Lingua: Inglese
Editore: Brepols (distributed) December 2010, 2010
ISBN 10: 2503525644 ISBN 13: 9782503525648
Da: Magus Books Seattle, Seattle, WA, U.S.A.
Trade Paperback. Condizione: VG-. used trade paperback edition. lightly shelfworn, corners perhaps slightly bumped, covers lightly scuffed. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.
Condizione: New.
paperback. Condizione: New. 1st.
Condizione: As New. Unread book in perfect condition.
Da: Clevedon Community Bookshop Co-operative, Clevedon, Regno Unito
EUR 66,76
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. All of our books without an ISBN number (normally pre-1970 in date) are described individually in detail. Books with an ISBN number (this one included) are all offered for sale in good condition or better: some may be in very good, near fine, or fine condition. If the condition is critical to your decision to purchase, then please contact us and we will let you know our view of its condition. If the book is very heavy, we will may need to contact you before completion of purchase to advise you of extra postage costs.
Da: Revaluation Books, Exeter, Regno Unito
EUR 79,90
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 01 edition. 277 pages. 11.25x8.00x0.50 inches. In Stock.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 80,94
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 103,30
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 85,84
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: New.
Paperback. Condizione: new. Paperback. Long dismissed as dull face painting, portraiture as a visual art gained new interest with the rise of contextual art history, the study of works of arts as products, reflections, and sometimes motivators of the social and cultural concerns of their time. Whether taken to encompass the studies of anonymus heads that have now been shown to belong to the seperate category of 'tronies', or confined more strictly to the representation of individuals whose historical identity is essential to the content of the work, portraiture clearly constituted a fascination for Dutch and Flemish consumers of the early modern period. The aim of this volume is to show a balanced hand of current international research on 17th-century Flemish and Dutch - apparently pokerfaced - portraiture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Prima edizione
EUR 120,65
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: New. 2011. 1st Edition. paperback. . . . . .
EUR 82,64
Quantità: 3 disponibili
Aggiungi al carrelloKartoniert / Broschiert. Condizione: New.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
hardcover. Condizione: New.
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Condizione: New. 2011. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 145,45
Quantità: 10 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 151,72
Quantità: 10 disponibili
Aggiungi al carrelloCondizione: New.
Da: Revaluation Books, Exeter, Regno Unito
EUR 145,78
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 436 pages. 10.98x9.02x9.00 inches. In Stock.
EUR 97,11
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
Lingua: Inglese
Editore: Brepols Publishers Feb 2011, 2011
ISBN 10: 2503525644 ISBN 13: 9782503525648
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 104,10
Quantità: 2 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - Long dismissed as dull face painting, portraiture as a visual art gained new interest with the rise of contextual art history, the study of works of arts as products, reflections, and sometimes motivators of the social and cultural concerns of their time. Whether taken to encompass the studies of anonymus heads that have now been shown to belong to the seperate category of 'tronies', or confined more strictly to the representation of individuals whose historical identity is essential to the content of the work, portraiture clearly constituted a fascination for Dutch and Flemish consumers of the early modern period. The aim of this volume is to show a balanced hand of current international research on 17th-century Flemish and Dutch - apparently pokerfaced - portraiture.
EUR 162,68
Quantità: 7 disponibili
Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Hardcover. Condizione: new. Hardcover. With forty-three contributions this book pays homage to Katlijne Van der Stighelen, who has shown exceptional range in her own contributions to the history of art in the Southern Netherlands and beyond. With monographs on Peter Paul Rubens and Anthony van Dyck, she has considerably expanded scholarship on canonical artists. Yet early on, a catalogue raisonne of the portraits of the lesser-known Cornelis de Vos revealed that Van der Stighelen was not one to preserve the status quo but to challenge it. Mindful of protagonists and their historiographical pull, she has consistently rehabilitated artists relegated to the background, in some cases by single-handedly saving them from total oblivion and - remarkable feat - having them added to the canon. Portraiture, supposedly a sijd-wegh der consten, was paved into a central avenue of inquiry in Van der Stighelen's work. Her approach to the genre made it into a pathway for the introduction of women artists. What was a sijd-wegh became a zij-weg. From seminal publications on Anna-Maria van Schurman to revelatory exhibitions on Michaelina Wautier, Van der Stighelen's particular brand of feminism has impacted scholarship as deeply as it has touched the museum-going public. Women and portraiture are the core themes of the essays assembled in this book. The resulting group portrait is crowded and rambunctious and reflects the varied subject matter that has attracted Van der Stighelen's professional attention. It also paints a partial portrait of the community of scholars that she has so generously fostered. In trying to summarize the motivations of authors to contribute to this volume or the gratitude of generations of art historians trained by her, it is best to quote the title of the first exhibition on women artists in Belgium and The Netherlands, which Van der Stighelen curated in 1999: Elck zijn waerom. Women and portraiture are the core themes of the essays assembled in this book. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 182,27
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: new. Paperback. Long dismissed as dull face painting, portraiture as a visual art gained new interest with the rise of contextual art history, the study of works of arts as products, reflections, and sometimes motivators of the social and cultural concerns of their time. Whether taken to encompass the studies of anonymus heads that have now been shown to belong to the seperate category of 'tronies', or confined more strictly to the representation of individuals whose historical identity is essential to the content of the work, portraiture clearly constituted a fascination for Dutch and Flemish consumers of the early modern period. The aim of this volume is to show a balanced hand of current international research on 17th-century Flemish and Dutch - apparently pokerfaced - portraiture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Prima edizione
EUR 211,75
Quantità: 11 disponibili
Aggiungi al carrelloCondizione: New. 2024. 1st Edition. hardcover. . . . . .
Da: Kennys Bookstore, Olney, MD, U.S.A.
Condizione: New. 2024. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.
EUR 334,00
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: new. Hardcover. With forty-three contributions this book pays homage to Katlijne Van der Stighelen, who has shown exceptional range in her own contributions to the history of art in the Southern Netherlands and beyond. With monographs on Peter Paul Rubens and Anthony van Dyck, she has considerably expanded scholarship on canonical artists. Yet early on, a catalogue raisonne of the portraits of the lesser-known Cornelis de Vos revealed that Van der Stighelen was not one to preserve the status quo but to challenge it. Mindful of protagonists and their historiographical pull, she has consistently rehabilitated artists relegated to the background, in some cases by single-handedly saving them from total oblivion and - remarkable feat - having them added to the canon. Portraiture, supposedly a sijd-wegh der consten, was paved into a central avenue of inquiry in Van der Stighelen's work. Her approach to the genre made it into a pathway for the introduction of women artists. What was a sijd-wegh became a zij-weg. From seminal publications on Anna-Maria van Schurman to revelatory exhibitions on Michaelina Wautier, Van der Stighelen's particular brand of feminism has impacted scholarship as deeply as it has touched the museum-going public. Women and portraiture are the core themes of the essays assembled in this book. The resulting group portrait is crowded and rambunctious and reflects the varied subject matter that has attracted Van der Stighelen's professional attention. It also paints a partial portrait of the community of scholars that she has so generously fostered. In trying to summarize the motivations of authors to contribute to this volume or the gratitude of generations of art historians trained by her, it is best to quote the title of the first exhibition on women artists in Belgium and The Netherlands, which Van der Stighelen curated in 1999: Elck zijn waerom. Women and portraiture are the core themes of the essays assembled in this book. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Hardcover. Condizione: New.
Hardcover. Condizione: New.