Beshara robert k (110 risultati)

Paperback. Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. In this book, Robert K. Beshara applies decolonial film theory to an analysis of Youssef Chahine's (1997) Al-Masir (Destiny).Transmodern Cinema and Decolonial Film Theory is the first book on decolonial film theory, which unpacks key concepts in decoloniality and decolonial aesthetics. Decolonial film theory is then applied to Youssef Chahine's (1997) historical drama al-Ma?ir in an effort to juxtapose the Egyptian filmmaker (Chahine) and his decolonial cinema to the Andalusian polymath (Ibn Rushd) and his Islamic philosophy.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Brand New. 176 pages. 8.50x5.43x1.00 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: new. Paperback. This book formalizes the ontological singularity of the subject in the mathematical universe by synthesizing Marko Rodin's Vortex-Based Mathematics (VBM) with Lacanian topology. By identifying the recursive doubling circuit (1 2 4 8 7 5) as the topological equivalent of the drive (trieb), Nodes 3 and 6 function as the oscillating poles of the Imaginary and Symbolic registers. This 3-6 polarity provides the differential tension required to animate the 1-2-4-8-7-5 circuit, while 9 serves as the Real or its semblance in the form of a master-signifier that quilts the entire manifold into an extractive, entropic libidinal/political economy. This model suggests a structural homology, wherein clinical structures (neurosis, psychosis, and perversion) can be modeled as specific geometric deformations within a Modulo-9 manifold, which in the context of capitalism, is governed by the Zeno Drive of asymptotic lack. Consequently, the end of analysis, a fractal microcosm of the end of capitalism, consists of a topological two-step process enacted by the onto-mathematical subject: traversing the fundamental fantasy, by reconfiguring one's relationship to the Real (9) through hystericizing the S1, followed by sinthomatic identification with the objet a (0). The shift from the alienated counting of the doubling circuit to the autonomous rotation of the central axis (0/9) constitutes the basis of a socialist collective acting as a social superconductor that facilitates a phase transition from the friction of exploitation toward a non-alienated existence. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. Print on Demand.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 3 working days.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: Brand New. 192 pages. 9.01x6.00x1.00 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 176 pages. 8.50x5.43x1.00 inches. In Stock.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New.

Paperback. Condizione: Brand New. 161 pages. 8.75x5.75x0.50 inches. In Stock.

Paperback. Condizione: New. In this book, Robert K. Beshara applies decolonial film theory to an analysis of Youssef Chahine's (1997) Al-Masir (Destiny).Transmodern Cinema and Decolonial Film Theory is the first book on decolonial film theory, which unpacks key concepts in decoloniality and decolonial aesthetics. Decolonial film theory is then applied to Youssef Chahine's (1997) historical drama al-Ma?ir in an effort to juxtapose the Egyptian filmmaker (Chahine) and his decolonial cinema to the Andalusian polymath (Ibn Rushd) and his Islamic philosophy.…