bettinson gary (214 risultati)

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condizione: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

Condizione: New. pp. 218.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: New. Otto Preminger (1905-1986), whose Hollywood career spanned the 1930s through the 1970s, is popularly remembered for the acclaimed films he directed, among which are the classic film noir Laura, the social-realist melodrama The Man with the Golden Arm, the CinemaScope musical Carmen Jones, and the riveting courtroom drama Anatomy of a Murder. As a screen actor, he forged an indelible impression as a sadistic Nazi in Billy Wilder's Stalag 17 and as the diabolical Mr. Freeze in television's Batman. He is remembered, too, for drastically transforming Hollywood's industrial practices. With Exodus, Preminger broke the Hollywood blacklist, controversially granting screen credit to Dalton Trumbo, one of the exiled "Hollywood Ten." Preminger, a committed liberal, consistently shattered Hollywood's conventions. He routinely tackled socially progressive yet risqué subject matter, pressing the Production Code's limits of permissibility. He mounted Black-cast musicals at a period of intense racial unrest. And he embraced a string of other taboo topics-heroin addiction, rape, incest, homosexuality-that established his reputation as a trailblazer of adult-centered storytelling, an enemy of Hollywood puritanism, and a crusader against censorship. Otto Preminger: Interviews compiles nineteen interviews from across Preminger's career, providing fascinating insights into the methods and mindset of a wildly polarizing filmmaker. With remarkable candor, Preminger discusses his filmmaking practices, his distinctive film style, his battles against censorship and the Hollywood blacklist, his clashes with film critics, and his turbulent relationships with a host of well-known stars, from Marilyn Monroe and Frank Sinatra to Jane Fonda and John Wayne.

Paperback. Condizione: new. Paperback. Otto Preminger (19051986), whose Hollywood career spanned the 1930s through the 1970s, is popularly remembered for the acclaimed films he directed, among which are the classic film noir Laura, the social-realist melodrama The Man with the Golden Arm, the CinemaScope musical Carmen Jones, and the riveting courtroom drama Anatomy of a Murder. As a screen actor, he forged an indelible impression as a sadistic Nazi in Billy Wilders Stalag 17 and as the diabolical Mr. Freeze in televisions Batman. He is remembered, too, for drastically transforming Hollywoods industrial practices. With Exodus, Preminger broke the Hollywood blacklist, controversially granting screen credit to Dalton Trumbo, one of the exiled "Hollywood Ten." Preminger, a committed liberal, consistently shattered Hollywoods conventions. He routinely tackled socially progressive yet risque subject matter, pressing the Production Codes limits of permissibility. He mounted Black-cast musicals at a period of intense racial unrest. And he embraced a string of other taboo topicsheroin addiction, rape, incest, homosexualitythat established his reputation as a trailblazer of adult-centered storytelling, an enemy of Hollywood puritanism, and a crusader against censorship. Otto Preminger: Interviews compiles nineteen interviews from across Premingers career, providing fascinating insights into the methods and mindset of a wildly polarizing filmmaker. With remarkable candor, Preminger discusses his filmmaking practices, his distinctive film style, his battles against censorship and the Hollywood blacklist, his clashes with film critics, and his turbulent relationships with a host of well-known stars, from Marilyn Monroe and Frank Sinatra to Jane Fonda and John Wayne. Presents interviews from across Otto Preminger's career, providing fascinating insights into the methods and mindset of a wildly polarizing filmmaker. With remarkable candour, Preminger discusses his filmmaking practices, his distinctive film style, his battles against censorship, his clashes with film critics, and his turbulent relationships. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact.

Condizione: New.

Paperback. Condizione: New. Otto Preminger (1905-1986), whose Hollywood career spanned the 1930s through the 1970s, is popularly remembered for the acclaimed films he directed, among which are the classic film noir Laura, the social-realist melodrama The Man with the Golden Arm, the CinemaScope musical Carmen Jones, and the riveting courtroom drama Anatomy of a Murder. As a screen actor, he forged an indelible impression as a sadistic Nazi in Billy Wilder's Stalag 17 and as the diabolical Mr. Freeze in television's Batman. He is remembered, too, for drastically transforming Hollywood's industrial practices. With Exodus, Preminger broke the Hollywood blacklist, controversially granting screen credit to Dalton Trumbo, one of the exiled "Hollywood Ten." Preminger, a committed liberal, consistently shattered Hollywood's conventions. He routinely tackled socially progressive yet risqué subject matter, pressing the Production Code's limits of permissibility. He mounted Black-cast musicals at a period of intense racial unrest. And he embraced a string of other taboo topics-heroin addiction, rape, incest, homosexuality-that established his reputation as a trailblazer of adult-centered storytelling, an enemy of Hollywood puritanism, and a crusader against censorship. Otto Preminger: Interviews compiles nineteen interviews from across Preminger's career, providing fascinating insights into the methods and mindset of a wildly polarizing filmmaker. With remarkable candor, Preminger discusses his filmmaking practices, his distinctive film style, his battles against censorship and the Hollywood blacklist, his clashes with film critics, and his turbulent relationships with a host of well-known stars, from Marilyn Monroe and Frank Sinatra to Jane Fonda and John Wayne.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. At a moment when superheroes dominate pop culture, Gary Bettinson takes us back to the first comic book blockbuster. Superman: The Movie - The 40th Anniversary Interviews is a revealing behind-the-scenes portrait of the personalities and expertise that went into making this landmark of Hollywood cinema. Marking 40 years since the film's release, this book presents all-new interviews with the cast and crew, including Richard Donner (director), Ilya Salkind (producer), Pierre Spengler (producer), Margot Kidder (actor), Marc McClure (actor), Jeff East (actor), Sarah Douglas (actor) and Jack O'Halloran (actor). The book serves as a rare insider account of an acclaimed blockbuster that was steeped in controversy throughout production. With refreshing candour, the interviewees cast light on the making and legacy of Superman: The Movie. Charting the film's inception through to its runaway release, this book provides a valuable insight into the practical logistics and day-to-day realities of mounting a big-budget production at a time when high-concept Hollywood blockbusters were only just emerging as a genre.

Condizione: New.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: New. ISBN:9788131604618,218pp.

Softcover. Condizione: Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers have light handling wear. Contents: Wong, "The Chinese who never die": spectral Chinese and contemporary European cinema. Gladwin, No country for young men: Chinese modernity, displacement, and initiatory ritual in Chinese sixth generation cinema. Berra and Yang, Cheap laughs: the mass-production of low-budget Chinese comedies from Feng kuang de shi tou/Crazy Stone (Ning Hao, 2006) to Gao Xing (Agan, 2009). Childs, Representations of a colonial past in contemporary Korean cinema. Williams, Wang-Yu - the Taiwan years. Lent, The history of the Asian Cinema Studies Society and Asian Cinema - continued: 1994-2012. Kam, ACSS and I: a sentimental journey. Wong, Asian Cinema Studies Society Conference 2012. ; 9.5" tall; 122 pages.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. Bettinson argues that Wong's films-from Days of Being Wild and Chungking Express to In the Mood for Love and The Grandmaster-are permeated by an aesthetic of sensuousness and "disturbance" achieved through techniques such as narrative disruptions, jarring cuts, the blocking of facial access, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. This tenth-anniversary edition of The Sensuous Cinema of Wong Kar-wai includes a substantial new afterword bringing the story of Wong's career up to date (including reflections on the mainland Chinese drama Blossoms Shanghai). Bettinson revisits and extends the arguments of the first edition, surveys the recent key debates on Wong's filmmaking, and introduces fresh lines of critical investigation.

Paperback. Condizione: new. Paperback. Dumplings stuffed with diabolical fillings. Sword-wielding zombies. Hopping cadavers. Big-head babies. For decades, Hong Kong cinema has served up images of horror quite unlike those found in other parts of the world. In seminal films such as A Chinese Ghost Story, Rouge, The Eye, Dumplings, and Rigor Mortis, the region's filmmakers have pushed the boundaries of genre, cinematic style, and bad taste. But what makes Hong Kong horror cinema so utterly unique? Why does it hold such fascination for "serious" cinephiles and cult fans alike? Hong Kong Horror Cinema is the first English-language study of this delirious and captivating cinematic tradition, offering new insights into the history of Hong Kong horror through case studies of classic films and through a detailed consideration of their aesthetic power, economic significance, and cultural impact in both the global and domestic market. Hong Kong Horror Cinemaoffers new insights into the history of Hong Kong horror through case studies of classic films and through a detailed consideration of their aesthetic power, economic significance, and cultural impact in both the global and domestic market. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Dumplings stuffed with diabolical fillings. Sword-wielding zombies. Hopping cadavers. Big-head babies. For decades, Hong Kong cinema has served up images of horror quite unlike those found in other parts of the world. In seminal films such as A Chinese Ghost Story, Rouge, The Eye, Dumplings, and Rigor Mortis, the region's filmmakers have pushed the boundaries of genre, cinematic style, and bad taste. But what makes Hong Kong horror cinema so utterly unique? Why does it hold such fascination for "serious" cinephiles and cult fans alike? Hong Kong Horror Cinema is the first English-language study of this delirious and captivating cinematic tradition, offering new insights into the history of Hong Kong horror through case studies of classic films and through a detailed consideration of their aesthetic power, economic significance, and cultural impact in both the global and domestic market.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.