bellow juliet (85 risultati)

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Very Good. 1st. 84 pages, illustrations; 29 cm. Published to accompany an exhibition of graphic works on display at the Arthur Ross Gallery of the University of Pennsylvania from April 24 to June 17, 2001. Firm binding, clean inside copy. Spine bumped at the heel. Another copy available. *** CONTENTS: Transformation: Jews and Modernity An Introduction, by Larry Silver, Freyda Spira, Juliet Bellow; Diaspora, Nostalgia, and the Universal: Conditions of Modern Jewish Artists, by Larry Silver; A Feminine Geography: Place and Displacement in Jewish Women's Art of the Twentieth Century, by Juliet Bellow; Marketing Identities: Works on Paper in Fin-de-Siecle Berlin, by Freyda Spira; The Art of New York's Jews: A Delicate Lesson, by Harry Rand. Size: 4to.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condizione: New. Rodin and Dance: The Essence of Movement is the first serious study of Rodin's late sculptural series known as the Dance Movements. Exploring the artist's fascination with dance and bodies in extreme acrobatic poses, the exhibition and accompanying catalogue give an account of Rodin's passion for new forms of dance - from south-asian dances to the music hall and the avant garde - which began appearing on the French stage around 1900. Rodin made hundreds of drawings and watercolors of dancers. From about 1911 he also gave sculptural expression to this fascination with dancers' bodies and movements in creating the Dance Movements, a series of small clay figure studies (each approx. 30 cm in height) that stretch and twist in unsettling ways. These leaping, turning figures in terracotta and plaster were not exhibited during Rodin's lifetime or known beyond his close circle, and were only cast in bronze posthumously. Presented alongside the associated drawings and photographs of some of the dancers, they show a new side to Rodin's art, in which he pushed the boundaries of sculpture, expressing themes of flight and gravity. This exhibition catalogue aims to become the authoritative reference for Rodin's Dance Movements, comprising essays from leading scholars in the field of sculpture. It will include an introductory essay on the history of the bronze casting of the Dance Movements and the critical fortune of the series, an essay on the dancers Rodin admired, and an extensive technical essay. The Catalogue will comprise detailed entries on the works in the exhibition and new technical information on the drawings. Contributors include Alexandra Gerstein, Curator of Sculpture and Decorative Arts, The Courtauld Gallery; Antoinette Le Normand-Romain, Director, Institut National d'Histoire de l'Art, Paris; Juliet Bellow, Associate Professor of Art History, American University in Washington, DC and currently Resident Fellow, the Center for Ballet and the Arts, New York University; François Blanchetière, Curator of Sculpture at the Musée Rodin with sculpture conservators Agnès Cascio and Juliette Lévy; Sophie Biass-Fabiani, Curator of Works on Paper at the Musée Rodin; Kate Edmondson, Conservator of Works on Paper at The Courtauld Gallery; and Aline Magnien, Director of the Laboratoire de Recherche des Monuments Historiques.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact.

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. 192.

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: No Jacket, As Issued. 456 pages with 400 illustrations 250 in color. Still in shrink-wrap though minor bumps to the corners underneath the plastic protection. Edited with text by Fionn Meade, Joan Rothfuss. Foreword by Olga Viso. Interviews by Victoria Brooks, Danielle Goldman, Aram Moshayedi. Published on the occasion of the exhibition from the Walker Art Center, Minneapolis MN February 8-July 30, 2017. Extensive Illustrated Chronology.

Paperback. Condizione: New. Rodin and Dance: The Essence of Movement is the first serious study of Rodin's late sculptural series known as the Dance Movements. Exploring the artist's fascination with dance and bodies in extreme acrobatic poses, the exhibition and accompanying catalogue give an account of Rodin's passion for new forms of dance - from south-asian dances to the music hall and the avant garde - which began appearing on the French stage around 1900. Rodin made hundreds of drawings and watercolors of dancers. From about 1911 he also gave sculptural expression to this fascination with dancers' bodies and movements in creating the Dance Movements, a series of small clay figure studies (each approx. 30 cm in height) that stretch and twist in unsettling ways. These leaping, turning figures in terracotta and plaster were not exhibited during Rodin's lifetime or known beyond his close circle, and were only cast in bronze posthumously. Presented alongside the associated drawings and photographs of some of the dancers, they show a new side to Rodin's art, in which he pushed the boundaries of sculpture, expressing themes of flight and gravity. This exhibition catalogue aims to become the authoritative reference for Rodin's Dance Movements, comprising essays from leading scholars in the field of sculpture. It will include an introductory essay on the history of the bronze casting of the Dance Movements and the critical fortune of the series, an essay on the dancers Rodin admired, and an extensive technical essay. The Catalogue will comprise detailed entries on the works in the exhibition and new technical information on the drawings. Contributors include Alexandra Gerstein, Curator of Sculpture and Decorative Arts, The Courtauld Gallery; Antoinette Le Normand-Romain, Director, Institut National d'Histoire de l'Art, Paris; Juliet Bellow, Associate Professor of Art History, American University in Washington, DC and currently Resident Fellow, the Center for Ballet and the Arts, New York University; François Blanchetière, Curator of Sculpture at the Musée Rodin with sculpture conservators Agnès Cascio and Juliette Lévy; Sophie Biass-Fabiani, Curator of Works on Paper at the Musée Rodin; Kate Edmondson, Conservator of Works on Paper at The Courtauld Gallery; and Aline Magnien, Director of the Laboratoire de Recherche des Monuments Historiques.

Hardcover. Condizione: new. Hardcover. Charting Auguste Rodin's relationships with the dancers who shaped his signature style and his mythic persona. Juliet Bellow traces Rodin's interactions with dance makers and performers during his late career (1890-1912) through a series of interrelated case studies. His exchanges with Loie Fuller, Vaslav Nijinsky, and members of the Cambodian Royal Ballet troupe were central to Rodin's development of a modern sculptural aesthetic and the construction of his artistic celebrity. But this was not a simple case of one-way influence. These performers actively courted an affiliation with Rodin, wielding sculpture's cultural authority to move dance from the realm of commercial entertainment to that of "high art." Bringing together art history and performance studies, Rodin's Dancers demonstrates that in their search for innovation, dancers and sculptors experimented with one another's means of expression, sites of display, and techniques of publicity. The book provides more than a new interpretation of Rodin's art: it considers how and why the name "Rodin" came to stand for a powerful constellation of ideas about art, authorship, and creative genius within the vibrant spectacle culture of Belle Epoque Paris. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New. In.

Condizione: New. pp. 192.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2025. hardcover. . . . . .

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: Fine. 1st. 84 pages, illustrations; 29 cm. Published to accompany an exhibition of graphic works on display at the Arthur Ross Gallery of the University of Pennsylvania from April 24 to June 17, 2001. Firm binding, clean inside copy. *** CONTENTS: Transformation: Jews and Modernity An Introduction, by Larry Silver, Freyda Spira, Juliet Bellow; Diaspora, Nostalgia, and the Universal: Conditions of Modern Jewish Artists, by Larry Silver; A Feminine Geography: Place and Displacement in Jewish Women's Art of the Twentieth Century, by Juliet Bellow; Marketing Identities: Works on Paper in Fin-de-Siecle Berlin, by Freyda Spira; The Art of New York's Jews: A Delicate Lesson, by Harry Rand. Size: 4to. Collectible.

Hardcover. Condizione: Brand New. 152 pages. 12.50x9.50x0.75 inches. In Stock.

Hardback. Condizione: New. Charting Auguste Rodin's relationships with the dancers who shaped his signature style and his mythic persona. Juliet Bellow traces Rodin's interactions with dance makers and performers during his late career (1890-1912) through a series of interrelated case studies. His exchanges with Loïe Fuller, Vaslav Nijinsky, and members of the Cambodian Royal Ballet troupe were central to Rodin's development of a modern sculptural aesthetic and the construction of his artistic celebrity. But this was not a simple case of one-way influence. These performers actively courted an affiliation with Rodin, wielding sculpture's cultural authority to move dance from the realm of commercial entertainment to that of "high art."   Bringing together art history and performance studies, Rodin's Dancers demonstrates that in their search for innovation, dancers and sculptors experimented with one another's means of expression, sites of display, and techniques of publicity. The book provides more than a new interpretation of Rodin's art: it considers how and why the name "Rodin" came to stand for a powerful constellation of ideas about art, authorship, and creative genius within the vibrant spectacle culture of Belle Époque Paris.