bernhard josephine (15 risultati)

Hardcover. Condizione: Poor. Irena Lorentowicz (illustratore).

HB w/ lots of wear. Ill. in B&W, and purples and blues by Irena Lorentowicz. A Polish folktale.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Irena Lorentowicz (illustratore). 1st Edition. A Polish folktale. Two DJs. One possibly later version with revies on back flap with same price and blurb.

Condizione: Fair. Hardcover, illusrated throughout in more colours.; Top and bottom spine damaged; small stamp on title-page.

Hardcover. Condizione: Good. New York 1944 Roy Publishers. 8" oblong pictorial HB. Illustrated by Irena Lorentowicz. owner's name tiny on front ep., cover corners bumped and worn, dust jacket beat up. G in Poor dust jacket.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good. Irena Lorentowicz (illustratore). 1st Edition. Oblong book has light toning. Otherwise tight and clean. Beautifully illustrated endpapers. DJ has very slight soiling and is price-clipped. Protected in mylar. Christmas story adapted from Polish folklore.

Hardback. Condizione: New.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Fair. Lorentowicz, Irena (illustratore). First Edition. This book has a pictorial cover, very little corner bumping. There is some wear at the head and foot of the spine. The DJ has not fared as well. Clipped it has darkened with age, with edge wear and chipping. We have placed it in a protective cover. Text is clean with no ownership markings. Binding is tight, text clean and colors bright. Size: 12mo - over 6¾" - 7¾" tall.

Illustrated Boards. Condizione: Fine. Condizione sovraccoperta: Near Fine. Irena Lorentowicz (illustratore). First Edition. Illustrated boards in matching dust jacket with slight wear. Illustrated endpapers. A Christmas nativity story adapted from a Polish folktale. Illustrated with bold and striking color lithographs throughout. Size: Oblong 4to.

Condizione sovraccoperta: dj. Illustrated by Irena Lorentowicz. 1 vols. Oblong 4to. Illustrated boards. A few chips in spine, else Fine, in unclipped, chipped dust jacket Illustrated by Irena Lorentowicz. 1 vols. Oblong 4to.

Hardcover. Condizione: Good. Condizione sovraccoperta: good. Lorentowicz, Irena (illustratore). Hardcover Quarto dust jacket. illustrated papered boards, dust jacket, unpaginated dj has light wear and chipping at edges spine is loose Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. IRENA LORENTOWICZ (illustratore). 1st Edition. THIS IS AN ADAPTATION OF AN OLD POLISH FOLK-TALE . IT IS ILLUSTRATED IN FULL COLOR BY IRENA LORENTOWICZ .This book is nicely designed and illustrated , both the book and its jacket are in very good condition .

Kartoniert / Broschiert. Condizione: New. Jahrzehntelang wurde kuenstlerische Arbeit waehrend des Nationalsozialismus auf Entartete Kunst und Nazi-Kunst reduziert. Dagegen zeigt die neuere Forschung ein vielschichtiges Bild. Die Berliner Kunsthochschule erweist sich als Fokus fuer die Kunstentwick.

Condizione: Good. 4to Spiral bound. 40pp. + inserts. Silkscreen cover by Charles T. Coiner (1898-1989). In 1933 Coiner was asked to design a symbol for the National Recovery Administration, the federal agency created to encourage industrial recovery and combat unemployment. His Blue Eagle design, that he sketched on a flight to Washington, DC, was displayed by businesses all across the United States and as its much publicized creator, Coiner became something of a household name.Photograph by Ruth Bernhard.When Advertising Arts made its debut during the Great Depression, the economy was at its nadir and desperation was at its zenith. Unless advertising and public relations men like Calkins could help resuscitate the economy, the nation would plummet further into the abyss ? and with it the advertising industry. Advertising Arts, edited by Frederick C. Kendall and Ruth Fleischer, was developed as a vehicle to encourage innovative work and celebrate the determination of advertising designers to manipulate popular perception using pseudoscience. It was indeed a magazine with a mission. So rather than publish the usual diet of gossip, trade talk, and technical notices, Kendall and Fleischer tapped the movers and shakers of what was then called "art for industry" to flag the new progressivism. Touting their own achievements as "artists" and imbuing art with commercial value was a massive public relations effort that required the most articulate practitioners. Granted, the readers of Advertising Arts were primarily other advertising artists and designers, but nonetheless the magazine gained authority within the offices and boardrooms of industry. The articles validated contemporary design in ways that business men could understand it.Provenance : Estate of CCAC/CCA professor Steve Reoutt, who passed away May 14, 2008. He was born in 1938 in Shanghai to Russian parents. He came to the United States when he was just 12 years old. He went on to co-found the San Francisco chapter of the AIGA, including serving a nine-year board position as design historian. In 2001 Reoutt received the AIGA Fellowship award for "personal and professional contributions to raising the standards of excellence within our design community.".

Hardback. Condizione: New.