Bell david laurence (14 risultati)

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Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. CULTURE WARS bell hooks on Spike Lee's Malcom X ECOCULTURE Andrew Ross' Weather Report GLAMOUR WOUNDS Rhonda Lieberman on The Fountainebleau Hotel FACE-LIFTS Jeanne Silverthorne on Secret Vices AMERICAN MYTHS J. Hoberman on Bill Clinton TOP TEN Greil Marcus' Real Life Rock COLUMNS FEATURES REVIEWS PROFANE ILLUMINATIONS: SOCIAL HISTORY AND THE ART OF JEFF WALL Thomas Crow WHEN IN VIDEODROME: TRAVELS IN THE NEW FLESH Howard Hampton ALEX KATZ Jack Pierson WENT LOOKING FOR AFRICA: CARRIE MAE WEEMS Kate Linker REAL TIME TRAVEL Laurence Rickels talks with Ulrike Ottinger LOCKDOWN: ROBERT GOBER AT DIA Collier Schorr THE END OF THE WORLD HAS ALREADY HAPPENED: ROBERT GOBER Donald Kuspit OPENINGS: LEONARDO DREW Hilton Als COLUMNS FEATURES REVIEWS NEW YORK Donald Kuspit on Eric Fischl Donald Kuspit on Karel Appel Donald Kuspit on A.R. Penck Keith Seward on Jenny Watson Joshua Decter on Matt Mullican Ben Lifson on Frank Majore Linda Yablonsky on Philip Pearlstein Patricia C. Phillips on Maria Nordman Patricia C. Phillips on Michelle Stuart Barry Schwabsky on Mat Collishaw Barry Schwabsky on Brenda Zlamany Jenifer P. Borum on Adolph Wölfli Jenifer P. Borum on Kenneth Goldsmith K. Marriott Jones on Stephen Ellis Ronny Cohen on Chuck Connelly Justin Spring on Sally Gall Kirby Gookin on Kirsten Mosher David Pagel on Nancy Mitchnick MILAN Francesca Pasini on Name Diffusion HARRISBURG Eileen Neff on Richard Torchia CHICAGO James Yood on Italo Scanga James Yood on Deborah Butterfield SAN FRANCISCO David Levi Strauss on Margaret Crane/Jon Winet LOS ANGELES David Pagel on Kevin Sullivan Benjamin Weissman on Thaddeus Strode Amelia Jones on José Quintana MONTREAL John K. Grande on Michèle Waquant MADRID Juan Vicente Aliaga on Francis Bacon VALENCIA Anatxu Zabalbeascoa on Joan Fontcuberta ROME Massimo Carboni on Salvatore Astore NICE Christian Kravagna on Gerwald Rockenschaub PARIS Jean-Pierre Criqui on Didier Vermeiren Olivier Zahm on Jutta Koether, Laurent Joubert ZURICH Giorgio Verzotti on Chiara Dynys, Giovanni Rizzoli VIENNA Johanna Hofleitner on Patricia London Ante Paris COLOGNE Jutta Koether on Adrian Schiess DÜSSELDORF Sabine B. Vogel on Andreas Techler HAMBURG Wolf Jahn on Klaus Kumrow LONDON Michael Corris on Gilbert & George Michael Archer on Tim Head. …

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…