Bernard essay by (18 risultati)

Paperback. Condizione: Good. 1st. [16] pages, illustrations (some colour); 22 x 26 cm. A good copy with a previous owner's blind stamp/last leaf, otherwise unmarked. Moderate shelfwear to wraps. Size: Oblong.

Condizione: Very good. light shelf wear. 0 36 p. Includes illustrations.

Paperback. Condizione: New. New copy, 28 pages, colour illustrations, contains biograpical details, exhibition chronoloy, and selected bibliography. Pristine condition copy.

Paperback. Condizione: Very Good. No Dustjacket. Later Edition. ISBN 091809805X. Trade Paperback. No statement of later printing on copyright page. Minor wear to corners; slight wear to edges; slight rubs along spine; otherwise tight, sound and unmarked in Very Good condition. No Signature.

First 4to, stiff stapled pictorial wrappers. 51 illustrations (2 cover illustrations in color), portrait, chronology, exhibition list. Exhibition April 15 - May 10, 1969. Very good.

Soft cover. Condizione: Very Good. 1st Edition. 8vo - over 7¾ - 9¾" tall. 1st edition. A Very Good copy. Narrow octavo. (37) pp, photo illustrations. Light soiling to the wraps. Very Good.

Hardcover. Condizione: Very Good. No Jacket. First Edition. A very good copy of the stated first hard cover edition, lacking a dust-jacket. Save for a previous owner's name in ink atop the front free endpaper the text is wholly unmarked, pristine, and the blue cloth binding with gilt lettering on the spine is rather bright and fresh in appearance, with a few unobtrusive surface abrasions. A handsome copy.…

Condizione: Very Good. 79pp. - Longmans Green & Co., . 1942. Hardback. . . . .

Paperback. Condizione: Near Fine. 1st. 16 pages, colour illustrations; 22 cm. This publication has been produced in conjunction with the exhibition Metamorphosis: Transformation in Herbert Bayer's Imagery, 1928-1940, curated by Bernard Jazzar and presented in the Resnick Gallery, Doerr-Hosier Center, The Aspen Institute, July 2 to September 14, 2007. Near fine. Firm binding, clean inside copy. Light edgewear to wraps. *** Bauhaus artist Herbert Bayer (1900-1985) moved to the U.S. in 1936 and helped to design the campus of the Aspen Institute in Colorado after his relocation there in 1946. Size: 8vo. Collectible.…

Paperback. Condizione: Very Good. First Edition. 28 pp illustrated, VG copy with no previous ownership markings. Mustard coloured card wraps. Large format.

Fine. United States Territorial expansion. United States Discovery and exploration.

196pp. Illustrated in black and white Slash on bottom edges else Fine/no dj.

Condizione: Very Good. 79pp. - Longmans Green & Co., . 1942. Hardback. . . . . Books ship from the US and Ireland.

Exhibition catalogue, paperback, pp28, illus with 6 colour plates. Very minor creasing to covers, otherwise VG. [Art box 2].

Paperback. Condizione: Near Fine. 1st. 56 pages, illustrations (some colour); 28 cm. Text in French/Texte en francais. TRES BON+ ETAT. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Size: 4to. Collectible.

Hardcover. Condizione: Very good condition. Condizione sovraccoperta: Very good. xviii, 787 pp.

Condizione: Very good condition. Condizione sovraccoperta: Very good. xviii, 787 pp.

Rilegato. Condizione: nuovo. Condizione sovraccoperta: nuovo. prima edizione. Many Antwerp Hands : Collaborations in Netherlandish Art A. D. Newman, L. Nijkamp (eds.) Editore: Harvey Miller 2021 : Distr. Brepols New -Hardback EUR 130,00 Quantità: 1 Hardcover, 242 pages, English, 280 x 220 mm, 80 colour ill., 2 b/w tables. ISBN 9781912554737. A fresh look at the phenomenon of artistic collaboration in the early modern Low Countries Artists everywhere and across all time periods have collaborated with one another. Yet in the early modern Low Countries, collaboration was particularly widespread, resulting in a number of distinctive visual forms that have become strongly associated with artistic ? and especially painterly ? practice in this region. While art historians long glossed over this phenomenon, which appeared to discomfitingly counter nineteenth-century notions of authorship and artistic genius that have long shaped the field, the past few decades have seen increased attention to this rich and complicated subject. The essays in this book together constitute a current state of the question, while at once pointing the way forward. In broadening the art historical lens on this subject, they draw upon economic and social history, current interests in immigration and mobility, print studies, and technical analysis, embracing a range of literary and archival sources along the way. Interdisciplinary in their perspectives and methodologically diverse, these essays present both theoretical reflections on artistic collaboration and in-depth studies of particular artist-partnerships and collaboratively made objects. Abigail D. Newman is a part-time professor of Art History in the History Department at the University of Antwerp and Research Adviser at the Rubenianum. Lieneke Nijkamp is Curator of Research Collections at the Rubenianu.…