beard richard editor (14 risultati)

Condizione: Good. Nathan Beard (illustratore). A sound copy with only light wear. Overall a solid copy at a great price!

hardcover. Condizione: Good. Nathan Beard (illustratore).

Condizione: Very Good. Nathan Beard (illustratore). Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Cloth. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Cloth. Very Good/Very Good. First Edition. 8vo - over 7¾" - 9¾" tall. Inside front flap of dj creased.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. First Edition (Number Line With The One Present). Inscribed "To Leonard - Best Wishes," And Signed By The Editor On The Title Page. Includes Bibliographical References And Index. The Book Is Bound In Black With Gilt Stamped Lettering On The Spine. The Editor's Informational Brochure Is Laid In. The Lower Corners And The Upper Back Corner Are Bumped. The Jacket Has A Bump To The Lower End Of The Back Flap Fold As Well As A Small Tear. Signed by Editor.

Hard Cover. Condizione: Fine. Condizione sovraccoperta: Near Fine. First Edition; First Printing. Profusely illustrated with full-page color plates. Edited by Patricia Shea. With contributions by Peter Beard and Anthony Haden-Guest. Tight, clean and crisp. A hint of shelf/edge wear to dustjacket, otherwise an excellent copy. No inscriptions. No remainder mark. Not price clipped. Not ex-library. ; 4to; 128 pages.

Soft cover. Condizione: Very Good. Doug Beekman; Michael Gibbs; Dug Andersen; Janet Aulisio; David Martin; Charles Demorat; Sanjulian; Steven Adler; (illustratore). First Edition. 88 pp. Light wear with some faint creasing on a couple of pages inside. Cover art by: Doug Beekman; interiors by: Michael Gibbs; Dug Andersen; Janet Aulisio; David Martin; Charles Demorat; Sanjulian; and Steven Adler. This issue contains: Folkroots - an essay byTerri Windling; Television Reviews - an essay by Dan Perez; The One Act by A. M. Dellamonica; Lord Madoc and the Red Knight by Richard Parks; Kaleidoscope by Kate Daniel; In the Land of the Bears by K. D. Wentworth; Walter's Christmas Night Musik by Susan J. Kroupa; and Silver Apples by Beverly Suarez-Beard; along with the usual features. Size: 4to. Book.

Hard cover. Condizione: Very Good. Condizione sovraccoperta: No dustjacket. Inscribed "To Antonia My Very Best Wishes Richard Weisman 9-22-2003". Richard Weisman was a high profile businessman, philanthropist, and art collector. Weisman's prescient eye allowed him to assemble a remarkable collection of masterworks that depict some of the 20th century's most important Pop icons and iconography. For Weisman, art represented an opportunity to explore the vast scope of human creativity, free from all constraints. Weisman began a lifetime of collecting with the purchase of his first piece of art: Roberto Matta's 1955 oil on canvas Early Urge. In the years that followed, Weisman steadily assembled not only an exceptional grouping of masterworks, but also a remarkable circle of friends. Weisman became renowned for entertaining athletes, actors, and artists at his homes with gatherings that welcomed a coterie of creatives from Peter Beard, Roy Lichtenstein, and Barnett Newman to Robert Rauschenberg, James Rosenquist, and Jean-Michel Basquiat. Signed by Significant Other.

Paperback. Condizione: Brand New. 420 pages. 9.00x6.00x1.25 inches. In Stock.

Paperback. Condizione: Brand New. minne edition. 225 pages. 7.75x5.25x0.52 inches. In Stock.

Paperback. Condizione: Brand New. 460 pages. 8.50x5.51x1.09 inches. In Stock.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Good. Headpieces And Jacket By E. E. Thurston (illustratore). 1st Edition. Vii, 307 Pp. Dark Blue Cloth, Gilt. First Edition Stated. Near Fine, Gilt Brilliant, No Marks. Dust Jacket Priced $3.00, Wear, Small Losses At Corners, 2 3/4" X 1 1//2" Deep V-Chip At Top Of Rear Panel. Interesting Commentaries, Revealing About What Prominent Americans Thought Civilization Was (In 1930). However, The Beard Studies Omit Any Response From Any In The Great Masses Of The World Who Do Not Invent Or Manufacture, Nor Own Or Manage, The Technological Enterprises Which Are The Essence Of Technological Development, Which Is The Primary Concern Of These Respondents; Nor Has Any Study In The Succeeding 90 Years Attempted To Explore The Meaning Of Culture So Except In The Most Superficially Journalistic And Condescending Manner. But What Could Go Wrong? Aren't The Elites, After All, Elite? It Isn't Like Unprincipled Demagogues, Secure With All The Advantages Of Modern Technology, Would Incite Violence Amongst The Vast Majority, With Relatively Ever-Declining Options Ever-Declining Self-Esteem And Relatively Ever-Declining Standards Of Living. Why Bother Talking To Them To See Anything More Than Whether They Agree Or Not? And Who Will Ever Want To Read Ordinary People's Opinions When The Questions They're Asked Are Always Stupidly Closed-Ended And Never Followed Up By Why Etc.?

Hardcover. Condizione: Fine. Luykx, Dirk (designer) (illustratore). 1st Edition. Fine condition large (11 inches tall) color photographic boards. Includes Introduction by Martin A. Sklar, Vice President Creative Development, WED Enterprises, November 20, 1981; and Dedication. Profusely illustrated with both black-and-white and color photographs. Copyright page states: "Special Edition". Contents include: 1) Introduction; 2) FUTURE WORLD: Spaceship Earth, Earth Station, Universe of Energy, Horizons, World of Motion, Journey into Imagination, The Land, The Living Seas, CommuniCore; 2) WORLD SHOWCASE: The American Adventure, Canada, France, Germany, Japan, Italy, China, United Kingdom, Africa, Mexico. Also includes an August 14 -20, 2000 Epcot GUIDEMAP. "Early in 1964, Walt Disney gathered a small group at WED (an acronym of Walter Elias Disney) Enterprises and began to visualize early concepts for Walt Disney World, including Epcot: Experimental Prototype Community of Tomorrow. During the development of. Epcot Center, many media people, including Walter Cronkite. visited WED. When, in July 1975, Walt Disney Productions announced it was moving forward with plans for Epcot, to some it was a bolt of lightning to match the darting streaks that dance across the midsummer Florida landscape. The area had changed dramatically since 1967, when Walt Disney's film about Epcot was first shown to the State of Florida. No longer was the 27,400-acre Walt Disney World site - twice the size of Manhattan Island - virgin land with literally no amenities on its forty-three square miles. There was now the whole Walt Disney World infrastructure that had been built in the intervening years: forty-three miles of winding drainage canals equipped with innovative flood control gates to maintain the flow and level of water; nine acres of underground corridors called "utilitdors," a "city beneath a kingdom" that serves as an urban basement, providing vital operations and services, sewers, pipes, calbes, worlships, garbage disposal - that keep the community aboveground running smoothly; revolutionary technical innovations such as the modular construction of hotel rooms, which are built on the ground and hoisted into place by crane; America's first all-electronic telephone system; the introduction in the United States of the Sedish AVAC trash disposal system, in which trash is funneled underground in pneumatic tubes to a central collection point; and many more forward-looking systems that will move urban technology into the twenty-first century. What was lacking was a public focus for new ideas and concepts, a "center" for the communication of new possibilities for the future - directly to the public. To answer this need, we are developing Epcot Center: a permanent world's fair of imagination, discovery, education, and exploration that combines the Disney entertainment and communications skills with the knowledge and predictions for the future. Our goal is to inspire the visitors who come here. The pages that follow will describe in detail how each of the pavilions in Future World and in World Showcase evolved. As you read, and as you visit Epcot Center, remember that at our opening in October 1982 we are just getting started - there's much more to come! - Martin A. Sklar, VP Creative Development WED Enterprises, November 20, 1981" - excerpt from the Introduction.

Condizione: Good. Large 4tp. 30 x 30.5cm.Original pictorial boards. Signed presentation copy, possibly to Kim Tschang-Yeul (1925-2021).OCLC Number 1299311405.Published to accompany Damien Hirst's exhibition of butterfly paintings at Gagosian Gallery, Los Angeles in February 2007, Superstition is a visually stunning book that confirms Hirst's reputation as one of the most significant visual thinkers of his generation. Using High Windows, the last published volume of poems by Philip Larkin, as a point of reference to focus on the business of death and love, the baroque and lavish fractals of Hirst's paintings have a direct and clear poetry of their own, making Superstition a grand and tender body of work: Larkin would probably have seen straight away the point of Hirst's butterflies, these most evanescent of nature's creatures, trapped here in their thousands under glass, their bright day done yet glowing still in death. .Superstition includes over 30 exquisite full colour plates of the butterfly paintings, as well as reproductions of details and installation shots, providing a curatorial insight into this magnificent body of paintings. In addition to the wonderfully rich plates Superstition reproduces 6 of Philip Larkin's poems, a commentary by Richard Bradford, and an erudite introduction by John Banville: Death informs our every aspiration, our every hope, and stands at the end of every turn we take, the iron gate that will open just for us. As someone has said of the novel, having a happy ending depends on where you stop.