beall lester (15 risultati)

No Binding. Condizione: Good. No Jacket. Beall, Lester (illustratore). A Good copy of a "First Day Of Issue" of a 10 cent stamp in the "Prominent Americans" series. Stamp is lilac with a portrait of the president. Scott #1286. Slight wear to envelope. Creasing to envelope. Stamp has a cancellation from Hermitage, Tennessee. On the left side of the envelope reads:"Prominent Americans Series: 10 Cent Regular Andrew Jackson; First Day Of Issue" by Fleetwood. There is an address on the front of the envelope in blue ballpoint and the flap of the envelope has been folded inside. To keep the envelope's shape, an index card is inside the envelope.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: Brand New. uk ed. edition. 36 pages. 7.30x7.20x0.20 inches. In Stock.

Paperback. Condizione: Brand New. uk ed. edition. 36 pages. 7.30x7.20x0.20 inches. In Stock.

Paperback. Condizione: Very Good. No Jacket. Large octavo paperback. Paginated between 595-812 pp. Very Good condition. ISSN 03057070. No inscripitons. No dust jacket.

Softcover, 36 pages; as new condition; clean and crisp; no internal marks.

Paperback. Condizione: Very Good. Cover By Lester Beall; b/w & color Inside w/many Full Page Ads (illustratore). 1st. 260 clean, unmarked pages; includes: The G.O.P. Republican Party in 1947; British Railways, Hans Wyman & Rudloph Koppl (Czech-American Pantasote Leather Co. H.O. Canfield Co.), Coal III (fuel Revolution, Gasification of Coal), Horseracing; Yearlings, Seabiscuit), Food Machinery, Guaranteed Wage, Herryman Maurer (The Trouble with China is Confusius), Boardman Robinson Ad for Container Corp (full Page, color), etc,

Single Issue Magazine. Condizione: Good. Illustrated by Chase, Francis (cover); Hurst, Earl Oliver; Beall, C.C.;Karger-Pix, George; McLeod, Ronald; Cooper, Mario; Partch, Virgil; Wehr,Paul; Paul, Ken (illustratore). First Edition. 70 pages. Fiction: The Beezlebub Blast; Have Fun, Baby; Mountain Time; Kiona; In Her Own Way; Looking for the Sky. Articles: Industrial Warfare - the long-standing feud between labor and management; Mary Had a Little Talent; What the Atomic Bomb Really Did; Airplane on a String; Money in the Snowbanks; Names We Give Our Children; Sun-Kissed Bangtails - throughoubreds in California; Nuts to Use; Jackie Robinson - meet the Dodger's newest recruit - article with great photo of Robinson in military uniform with neighborhood boys. Ads include: Nescafe; Bell Telephone; Pepsodent; Lord Calvert Whiskey - featuring photo portrait of Danton Walker, Journalist; TWA; Ford cars; Dextrose; Camel cigarette ad on back cover features photo of smoking doctor. Unmarked. Average wear. A sound copy of this vintage issue.; Folio - over 12" - 15" tall; Collier's Magazine, March 2, 1946 - Industrial Warfare Beezlebub Blast; Have Fun, Baby; Mountain Time; Kiona; In Her Own Way; Looking for the Sky. Articles: Industrial Warfare - the long-standing feud between labor and management; Mary Had a Little Talen.

Single Issue Magazine. Condizione: Fair. Darling, Gilbert; Pachner, William; Beall, C.C.; Peskin-, David; Forsberg, Howard; Karger, George; Collins, John; Siebel, Frederick; Baumgartner, Warren (illustratore). First Edition. 114 pages. Articles: Rampageous Reuther - an intimate appraisal of the United Auto Workers' (UAW) Walter Reuther; Heels Among the Heroes - there are too many Peck's bad boys in our occupation forces - article with nice photos of Americans serving in Germany; Stop, Look and Live! - Detroit's successful campaign to reduce auto casualties; Lady Killers - Lady Roller Derby participants - article with great color photos of Gerry Murray, Evalyn Karran and others; Circus Opera - Elephants trumpet and horses galumph when Salmaggi stages Aida; Lethal Lullaby - facts to know if you take sleeping pills; Big Tin God - the saga of Simon Patino of Bolivia and his vast Gold and Tin mining empire; Interesting back page editorial on Britain's Palestine problem. Fiction: The Hard Way Home; A Sense of Echelon; Clock Without Hands; What a Man Wants; Love is Kind of Fragile; Trouble on the Autobahn. Ads include: Studebaker trucks; Listerine; Ethyl; Shell agricultural research; Admiral phonographs; Philco phonographs - with Bing Crosby photo; Life Savers; Buick (nice 2-page photo Ford cars; Anso film; Camel cigarettes with photo of hospital intern and caption "More doctors smoke Camels than any other cigarette; Gillette razor ad features caricature of footbal player Steve Van-Buren ad); Rare full-page color ad for Wurlitzer Juke Boxes; GE light bulbs - with photo of George Burns and Gracie Allen; Clicquot Club sparkling water; Good Year (color centerfold); Garod radios; Mission Orange beverage; Carole Landis is featured for Dupont; Spertt Portable Sunlamps - with color photos; Dodge cars; Schlitz beer; "The Best Years of Our Lives" movie starring Fredric March and Myrna Loy; RCA Victor phonographs; Oregon tourism - with photos; Lucky Strike cigarette ad on back cover shows farmer holding huge golden leaf. Somewhat above-average external wear. Cover pulling from one staple. A worthy vintage copy.

softcover. Condizione: Fine copy. Profusely illustrated (illustratore). 1st. Square 8vo, 64 pp., Appears to be an exhibit catalog for "The Graphic Work of Lester Beall," shown at the American Institute of Graphic Arts gallery in New York in September 1962, but printed by Lester Beall Inc.

Soft cover. Condizione: Good. 1st Edition. Softbound, oblong octavo, stiff wraps, approximately 60 pages, illustrated. Appears to be a promotional publication produced for clients and potential clients. Includes images of design projects dating from 1934 to circa1962. Good condition overall, glassine coating separating from cover (protected by a clear mylar wrapper), interior very clean, light lower right and left corner bumps, binding tight.

No Binding. Condizione: Very Good. Very uncommon publication from 1968 which contains a bounty of American trademarked logos from the heyday of the post-war graphic design and advertising boon. In Black cardboard slipcase foil-stamped in white, with a 56 page booklet, 16 sheets that fold out to 4 panels, and 45 single panel sheets. An amazing document in a visually compelling format. This copy generally very nice, with some heavier wear to the slipcase, but the inner contents are in excellent, superb, crisp condition, appears scarcely looked through at all. The case itself, thought still intact, is a bit wobbly, and is missing about 1" of one of the sides, and what remains on both sides is slightly curled and peeled up form the joining cardboard underneath, leaving it a bit precarious as is (could likely be fixed up easily with PVA glue and happy to do that for anyone interested). Some further fraying at the sides and some light rubbing to covers besdes. As mentioned, all interior contents are nearly as new, remarkably so given the age. Booklet has some minor toning around edges of the back cover, and one or two of the sheets has the slightest bit of corner wear, but generally superb. Lester Beall [essay] Chicago: Society of Typographic Arts (STA), June 1968. First [only] edition. Black cardboard slipcase foil-stamped in white. [16] 4-panel sheets, 25 loose sheets, and a 56-page booklet enclosed in the slipcase. Contents lightly handled. The Publishers slipcase is split along the lower front edge and worn along each edge, with tape repair to case bottom and bumps to corners. Nearly fine contents in a fair to good example of the Publishers slipcase. Rare. Black slipcase contains 16 [8.5" x 8.5"] 4-panel sheets, 25 [8.5" x 8.5"] loose sheets and a 56-page [8.5" x 8.5"] perfect-bound booklet. From the introduction: "193 American trademarks, symbols and logotypes were chosen by a jury of leaders in the field of design to be represented in Trademarks/USA, the first national retrospective exhibition of its kind, which opened April 22, 1964 at the National Design Center in Marina City, Chicago, under the auspices of the Society of Typographic Arts." An amazing document that chronicles the rise of the American trademark after World War II, and by extension the graphic design profession as well. Essays include the introduction for "Trademarks/USA" including the President's Message and 5 b/w photos of jury members, an essay called The Trademark: A Graphic Summation of Individuality by Lester Beall including 5 b/w photos of the exhibition. Some of the actual trademark designers include, Abbott Laboratories, George Nelson, The Ansul Company, Raymond Loewy, CBS, William Golden, Connecticut General Life Insurance Company, Lester Beall, CCA, Ralph Eckerstrom, IBM, Paul Rand, International Minerals and Chemical Corp., Morton Goldsholl Design Assoc, International Paper Co., Lester Beall, Lawry's Foods, Inc., Saul Bass, Martin-Senour Co., Morton Goldsholl Design Assoc, Herman Miller, George Nelson; Playboy Magazine, Arthur Paul; Westinghouse, Paul Rand; Weyerhaeuser Co., Lippincott & Margulies, Inc, Ladislav Sutnar, Saul Bass, George Tscherny, Lippincott & Margulies, Morton Goldsholl Design Assoc., Raymond Loewy, Tom Geismar/Chermayeff & Geismar Assoc., John Massey, Paul Rand, S. Neil Fujita, Dickens, Inc., Walter Dorwin Teague Assoc., George Nelson & Co., Lester Beall, Inc., Milton Glaser/Pushpin Studios, Charles Coiner, John Ciampi, Albert Kner/Container Corp. of America, Aero Press, Frank Gianninoto Assoc., Eckstein-Stone Assoc., Lippincott & Margulies, Dickens, Inc., and William Wondriska among many many others.

Portfolio. Condizione: Used. Are you sitting down? This one is just . . . awesome. We know that's a lame word. Awesome. But we are in some awe. This is a showing of 193 American trademarks, symbols, and logotypes chosen by a jury of leaders in the field of design (by which we mean men) that was represented in TRADEMARKS/USA, the first national retrospective exhibition of its kind. First of all, it is an exceptional showing of what can be done with just two colors: Ebony and ivory, living together in perfect harmony. Second, when we flip through, we see marks we recognize and think, Oh. He designed that?! And then there are other marks we see every day and we think, Oh. Who they heck is that designer?! It's full of surprises. All of these marks are on loose flats, so they'll be perfect for an exhibition (or scanning). In addition to the 193 marks in the show, also included is a 56-page booklet which shows all the logos that were rejected from this exhibition. And even the rejects are good! Or, interesting. We spot some Paul Rands and Saul Basses that were rejected, so even the big boys sometimes missed the mark. The contents are good, but a little soiled with age as one would expect. The slipcase is in very poor shape, in some places held together with tape. 680.

First Edition. Lithographed poster in colors, 101cm x 76.5cm (ca 39-3/4" x 30"). A fine example, professionally mounted on archival canvas. One of the most striking homefront posters of the Second World War. Lester Beall (1903-1969) was a pioneer in the use of photomontage in American graphic design, especially famous for his series of posters for the U.S. Rural Electrification Program in the Thirties.