations and a checklist. A clean very near fine copy in stapled wrappers.

Softbound. Condizione: VG. Color illus. wraps. 94 pp., 136 color plates, large and small. Issued in conjunction with a 2010-2011 exhibition of autumnal art by American artists. With articles and contributions by Michael Botwinick, William Gerdts, Bartholemew F. Bland, and Laura L. Vookles. Features about 102 pieces by 82 artists. A fabulous catalogue and one destined to become a classic, if only for the stunning color plates.

Softcover, 152 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.