Biesenbach klaus (409 risultati)

hardcover. Condizione: Fair.

Hardcover without dustjacket as issued; 174 pages; good condition; light rubbing to covers; ex-gallery copy with sticker taped around bottom of spine; sticker, stamp and pencil numbers on first couple pages; no other internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Very Good. Reprint. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condizione: Good. bumped/creased still NICE! Oversized.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condizione: Good.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Softcover, 192 pages, very good condition, light rubbing to covers; no internal marks. Includes: Francis Alys, Jeremy Blake, Liam Gillick, Pierre Huyghe, Philippe Parreno, William Kentridge, and others. Foreign shipping may be extra.

Hardcover without dustjacket as issued; 174 pages; new condition, still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

paperback. Condizione: Very Good. Minor wear. No marks in text.

hardcover. Condizione: Used-Very Good. Unabridged. Cloth, d.j., in an acetate cover. 4to. Profusely illus. Some shelf-wear. Closed tear at head of spine. Else clean copy.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: New.

Paperback. Condizione: New. Beginning in the 1950s, Judit Reigl (b. Kapuvár, Hungary, 1923; d. Marcoussis, France, 2020) builds a singular creative oeuvre between abstraction and figuration, between Surrealism and gestural painting. After studying art in Budapest, Reigl flees Hungary in 1950; arriving in Paris, she is introduced to André Breton, who organizes her first exhibition in 1954. Under the influence of the École de Paris, she branches out into écriture automatique, then shifts toward free expression.Like her contemporaries Jackson Pollock and Helen Frankenthaler in New York, she lays out ever larger unprimed canvases on the floor and works them with a brush, her fingers, or other instruments. After 1966, bodily shapes emerge from her abstractions, and figures reappear in the pictures.On occasion of Reigl's centenary and the gift of three major works, the Neue Nationalgalerie mounts the artist's first solo exhibition at a museum in Germany. The book surveys the oeuvre of one of the most important protagonists of European art in the second half of the twentieth century. …

Softcover, 82 pages, in English, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 142 pages; in English and German, new condition; still sealed in shrinkwrap; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover with dustjacket, 192 pages, very good condition; light curl to lower right corner of first 30 pages; no internal marks. Foreign shipping may be extra.

hardcover. Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: New.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condizione: As New.