Biderman shai (70 risultati)

Condizione: very_good. Used - Very Good: Item may have minor cosmetic defects.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

hardcover. Condizione: As New. A previously owned book that was shelved, stored, and/or briefly handled but never read. Covers are clean and intact with minor wear. No markings or other defects noted in text block. Providing superior service since 2001. Dropshippers heartily welcomed.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. 1.1 x 9 x 6 Inches; 248 pp; Excellent brand new book; Always Delivery Confirmation. 35 Years Fast Excellent Service. We Know How To Pack Books.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. The idea of a visual manifestation of the work of Franz Kafka was denied by many-first and foremost by Kafka himself, who famously urged his publisher to avoid an image of an insect on the cover of Metamorphosis. Be that as it may, it is unlikely that such a central progenitor of twentieth-century art and thought as Kafka can be fully understood without reference to the revolutionary artistic medium of his century: cinema. Mediamorphosis compiles articles by some of today's leading forces in the scholarship of Kafka as well as film studies to provide a thorough investigation of the reciprocal relations between Kafka's work and the cinematic medium. The volume approaches the theoretical integration of Kafka and cinema via such issues as the cinematic qualities in Kafka's prose and the possibility of a visual manifestation of the Kafkaesque.Alongside these debates, the book investigates the capacity of cinema to incorporate and express the unique qualities of a Kafkaesque world through an analysis of cinematic adaptations of Kafka's prose, such as Michael Haneke's The Castle (1997) and Straub-Huillet's Class Relations (1984), as well as films that carry a more subtle relation to Kafka's oeuvre, such as the cinematic works of David Cronenberg, the films of the Coen brothers, Chris Marker's "film-essay," Charlie Chaplin's tramp, and others.…

Condizione: New. Editor(s): Biderman, Shai. Num Pages: 286 pages. BIC Classification: 2ACG; APFA; DSBH; DSK. Category: (P) Professional & Vocational. Dimension: 229 x 152. . . 2016. Paperback. . . . .

hardcover. Condizione: New. Condizione sovraccoperta: NEW. 2026 jan.

Condizione: New. Editor(s): Biderman, Shai. Num Pages: 286 pages. BIC Classification: 2ACG; APFA; DSBH; DSK. Category: (P) Professional & Vocational. Dimension: 229 x 152. . . 2016. Paperback. . . . . Books ship from the US and Ireland.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardback or Cased Book. Condizione: New. The Philosophy of David Lynch. Book.

Condizione: New.

Condizione: New. In English.

Hardback. Condizione: New. From his cult classic television series Twin Peaks to his most recent film Inland Empire (2006), David Lynch is best known for his unorthodox narrative style. An award-winning director, producer, and writer, Lynch distorts and disrupts traditional storylines and offers viewers a surreal, often nightmarish perspective. His unique approach to filmmaking has made his work familiar to critics and audiences worldwide, and he earned Academy Award nominations for Best Director for The Elephant Man (1980), Blue Velvet (1986), and Mulholland Drive (2001).Lynch creates a new reality for both characters and audience by focusing on the individual and embracing existentialism. In The Philosophy of David Lynch, editors William J. Devlin and Shai Biderman have compiled an impressive list of contributors to explore the philosophy at the core of the filmmaker's work. Lynch is examined as a postmodern artist, and the themes of darkness, logic, and time are discussed in depth. Other prominent issues in Lynch's films, such as Bad faith and freedom, ethics, politics, and religion, are also considered. Investigating myriad aspects of Lynch's influential and innovative work, The Philosophy of David Lynch provides a fascinating look at the philosophical underpinnings of the famous cult director.…

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardback. Condizione: New. From his cult classic television series Twin Peaks to his most recent film Inland Empire (2006), David Lynch is best known for his unorthodox narrative style. An award-winning director, producer, and writer, Lynch distorts and disrupts traditional storylines and offers viewers a surreal, often nightmarish perspective. His unique approach to filmmaking has made his work familiar to critics and audiences worldwide, and he earned Academy Award nominations for Best Director for The Elephant Man (1980), Blue Velvet (1986), and Mulholland Drive (2001).Lynch creates a new reality for both characters and audience by focusing on the individual and embracing existentialism. In The Philosophy of David Lynch, editors William J. Devlin and Shai Biderman have compiled an impressive list of contributors to explore the philosophy at the core of the filmmaker's work. Lynch is examined as a postmodern artist, and the themes of darkness, logic, and time are discussed in depth. Other prominent issues in Lynch's films, such as Bad faith and freedom, ethics, politics, and religion, are also considered. Investigating myriad aspects of Lynch's influential and innovative work, The Philosophy of David Lynch provides a fascinating look at the philosophical underpinnings of the famous cult director.…

Condizione: New.

Condizione: New. Editor(s): Devlin, William J.; Biderman, Shai. Series: The Philosophy of Popular Culture. Num Pages: 256 pages, black & white illustrations. BIC Classification: APFB. Category: (P) Professional & Vocational. Dimension: 229 x 153 x 26. Weight in Grams: 513. . 2011. Hardcover. . . . .

Paperback. Condizione: Brand New. 286 pages. 9.25x6.25x1.00 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. Editor(s): Devlin, William J.; Biderman, Shai. Series: The Philosophy of Popular Culture. Num Pages: 256 pages, black & white illustrations. BIC Classification: APFB. Category: (P) Professional & Vocational. Dimension: 229 x 153 x 26. Weight in Grams: 513. . 2011. Hardcover. . . . . Books ship from the US and Ireland. …

Hardcover. Condizione: VeryGood. Hardcover. 9.5" x 6.25". xii, 264 pp. Several color illustrations withintext. Green and illustrated glossy boards. Slight scuffing to boards,bottom of spine bumped, a couple dents to top edge of boards. Very Good+.ISBN 9789004398221.

Paperback. Condizione: New. The idea of a visual manifestation of the work of Franz Kafka was denied by many-first and foremost by Kafka himself, who famously urged his publisher to avoid an image of an insect on the cover of Metamorphosis. Be that as it may, it is unlikely that such a central progenitor of twentieth-century art and thought as Kafka can be fully understood without reference to the revolutionary artistic medium of his century: cinema. Mediamorphosis compiles articles by some of today's leading forces in the scholarship of Kafka as well as film studies to provide a thorough investigation of the reciprocal relations between Kafka's work and the cinematic medium. The volume approaches the theoretical integration of Kafka and cinema via such issues as the cinematic qualities in Kafka's prose and the possibility of a visual manifestation of the Kafkaesque.Alongside these debates, the book investigates the capacity of cinema to incorporate and express the unique qualities of a Kafkaesque world through an analysis of cinematic adaptations of Kafka's prose, such as Michael Haneke's The Castle (1997) and Straub-Huillet's Class Relations (1984), as well as films that carry a more subtle relation to Kafka's oeuvre, such as the cinematic works of David Cronenberg, the films of the Coen brothers, Chris Marker's "film-essay," Charlie Chaplin's tramp, and others.…