Lingua: Inglese
Editore: Basic Books, Inc., Publishers, New York, 1987
ISBN 10: 0465036228 ISBN 13: 9780465036226
Da: gearbooks, The Bronx, NY, U.S.A.
Hardcover. Condizione: Like New. Condizione sovraccoperta: Like New. Vincent Torre (Design); Paul Perlow (Jacket Design); Betsy Gotbaum (Photo) (illustratore). 334 pp. An excellent, spotlessly clean copy and dust jacket! Clean, fresh, sharp, tight, essentially flawless copy and dust jacket with crisp pages, clean text, and very light shelf wear.
Lingua: Inglese
Editore: New-York Historical Society, New York, New York, 2000
ISBN 10: 0916141055 ISBN 13: 9780916141059
Da: Andover Books and Antiquities, Andover, MA, U.S.A.
Hardcover. Condizione sovraccoperta: Very good. iii, 151 pp. Published in conjunction with the opening of the Henry Luce III Center for the Study of American Culture. LCC: 00-107403 Excellent condition; previous owner's name on inside of front cover.
Editore: Sotheby's, 1995
Da: Epilonian Books, Manhattan Beach, CA, U.S.A.
Membro dell'associazione: IOBA
hardcover. Condizione: Good. Condizione sovraccoperta: Good. Sotheby's Sale 6653 [Published Date: 1995]. Catalogue for auction held Jan 12, 1995. Hardcover. Good in Good dust jacket. Blue illustrated Paper over Boards have bumping and nicking to the bottom front corner and light overall bumping and scuffing. Binding tight. A few small number in ink on top corner of front free end paper. Otherwise pages are unmarked with occasional light corner creasing. dust jacket has a 1/2" chip to the paper over the top edge of the spine and several small nicks and tears and creasing along edges. Light overall scuffing to jacket as well Now in an archival-quality (removable) Brodart Cover. NOT Ex-Library. NO remainder marks. Detailed descriptions, estimates and color photos for 183 lots offered by Christies in a controversial sale by The New-York Historical Society of many of its most important Old Master Paintings. The highlight of the sale and a the source of controversy is a collection of 31 Old Master paintings bequeathed in 1867 by Thomas Jefferson Bryan, a pioneering American collector of then little-known Italian paintings.