Baya adina (9 risultati)

Condizione: New.

Taschenbuch. Condizione: Neu. Media and Hyperreality in Don DeLillo's Fiction | Adina Baya | Taschenbuch | 256 S. | Englisch | 2013 | LAP LAMBERT Academic Publishing | EAN 9783659469824 | Verantwortliche Person für die EU: OmniScriptum GmbH & Co. KG, Bahnhofstr. 28, 66111 Saarbrücken, info[at]akademikerverlag[dot]de | Anbieter: preigu. …

PF. Condizione: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -There is always a hidden camera somewhere. You can be filmed without knowing it. You can be called to act it all out again for any of the TV channels. [ ] Any of your acts can be instantly broadcast on any station. There was a time when we would have considered this a form of police surveillance, today we regard it as advertising. This text could very well be extracted from a monologue of Bill Gray from Don DeLillo s Mao II, or perhaps of Murray Jay Siskind from White Noise. It is, however, a text by Jean Baudrillard (The Perfect Crime). The affinities between the American novelist and the French theorist extend well beyond the way they imagine postmodern alternatives for what during the Enlightenment was regarded as a grand narrative. The permanent references to the media-saturated society, as well as the frequent ironies that mask an obvious critique toward the ubiquitous presence of television, make a reading of DeLillo along the lines of Baudrillard visibly appropriate. The current book takes an in-depth look at Don DeLillo s fiction through the conceptual lens provided by Jean Baudrillard, providing a fertile ground for a wide-ranging debate regarding the work of both. 256 pp. Englisch.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Baya AdinaAdina Baya is Junior Lecturer in the Department of Communication Science from the West University of Timisoara, Romania. Her academic background is in Media Studies and Philology, combining an interest for the analysis of m.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - There is always a hidden camera somewhere. You can be filmed without knowing it. You can be called to act it all out again for any of the TV channels. [ ] Any of your acts can be instantly broadcast on any station. There was a time when we would have considered this a form of police surveillance, today we regard it as advertising. This text could very well be extracted from a monologue of Bill Gray from Don DeLillo s Mao II, or perhaps of Murray Jay Siskind from White Noise. It is, however, a text by Jean Baudrillard (The Perfect Crime). The affinities between the American novelist and the French theorist extend well beyond the way they imagine postmodern alternatives for what during the Enlightenment was regarded as a grand narrative. The permanent references to the media-saturated society, as well as the frequent ironies that mask an obvious critique toward the ubiquitous presence of television, make a reading of DeLillo along the lines of Baudrillard visibly appropriate. The current book takes an in-depth look at Don DeLillo s fiction through the conceptual lens provided by Jean Baudrillard, providing a fertile ground for a wide-ranging debate regarding the work of both.…

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -'There is always a hidden camera somewhere. You can be filmed without knowing it. You can be called to act it all out again for any of the TV channels. [.] Any of your acts can be instantly broadcast on any station. There was a time when we would have considered this a form of police surveillance, today we regard it as advertising.' This text could very well be extracted from a monologue of Bill Gray from Don DeLillo's Mao II, or perhaps of Murray Jay Siskind from White Noise. It is, however, a text by Jean Baudrillard (The Perfect Crime). The affinities between the American novelist and the French theorist extend well beyond the way they imagine postmodern alternatives for what during the Enlightenment was regarded as a 'grand narrative.' The permanent references to the media-saturated society, as well as the frequent ironies that mask an obvious critique toward the ubiquitous presence of television, make a reading of DeLillo along the lines of Baudrillard visibly appropriate. The current book takes an in-depth look at Don DeLillo's fiction through the conceptual lens provided by Jean Baudrillard, providing a fertile ground for a wide-ranging debate regarding the work of both.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 256 pp. Englisch.…