Beni louise (11 risultati)

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Couverture souple. Condizione: Bon. 184 pp. Format: 14.5x20.5 - L'une des plus anciennes methodes utilisées pour ppredire l'avenir.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Couverture souple. Condizione: Très bon. Broché, 184 pages, paru le 18 avril 2000 chez De Vecchi, très bon état général.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

704 pages. Hardcover: H 30.25cm x L 21.75cm. Dust jacket rubbed and with nicks and short tears at edges; dj now presented in a mylar Brodart protector. Dark navy blue cloth with bright gilt stamped lettering to spine; small stain at front board's bottom center. Touch of soiling to text block edges; single swath of brown marker on bottom edge near spine (possible a publisher's remainder mark?). Slender bands of binding glue stains at bottom margins of front and rear pastedowns; interior pages are clean. Binding is firm. A very good+ copy in a very good- dust jacket. Published as the accompanying catalogue for an exhibition held at the Palazzo Grassi, Venice from September 5, 1999 to January 9, 2000. Color and b/w illustrations throughout. Features the following essays: "Venice: Where North Meets South" by Bernard Aikema, Beverly Louise Brown; "The Renaissance: a European Phenomenon" by Enrico Castelnuovo; "Venice and the Low Countries: Commercial Contacts and Intellectual Inspirations" by Peter Stabel; "Venice and Germany: Commercial Contacts and Intellectual Inspirations" by Bernd Roeck; "The Artistic Heritage of the North: Venice and Europe in the Fifteenth Century" by Giovanna Nepi ScireÌ; "Working Abroad: northern artists in the Venetian ambient" by Louisa C. Matthew; "Across the Alps and to the Lagoon: northern artists in Venice during the Sixteenth Century" by Caterina Limentani Virdis; "The Fondaco dei Tedeschi" by Giandomenico Romanelli; "The lure of the North: Netherlandish art in Venetian collections" by Bernard Aikema; "North and South: painting techniques in Renaissance Venice" by Jill Dunkerton; "Genre and meaning: crosscurrents between Venice and the North" by Beverly Louise Brown; "Crossing the Alps: portraiture in Renaissance Venice" by Rona Goffen; "Flemish and Dutch artists in Venetian workshops: the case of Jacopo Tintoretto" by Bert W. Meijer; "Manegna and the role of prints: a prototype for artistic innovation in the North and South" by Konrad Oberhuber; "Northern prints and printmaking in late sixteenth-century Venice" by Gert Jan van der Sman; "Venice and Augusburg: architecture and sculpture in the Sixteenth Century" by Bruno Bushart; "Prelude" by Giovanna Nepi ScireÌ; "Early Venetian Renaissance painting and the Ars Nova of the Low Countries" by Bernard Aikema, Beverly Louise Brown; "Venice and DuÌrer" by Fritz Koreny; "Crosscurrents with Germany: the spread of the Venetian Renaissance" by Bernard Aikema, Andrew John Martin; "From hell to paradise: landscape and figure in early sixteenth-century Venice" by Beverly Louise Brown; "Titian and the North" by Bert W. Meijer; "Low life and landscape: minor picutra in late sixteenth-century Venice" by Stefania Mason; "Augsburg, Prague and Venice at the end of the century" by Andrew John Martin. Please note that this thick book has an approximate shipping weight of 9 pounds (4.08 kg) and will require additional postage for any postal class other than domestic Media Mail. ISBN 0847821951. …

Condizione: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Fort vol in-4 broché ( couverture illustrée ) - Editions Bompiani - 1999 - 702 pages - Illustrations en couleurs hors texte Bon état.