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Hardcover. Condizione: new. Hardcover. Explore the artist Huma Bhabha's layered and nuanced sculptures and works on paper that focus on the reinvention of the figure and its expressive possibilities. Through the artist's fusion of materials such as bronze, iron, wood, or bone, Bhabha's work unites the ancient and the futuristic, evoking both familiarity and otherworldliness. Her formally innovative practice pulls from a wide range of references, including those that span the history of art, quotidian influences such as science-fiction and horror films, and the makeshift structures and detritus of urban life. Instinctive and rigorous, her formidable sculptures bring diverse aesthetic, cultural, and psychological touchstones into contact with matters of surface, materiality, and formal construction. This publication highlights Bhabha's ability to move between a wide range of media and forms, creating deeply resonant hybrid figures that seem to simultaneously dwell in the past, present, and future. Published on the occasion of two concurrent exhibitions at David Zwirner in New York in 2024, Welcome . . . to the one who came includes a text by the scholar Tausif Noor that investigates the theme of alienation in Bhabha's work. In his essay, the curator and writer Peter Eleey situates Bhabha's practice within the arc of art-historical models and contextualizes her work in the current moment. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Aggiungi al carrelloHardback. Condizione: New. Explore the artist Huma Bhabha's layered and nuanced sculptures and works on paper that focus on the reinvention of the figure and its expressive possibilities. Through the artist's fusion of materials such as bronze, iron, wood, or bone, Bhabha's work unites the ancient and the futuristic, evoking both familiarity and otherworldliness. Her formally innovative practice pulls from a wide range of references, including those that span the history of art, quotidian influences such as science-fiction and horror films, and the makeshift structures and detritus of urban life. Instinctive and rigorous, her formidable sculptures bring diverse aesthetic, cultural, and psychological touchstones into contact with matters of surface, materiality, and formal construction. This publication highlights Bhabha's ability to move between a wide range of media and forms, creating deeply resonant hybrid figures that seem to simultaneously dwell in the past, present, and future. Published on the occasion of two concurrent exhibitions at David Zwirner in New York in 2024, Welcome . . . to the one who came includes a text by the scholar Tausif Noor that investigates the theme of alienation in Bhabha's work. In his essay, the curator and writer Peter Eleey situates Bhabha's practice within the arc of art-historical models and contextualizes her work in the current moment.
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Hardback. Condizione: New. Explore the artist Huma Bhabha's layered and nuanced sculptures and works on paper that focus on the reinvention of the figure and its expressive possibilities. Through the artist's fusion of materials such as bronze, iron, wood, or bone, Bhabha's work unites the ancient and the futuristic, evoking both familiarity and otherworldliness. Her formally innovative practice pulls from a wide range of references, including those that span the history of art, quotidian influences such as science-fiction and horror films, and the makeshift structures and detritus of urban life. Instinctive and rigorous, her formidable sculptures bring diverse aesthetic, cultural, and psychological touchstones into contact with matters of surface, materiality, and formal construction. This publication highlights Bhabha's ability to move between a wide range of media and forms, creating deeply resonant hybrid figures that seem to simultaneously dwell in the past, present, and future. Published on the occasion of two concurrent exhibitions at David Zwirner in New York in 2024, Welcome . . . to the one who came includes a text by the scholar Tausif Noor that investigates the theme of alienation in Bhabha's work. In his essay, the curator and writer Peter Eleey situates Bhabha's practice within the arc of art-historical models and contextualizes her work in the current moment.
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Aggiungi al carrelloHardcover. Condizione: Brand New. 112 pages. 13.01x8.76x13.00 inches. In Stock.
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Editore: Smart Art Press Santa Monica, CA, 1995
Da: Specific Object / David Platzker, New York, NY, U.S.A.
[44] pp.; 25.2 x 16.7 cm.; spiral bound; black-and-white & color; edition size 2000; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Bergamot Station Arts Center, Santa Monica, CA, February 3 - April 1, 1995. traveled to Thread Waxing Space, New York, NY, May 2 - June 10, 1995 and Centre Gallery, Miami-Dade Community College / Wolfson Campus, Miami, FL, September 7 - October 17, 1995. Curated by John Yau. Artists include Catherine Alden, Luis Cruz Azaceta, Huma Bhabha, Anna Bialobroda, Robert Birmelin, Roger Brown, Mel Chin, Sue Coe, Victor Estrada, Llyn Foulkes, Leon Golub, Mark Greenwold, Gottfried Helnwein, Maxwell Hendler, Mike Kelley, Nathan Lieb, Whitfield Lovell, Daniel J. Martinez, Paul McCarthy, Kim Moodie, Yoko Ono, Michelle Rollman, Kay Rosen, Peter Saul, Jenny Scobel, Teresa Serrano, Joel Sternfield, Anton van Dalen, Andy Warhol, Lynton Wells, Thomas Parker Williams, Trevor Winkfield, Martin Wong, Jody Zellen, Joe Zucker, and UPI. Includes artist biographies. Very Good / Fine. Light rubbing of covers, otherwise Fine. Contents clean and unmarked. Includes slipped-in film screening flyer.
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. Explore the artist Huma Bhabha's layered and nuanced sculptures and works on paper that focus on the reinvention of the figure and its expressive possibilities. Through the artist's fusion of materials such as bronze, iron, wood, or bone, Bhabha's work unites the ancient and the futuristic, evoking both familiarity and otherworldliness. Her formally innovative practice pulls from a wide range of references, including those that span the history of art, quotidian influences such as science-fiction and horror films, and the makeshift structures and detritus of urban life. Instinctive and rigorous, her formidable sculptures bring diverse aesthetic, cultural, and psychological touchstones into contact with matters of surface, materiality, and formal construction. This publication highlights Bhabha's ability to move between a wide range of media and forms, creating deeply resonant hybrid figures that seem to simultaneously dwell in the past, present, and future. Published on the occasion of two concurrent exhibitions at David Zwirner in New York in 2024, Welcome . . . to the one who came includes a text by the scholar Tausif Noor that investigates the theme of alienation in Bhabha's work. In his essay, the curator and writer Peter Eleey situates Bhabha's practice within the arc of art-historical models and contextualizes her work in the current moment. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.