bernard edward brown (13 risultati)

Hardcover. Condizione: Good. No Jacket. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Paperback. Condizione: Very Good. First Edition. First Edition, Later Printing (1976). Not price-clipped. Published by Edward Arnold, 1963. Octavo. Paperback. Book is very good with light toning to the page ends, the previous owner's name on the half title page, and a few annotations from the previous owner throughout the pages. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Unknown Binding. Condizione: Good. ***GOOD CONDITION*** writing/highlighting/underlining Front cover bottom corner bend. Heavy edge wear to cover. Moderate cover wear. We specialize in non-fiction books. Follow us on Facebook and Instagram.

First Edition. First Edition. Near Fine condition. No internal markings.

Hardcover. Condizione: Very good condition. Condizione sovraccoperta: Very good. xviii, 787 pp.

Condizione: Very good condition. Condizione sovraccoperta: Very good. xviii, 787 pp.

[32] pp.; 22.2 x 22.2 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 1 - November 9, 1969. Essay by Joan C. Siegfried. Includes exhibition checklist. Artists include Terry Allen, Frederick Anderson, Jeremy Anderson, Bernard Aptekar, Robert Arneson, Gene Beery, Wallace Berman, Peter Bodnar, Roger Brown, Roy De Forest, Oyvind Fahlström, Edward C. Flood, William Geis, David Gilhooly, Gerald Gooch, Robert Gordy, Red Grooms, Sue Hall, Philip Hanson, Robert Hudson, Jess, R.B. Kitaj, Nicholas Krushenick, Roy Lichtenstein, Alden Mason, James Melchert, Gladys Nilsson, James Nutt, Claes Oldenburg, Eduardo Paolozzi, Ed Paschke, Peter Phillips, Christina Ramberg, Mel Ramos, Suellen Rocca, Barbara Rossi, Peter Saul, William Schwedler, David Smyth, Norman Steigelmeyer, Ernest Trova, Andy Warhol, H.C. Westermann, William T. Wiley, Karl Wirsum, Ray Yoshida, Arlo Acton, Robyn Martin, and Giovanni Ragusa. Covers designed by Edward C. Flood. Very Good. Light rubbing of covers and cover edges and spine and bumping of top and bottom right corners. 2.3 cm. of water staining to the bottom of pages 27-32 at spine. Contents otherwise clean and unmarked.

Condizione: Bueno. Columbia University Press. 1951. Tapa dura. 23 cm. Idioma inglés. Bueno.

Condizione: Used: Good. Occasion - Bon Etat - Avec jaq - American conservatives : The political thought of francis lieber and john w. Burgess (1993) - Poche.

POOR.OLD.TIRED.HORSE. Numbers 9-25,1961 -1967 - all original. 17 issues in total. Edited by Ian Hamilton Finlay, POOR.OLD.TIRED.HORSE. is seen as the most important concrete poetry journal of the 1960s in Britain. The journal title comes from Robert Creeley's poem "Please" (1959). The early numbers are black & white, but later numbers involve colour (often silkscreen) illustrations as the concrete poetry movement blossomed. It has become highly influential for both poets and artists (see for example the ICA group exhibition POOR.OLD.TIRED.HORSE. of 2009). Issue no. 10 is 'a concrete number', including Augusto de Campos, Eugen Gomringer, Dom Sylvester Houédard and Edwin Morgan. Issue no. 12 is a 'Visual Semiotic Concrete' edition. Issue no. 18 is a collaboration, with writings and script by Ad Reinhardt and drawings and layout by Bridget Riley. Issue no. 25 the final issue is dedicated to one-word poems. Contributors include : Ian Hamilton Finlay, Pete Brown, Anselm Hollo, Lorine Neidecker, Gael Turnbull, Marvin Malone, Cid Corman, Jerome Rothenberg, Guillaume Appolinaire, Larry Eigner, Lawrence Ferlinghetti, Edwin Morgan, Cesar Lopez Nunez, Jonathan Williams, Tom McGrath, Spike Hawkins, Georg Trakl, Robert Garioch, Ernst Jandl, Paul de Vree, Robert Creeley, Vladimir Mayokovsky, Yury Pantratov, Libby Houston, Eugen Gomringer, Michael Shayer, Mary Ellen Solt, Peter Stitt, Dom Sylvester Houédard, Peter Lyle, Margot Sandemann, Heinz Gappmayr, Pedro Xisto, Hamish MacLaren, George Macklay Brown, Eli Seigel, Pierre Albert-Birot, Francis Ponge, Edward Wright, Emil Antonucci, Charles Biederman, Jim Nicholson, Ronald Johnson, Bernard Kops, Larry Eigner, Robert Creeley, Augusto de Campos, Edgard Braga, Bridget Riley, Ad Reinhardt, Robert Lax, Jeffrey Steele, Kenelm Cox, Stephen Bann, Hansjorg Mayer, Edward Lucie-Smith, Alan Riddell, Astrid Gillis, Aram Saroyan et al. Ref: IN NUMBERS (PPP Editions, Switzerland, 2009) pages 9, 18, 314-321. Also exhibited in the show of that name, ICA, 2012. Murray pages 2-3. Condition: most issues near fine, some very good with slight bruising to edges (see image of issues 9, 16, 17, 19, 20, 22, 25 showing edgewear/handling marks).

Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den Autorown /f Bernard /i E.Klappentextrnrn?In an interesting and well-written book, Brown traces the evolution of the French Socialist and Communist parties from the signing of the Common Program in 197.

Buch. Condizione: Neu. Socialism of a Different Kind | Reshaping the Left in France | Bernard Edward Brown | Buch | Gebunden | Englisch | 1982 | Praeger | EAN 9780313233777 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In an interesting and well-written book, Brown traces the evolution of the French Socialist and Communist parties from the signing of the Common Program in 1972 to their accession to power in 1981. The crucial decade of the 1970s saw the reshaping of the Left within this unlikely and rather uneasy alliance through the concept of autogestion.' Brown's analysis not only gives a clear understanding of the importance of that alliance and its underlying contradictions, but also places this phase of French politics in the context of its past (notably the events of May 1968) and gives insight into its future possibilities. A timely and enjoyable work. -Orbis.