Bellavitis maddalena (17 risultati)

paperback. Condizione: New. Collana "Humanitas". Atti del Workshop internazionale, Genova, 28-29 ottobre 2005 - Brossura editoriale con bandelle, 276 pagine con numerose tavole in nero e a colori fuori testo. Copia in stato di nuovo -- Il "disegno soggiacente" ha assunto un'importanza sempre maggiore nella storia dell'arte; la tecnica della fotografia e della riflettografia all'infrarosso permette oggi di vedere quanto sta dietro al dipinto finito. Al di là delle tecniche e delle immagini sta invece la storia dell'Europa fra Quattro e Cinquecento, con la crescente diffusione della pittura fiamminga, della fama di artisti come Van Eyck, che grazie ai commerci oltrepasserà ben presto le Alpi, estendendosi a Genova, Venezia o nei territori della corona aragonese come la Sardegna. I saggi raccolti nel volume indagano questo terreno di scambi artistici, prendendo in esame dipinti, manoscritti, documenti, trattati sulla pittura o sulla prospettiva. In molti casi, il contributo dell'analisi riflettografica applicata allo studio dei dipinti ha permesso di coglierne le peculiarità, riuscendo a chiarire possibili influssi, punti di tangenza e tentativi di emulazione. Book.…

Condizione: new.

Hardcover. Condizione: Brand New. 400 pages. 9.26x6.11x9.30 inches. In Stock.

Hardback. Condizione: New. Illustrated. Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. Illustrated. Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.…

Hardback. Condizione: New. Illustrated. Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.…

Hardcover. Condizione: New. &Uumlber den AutorMaddalena Bellavitis, Ph.D., is adjunct lecturer of Early Modern Art History at Boston University. She has published a monograph and several articles and essays on European Art, infrared analysis of works of art, and i.

Hardback. Condizione: New. Illustrated. Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.…

Buch. Condizione: Neu. Neuware - Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.…

Condizione: UsatoComeNuovo. Bross., cm 24x17, pp 276, tavv. e ill. a col. f.t. e moltissime ill. in b/n. f.t. - ISBN: 9788871154985.

Condizione: new. Questo è un articolo print on demand.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condizione: Brand New. illustrated edition. 515 pages. 9.25x6.25x1.00 inches. In Stock. This item is printed on demand.