Bava annamaria (50 risultati)

hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condizione: NEW.

Paperback. Condizione: New. Focusing on the long overshadowed work of women artists during the Italian Renaissance and Baroque, this exhibition catalogue follows introductory essays with a closer examination of the work produced by 30 figures, including Giovanna Garzoni, Lavinia Fontana and Artemisia Gentileschi. Well-illustrated with examples of their painting, it explores their innovation, personal connections and the context in which they worked to cast new light on the era's art history.…

Condizione: NEW.

Condizione: new.

Brossura. Condizione: new. Edited by Bava A. English Text. Milano, 2024; paperback, pp. 240, col. ill., cm 17x24. Since 2014, the Galleria Sabauda has been housed in the new headquarters of the Manica Nuova of the Royal Palace, built between the late 19th and early 20th century by Emilio Stramucci, and it is part of the Royal Museums of Turin, one of the largest museum complexes in Europe. The book's introduction traces the history of the Gallery, from its inauguration in 1832 at the behest of Carlo Alberto in Palazzo Madama, to Vittorio Emanuele II's donation to the State in 1860, to its transfer in 1865 to the Palazzo dei Nobili in Via Accademia delle Scienze, and its current relocation. The selection of 100 masterpieces gives an idea of the extremely rich collection, with works by Piedmontese, Italian and European artists (from the 14th to the 20th century). The guide highlights the main core collections: that of the Savoy dukes and kings, formed from the end of the 16th century with the intention of comparing themselves with the major international courts (paintings by Veronese, Bassano, Valentin, Gentileschi, Cerano, Cairo, Reni, Albani, Guercino, Solimena, Ricci, Tiepolo, Van Wittel, Bellotto, Batoni and Mengs), to works from the Genoese palazzo of the Durazzo family purchased by the Savoys in 1824 (including paintings by Savoldo, Cambiaso, Veronese, Tintoretto, Grechetto, Angelica Kauffman), to 19th century acquisitions aimed at the Italian Renaissance (works by Beato Angelico, i Pollaiolo, Botticelli, Filippino Lippi, Schiavone, Bellini). In 1930 the gallery was enriched by the collection of the Piedmontese industrialist Riccardo Gualino: paintings, sculptures, precious objects, furniture and archaeological finds from different eras and cultures. The pride of the gallery is also the nucleus of works by Piedmontese masters of the Renaissance between the 15th and 16th centuries (Antoine De Lonhy, Gandolfino da Roreto, Martino Spanzotti, Defendente Ferrari, Macrino d'Alba, Pietro Grammorseo and Gaudenzio Ferrari). Of extraordinary importance is the collection of Flemish and Dutch painting: from the primitives (panels by Jan van Eyck, Rogier van der Weyden, Hans Memling and van Orley), to the masterpieces by Rubens, Van Dyck and Rembrandt, to the nucleus of 17th-century paintings. Libro. …

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: Neuf.

Condizione: New.

Condizione: new.

Hardcover. Condizione: new. Hardcover. Much has been written about 16th- and 17th-century Italian painting, but the contribution of the women artists of that period has often been overlooked: extraordinary figures with incredible and often obscure personal stories. The Ladies of Art sheds light on these artists and their lives, on the role they played in their day, and how some of them made a name for themselves in the great international courts: extraordinary women, who overcame social stereotypes and who have not yet received the attention they deserve. This book describes the art and lives of thirty-four women artists, starting from Artemisia Gentileschi - the first woman artist whose work constituted a watershed able to question certain gender prejudices - followed by other famous Italian women painters, such as Sofonisba Anguissola -the Lombard painter appreciated by Van Dyck -, Lavinia Fontana, Fede Galizia, Marietta Robusti, known as "la Tintoretta", and many others.Admiring the over 130 works on the pages of this book we can appreciate the artistic greatness of these long-forgotten artists as well as the problematic nature of a historical period that did not favour women's professional affirmation and recognition. Stories of women that offer a reading beyond stereotypes and capable of questioning behavioural models. Women who challenged prejudices, deconstructed restraining cliches, and who found their expression in painting. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condizione: New.

Condizione: New. 2022. Hardcover. . . . . .

Condizione: New.

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

Condizione: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Paperback. Condizione: New.

Hardcover. Condizione: Brand New. 240 pages. 11.00x8.50x1.14 inches. In Stock.

Condizione: NEW.

Brossura. Condizione: fine. A cura di M. Natale, Bava A. e A. Morandotti.Torino, 2025; br., pp. 104, cm 21x27. Libro.

Kartoniert / Broschiert. Condizione: New.

Hardcover. Condizione: new. Hardcover. Much has been written about 16th- and 17th-century Italian painting, but the contribution of the women artists of that period has often been overlooked: extraordinary figures with incredible and often obscure personal stories. The Ladies of Art sheds light on these artists and their lives, on the role they played in their day, and how some of them made a name for themselves in the great international courts: extraordinary women, who overcame social stereotypes and who have not yet received the attention they deserve. This book describes the art and lives of thirty-four women artists, starting from Artemisia Gentileschi - the first woman artist whose work constituted a watershed able to question certain gender prejudices - followed by other famous Italian women painters, such as Sofonisba Anguissola -the Lombard painter appreciated by Van Dyck -, Lavinia Fontana, Fede Galizia, Marietta Robusti, known as "la Tintoretta", and many others.Admiring the over 130 works on the pages of this book we can appreciate the artistic greatness of these long-forgotten artists as well as the problematic nature of a historical period that did not favour women's professional affirmation and recognition. Stories of women that offer a reading beyond stereotypes and capable of questioning behavioural models. Women who challenged prejudices, deconstructed restraining cliches, and who found their expression in painting. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condizione: NEW.

Hardback. Condizione: New.

Hardback. Condizione: New.

Soft cover. First edition. Illustrated in black, white and color. Important reference work. Very scarce in this condition. Fine copy. 368 pps.

Rilegato. Condizione: new. Torino, Musei Reali, 16 novembre 2018 - 17 marzo 2019. A cura di Maria Grazia Bernardini e Anna Maria Bava. Roma, 2018; ril., pp. 255, ill. col., tavv. col., cm 23x29. Personaggio di fama internazionale e amabile conversatore dallo stile ricercato, Van Dyck fu pittore ufficiale delle più grandi corti d'Europa ritraendo principi, regine, sir e nobildonne delle più prestigiose famiglie dell'epoca. La mostra e il catalogo ripercorrono accuratamente la figura di Antoon van Dyck (1599-1641) attraverso un percorso che si dispiega in quattro sezioni e 50 opere che fa emergere l'esclusivo rapporto del pittore con le corti più autorevoli - italiane ed europee - per le quali dipinse innumerevoli ritratti, capolavori unici per elaborazione formale, qualità cromatica, eleganza e dovizia nella riproduzione dei particolari, soddisfacendo le esigenze di rappresentanza e di status symbol delle classi regnanti: dagli aristocratici genovesi ai reali di Torino, dall'arciduchessa Isabella alla corte di Giacomo I e poi quella di Carlo I d'Inghilterra. La cura dell'esposizione e del catalogo è affidata ad Annamaria Bava e Maria Grazia Bernardini. Libro.…