Bill haber (6 risultati)

Softcover. Condizione: Very Good-. No Dust Jacket. There is heavy rubbing to the covers, the pages are lightly browned. ; This book has a plastic spiral binding. This book alphabetically lists each player and the year and card number for that player's baseball cards. ; 136 pages.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good-. First Edition. 221 pp. Navy blue cloth lettered in red and white on the spine; yellow endpapers. Wear on the corners of the dustjacket with a few nicks around the edges; price intact; previous owner's name on the front free endpaper. The Chapters are: I'll Meet You in Greenwich Village; Sundays in the Village; Village Rain for the Complexion; A Room with a Fireplace; The Time We Got the Plague - Almost; Printer's Passion; Don Quixote on 14th Street; The Taste of Chili; The Search for Light; A Corner of France; The Irish Glory Boy; Hunting for Bread; La Bella Francesca; The Secrets of Bleeker Street; Pails of Snails; Italian Harvest; At Five in the Afternoon; When the Moon Was Made of Green Cheese; Snows on the Street; Something's Happening; I Married a Villager; Today the Village Isn't What It Used to Be - Don't; and Believe It. Size: 8vo. Bill Preston; Zelda Haber; (illustratore). Book.…

Paperback. Condizione: Brand New. 218 pages. 8.20x5.30x0.70 inches. In Stock.

Paperback. Condizione: Near Fine. 403 x 292 mm, b&w newspaper periodical. May 1952, 8 pp. Perceptismo: Teorico y Polemico Numbers 1,3,4,5 and 6, Perceptismo, Buenos Aires, Argentina, 1950-1953. Edited by Raul Lozza, whose work recently featured in the major Royal Academy exhibition Radical Geometry (London, summer 2014). In 1947, Lozza was co-founder of the 'Asociación Arte Concreto Invención', one of the first realisations of abstract art within the Argentinian avant-garde; before creating his own movement, 'Perceptism', which championed the unity of form and colour. Perceptismo - the movement's journal - stands as an important concrete art periodical of the 1950s: it became a critical platform for Lozza's art-theoretical standpoint, as well as the movement's geometric works, and their relationship to the history of modern art. Other members of the movement and contributors to the periodical include Lozza's brother Rembrandt V.D. Lozza and the art critic Abraham Haber. Issue 4 (May 1952, 8 pp.): front page features works by Cezanne, Lozza and Le Corbussier; essay by Lozza ('La Nueva Estructura: de la Pintura Perceptista), featuring geometric works by Kandinsky, Arp and Miro, along with works and diagrams by Lozza; essay by Haber on non-objective art; essay by V.D. Lozza ('El Perceptismo y lo Funcional'), with illustrated works by Arp, Magnelli, Lozza, Siqueiros, Van Doesburg and Botticelli. Large format extra postagemay be required. Condition: near fine.…

Paperback. Condizione: Near Fine. November 1951, 8 pp. Perceptismo: Teorico y Polemico Number 3 Perceptismo, Buenos Aires, Argentina, 1950-1953. 403 x 292 mm, b&w newspaper periodical edited by Raul Lozza, whose work recently featured in the major Royal Academy exhibition Radical Geometry (London, summer 2014). In 1947, Lozza was co-founder of the 'Asociación Arte Concreto Invención', one of the first realisations of abstract art within the Argentinian avant-garde; before creating his own movement, 'Perceptism', which championed the unity of form and colour. Perceptismo - the movement's journal - stands as an important concrete art periodical of the 1950s: it became a critical platform for Lozza's art-theoretical standpoint, as well as the movement's geometric works, and their relationship to the history of modern art. Other members of the movement and contributors to the periodical include Lozza's brother Rembrandt V.D. Lozza and the art critic Abraham Haber. Issue 3 (November 1951, 8 pp.): essay by Lozza ('La Neuva Estructura: De La Pintura Perceptista'), with illustrated works by Seurat, Malevich, Juan Gris, Torres-Garcia and Lozza; essay by V.D. Lozza (Raul's brother), with illustrated works by Matisse, R.Lozza, Van Doesberg and Moholy-Nagy et al; essay by Haber ('Matematica y Fisica: en la Nueva Pintura'), with illustrated works by Delauney, Moholy-Nagy, G. Balla, V.D. Lozza and Braque et al. Condition: near fine. …

Paperback. Condizione: Near Fine. 403 x 292 mm, b&w newspaper periodical. July-August 1952, 8 pp. Perceptismo: Teorico y Polemico Numbers 1,3,4,5 and 6, Perceptismo, Buenos Aires, Argentina, 1950-1953. edited by Raul Lozza, whose work recently featured in the major Royal Academy exhibition Radical Geometry (London, summer 2014). In 1947, Lozza was co-founder of the 'Asociación Arte Concreto Invención', one of the first realisations of abstract art within the Argentinian avant-garde; before creating his own movement, 'Perceptism', which championed the unity of form and colour. Perceptismo - the movement's journal - stands as an important concrete art periodical of the 1950s: it became a critical platform for Lozza's art-theoretical standpoint, as well as the movement's geometric works, and their relationship to the history of modern art. Other members of the movement and contributors to the periodical include Lozza's brother Rembrandt V.D. Lozza and the art critic Abraham Haber. Issue 5 : essay by V.D. Lozza ('Espacio y Tiempo') featuring illustrated works by Lozza, Albers, Max Bill, Calder and V.D. Lozza et al; essay by Lozza ('La Nueva Estructura: de la Pintura Perceptista'), with illustrated works by Delauney, Lozza, Van Gogh, Signac and Kandinsky; essay by Haber ('Lo Magico y la Expresion'), featuring illustrated works by Chirico, Miro and Herbin among others. Condition: 3mm closed tear to right edge of cover page, all other pages are fine. Near fine.…