Bertaggia carolina (46 risultati)

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condizione: new. Paperback. A fifteen-year-old boy in the Veneto region in the aftermath of World War II. A son who returns to his hometown in search of his father and finds only ghosts. Two works written four years apart and ten thousand kilometers apart-Goffredo Parise's *Il ragazzo morto e le comete* (1951) and Juan Rulfo's *Pedro Paramo* (1955)-are linked in this essay by three common threads. The first is biographical: both authors are marked by a fundamental rupture in their origins, transformed into a universal poetic vision. The second concerns the choice of genre: the fantastic is not ornament but structure; the dead rise from the earth because such a brutal reality cannot be told using the tools of realism, and only the absurd remains as the last hope. The third is formal: through chronotopes of consciousness and cinematic montage, they develop a language capable of expressing what would otherwise remain unspoken, to give shape to a world that is still our own, in which solitude, orphanhood, incommunicability, and violence are the norm. Rereading these novels together means equipping ourselves with the tools to inhabit the present without renouncing faith in the word-that crack in the silence that is the only possible form of resistance. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware 120 pp. Englisch.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - A fifteen-year-old boy in the Veneto region in the aftermath of World War II. A son who returns to his hometown in search of his father and finds only ghosts. Two works written four years apart and ten thousand kilometers apart-Goffredo Parise's \*Il ragazzo morto e le comete\* (1951) and Juan Rulfo's \*Pedro Páramo\* (1955)-are linked in this essay by three common threads. The first is biographical: both authors are marked by a fundamental rupture in their origins, transformed into a universal poetic vision. The second concerns the choice of genre: the fantastic is not ornament but structure; the dead rise from the earth because such a brutal reality cannot be told using the tools of realism, and only the absurd remains as the last hope. The third is formal: through chronotopes of consciousness and cinematic montage, they develop a language capable of expressing what would otherwise remain unspoken, to give shape to a world that is still our own, in which solitude, orphanhood, incommunicability, and violence are the norm. Rereading these novels together means equipping ourselves with the tools to inhabit the present without renouncing faith in the word-that crack in the silence that is the only possible form of resistance.…

Paperback. Condizione: new. Paperback. A fifteen-year-old boy in the Veneto region in the aftermath of World War II. A son who returns to his hometown in search of his father and finds only ghosts. Two works written four years apart and ten thousand kilometers apart-Goffredo Parise's *Il ragazzo morto e le comete* (1951) and Juan Rulfo's *Pedro Paramo* (1955)-are linked in this essay by three common threads. The first is biographical: both authors are marked by a fundamental rupture in their origins, transformed into a universal poetic vision. The second concerns the choice of genre: the fantastic is not ornament but structure; the dead rise from the earth because such a brutal reality cannot be told using the tools of realism, and only the absurd remains as the last hope. The third is formal: through chronotopes of consciousness and cinematic montage, they develop a language capable of expressing what would otherwise remain unspoken, to give shape to a world that is still our own, in which solitude, orphanhood, incommunicability, and violence are the norm. Rereading these novels together means equipping ourselves with the tools to inhabit the present without renouncing faith in the word-that crack in the silence that is the only possible form of resistance. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: new. Paperback. A fifteen-year-old boy in the Veneto region in the aftermath of World War II. A son who returns to his hometown in search of his father and finds only ghosts. Two works written four years apart and ten thousand kilometers apart-Goffredo Parise's *Il ragazzo morto e le comete* (1951) and Juan Rulfo's *Pedro Paramo* (1955)-are linked in this essay by three common threads. The first is biographical: both authors are marked by a fundamental rupture in their origins, transformed into a universal poetic vision. The second concerns the choice of genre: the fantastic is not ornament but structure; the dead rise from the earth because such a brutal reality cannot be told using the tools of realism, and only the absurd remains as the last hope. The third is formal: through chronotopes of consciousness and cinematic montage, they develop a language capable of expressing what would otherwise remain unspoken, to give shape to a world that is still our own, in which solitude, orphanhood, incommunicability, and violence are the norm. Rereading these novels together means equipping ourselves with the tools to inhabit the present without renouncing faith in the word-that crack in the silence that is the only possible form of resistance. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware 124 pp. Spanisch.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Un chico de quince años en el Véneto de la posguerra. Un hijo que regresa a su pueblo natal en busca de su padre y solo encuentra fantasmas. Dos obras escritas con cuatro años de diferencia y a diez mil kilómetros de distancia, \*Il ragazzo morto e le comete\* de Goffredo Parise (1951) y \*Pedro Páramo\* de Juan Rulfo (1955), que en este ensayo se relacionan a partir de tres hilos conductores comunes. El primero es biográfico: ambos autores están marcados por una ruptura de origen, transformada en poética universal. El segundo se refiere a la elección del género: lo fantástico no es un adorno, sino una estructura; los muertos resurgen de la tierra porque una realidad tan brutal no puede narrarse con los recursos del realismo y solo lo absurdo es ya la última esperanza. El tercero es formal: a través de cronotopos de la conciencia y del montaje cinematográfico, elaboran un lenguaje capaz de expresar lo que, de otro modo, quedaría sin expresar, para dar forma a un mundo que sigue siendo el nuestro, en el que la soledad, la orfandad, la incomunicabilidad y la violencia son la norma. Releer estas novelas juntas significa dotarse de herramientas para habitar el presente sin renunciar a la fe en la palabra, esa grieta en el silencio que es la única forma posible de resistencia.…

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware 124 pp. Französisch.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Un garçon de quinze ans en Vénétie, après la Seconde Guerre mondiale. Un fils qui revient dans son village natal à la recherche de son père et ne trouve que des fantômes. Deux ¿uvres écrites à quatre ans et dix mille kilomètres de distance l'une de l'autre, \*Il ragazzo morto e le comete\* de Goffredo Parise (1951) et \*Pedro Páramo\* de Juan Rulfo (1955), que cet essai met en relation à travers trois points communs. Le premier est d'ordre biographique : les deux auteurs sont marqués par une rupture d'origine, transformée en poétique universelle. Le deuxième concerne le choix du genre : le fantastique n'est pas une fioriture mais une structure ; les morts remontent de la terre car une réalité aussi brutale ne peut être racontée avec les outils du réalisme et seul l'absurde est désormais le dernier espoir. Le troisième est d'ordre formel : à travers des chronotopes de la conscience et le montage cinématographique, ils élaborent un langage capable d'exprimer ce qui, autrement, resterait inexprimé, afin de donner forme à un monde qui est encore le nôtre, où la solitude, l'orphelinat, l'incommunicabilité et la violence sont la norme. Relire ces romans ensemble, c'est se doter d'outils pour habiter le présent sans renoncer à la foi en la parole, cette fissure dans le silence qui est la seule forme possible de résistance.…

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condizione: new. Paperback. Pietnastolatek w Wenecji po II wojnie swiatowej. Syn, ktory wraca do rodzinnej wsi w poszukiwaniu ojca i spotyka tam jedynie duchy. Dwa dziela napisane w odstepie czterech lat i dziesieciu tysiecy kilometrow - *Il ragazzo morto e le comete* Goffredo Parise'a (1951) oraz *Pedro Paramo* Juana Rulfo (1955) - w niniejszym eseju powiazane sa trzema wspolnymi watkami. Pierwszy z nich ma charakter biograficzny: obaj autorzy sa naznaczeni pierwotnym zerwaniem, przeksztalconym w uniwersalna poetyke. Drugi dotyczy wyboru gatunku: fantastyka nie jest ozdoba, lecz struktura; zmarli powracaja z ziemi, poniewaz tak brutalnej rzeczywistosci nie da sie opowiedziec za pomoca srodkow realizmu, a absurd jest juz jedyna nadzieja. Trzeci watek ma charakter formalny: poprzez chronotopy swiadomosci i montaz filmowy autorzy wypracowuja jezyk zdolny do wyrazenia tego, co w innym przypadku pozostaloby niewypowiedziane, aby nadac ksztalt swiatu, ktory wciaz jest naszym swiatem, w ktorym samotnosc, osierocenie, brak komunikacji i przemoc sa norma. Ponowna lektura tych powiesci oznacza wyposazenie sie w narzedzia pozwalajace zyc w terazniejszosci bez rezygnacji z wiary w slowo - te szczeline w ciszy, ktora jest jedyna mozliwa forma oporu. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: new. Paperback. Um rapaz de quinze anos no Veneto do pos-guerra. Um filho que regressa a sua aldeia natal a procura do pai e so encontra fantasmas. Duas obras escritas com quatro anos de diferenca e a dez mil quilometros de distancia uma da outra, *Il ragazzo morto e le comete*, de Goffredo Parise (1951), e *Pedro Paramo*, de Juan Rulfo (1955), que neste ensaio sao relacionadas por tres pontos em comum. O primeiro e biografico: ambos os autores estao marcados por uma ruptura de origem, transformada numa poetica universal. O segundo diz respeito a escolha do genero: o fantastico nao e um ornamento, mas sim uma estrutura; os mortos ressurgem da terra porque uma realidade tao brutal nao pode ser contada com os instrumentos do realismo e apenas o absurdo e, agora, a ultima esperanca. O terceiro e formal: atraves de cronotopos da consciencia e da montagem cinematografica, elaboram uma linguagem capaz de expressar o que, de outra forma, permaneceria inexpresso, para dar forma a um mundo que ainda e o nosso, no qual a solidao, a orfandade, a incomunicabilidade e a violencia sao a norma. Reler estes romances em conjunto significa dotar-se de instrumentos para habitar o presente sem renunciar a fe na palavra, aquela fenda no silencio que e a unica forma possivel de resistencia. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condizione: new. Paperback. Ein fuenfzehnjaehriger Junge im Venetien der Nachkriegszeit. Ein Sohn, der auf der Suche nach seinem Vater in sein Heimatdorf zurueckkehrt und dort nur Geister vorfindet. Zwei Werke, die im Abstand von vier Jahren und zehntausend Kilometern entstanden sind: "Il ragazzo morto e le comete" von Goffredo Parise (1951) und "Pedro Paramo" von Juan Rulfo (1955), die in diesem Aufsatz auf drei gemeinsame Straenge zurueckgefuehrt werden. Der erste ist biografischer Natur: Beide Autoren sind von einem urspruenglichen Bruch gepraegt, der sich in eine universelle Poetik verwandelt hat. Der zweite betrifft die Wahl des Genres: Das Fantastische ist kein Schmuck, sondern Struktur; die Toten steigen aus der Erde empor, weil eine so brutale Realitaet nicht mit den Mitteln des Realismus erzaehlt werden kann und nur das Absurde nun die letzte Hoffnung ist. Der dritte ist formaler Natur: Durch Chronotope des Bewusstseins und filmische Montage entwickeln sie eine Sprache, die das auszudruecken vermag, was sonst unausgesprochen bliebe, um einer Welt Gestalt zu verleihen, die immer noch die unsere ist, in der Einsamkeit, Verwaistsein, Kommunikationsunfaehigkeit und Gewalt die Norm sind. Diese Romane gemeinsam neu zu lesen bedeutet, sich mit Werkzeugen auszustatten, um in der Gegenwart zu leben, ohne den Glauben an das Wort aufzugeben - jenen Riss in der Stille, der die einzig moegliche Form des Widerstands ist. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware 124 pp. Polnisch.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware 124 pp. Portugiesisch.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware 132 pp. Deutsch.