Bill johnson director (5 risultati)

Wraps. Condizione: Very Good. First Edition. A left-folded program containing eight pages including front and rear covers, with laid in slip indicating "The role of The American is now being played by Wesley Grant" (with his biography). No date, although circa late 1970s. The program contains cast biographies and list of all members associated with the production. With Los Angeles advertisements for Fellini's, Adagio, Bruce Halperin Designs, Jolly Wall Gallery, others. Covers lightly age-yellowed; light wear.…

Hardcover. Condizione: As New. Condizione sovraccoperta: Fine. 1st Edition. As new condition maroon boards, blind-stamped front cover lettering, dark blue spine and gold spine lettering contained in a fine condition color illustrated dust jacket. Includes Praise for Personal Faith, Public Policy; Preface; Conclusion: Taking the Land; Notes and Index. "Where Do We Go From Here? Is there a set of public policies and personal choices we can make that will ensure another four hundred years of God's blessing upon America? Today we stand at a crossroads. In Personal Faith, Public Policy, Harry Jackson and Tony Perkins take a fresh, balanced look at the core issues we are facing today, laying out a comprehensive strategy that can bring evangelicals together across racial and denominational lines to: 1. PRESERVE AND PROTECT LIFE: by continuing our fight for the unborn; addressing issues such as child abuse, stem cell research, elder care and euthanasia, and capital punishment; and standing firm against those who would take innocent life through acts of terrorism; 2. REFORM IMMIGRATION POLICY by improving our legal immigration process while dealing with our rampant illegal immigration problem; 3. ALLEVIATE DOMESTIC POVERTY AND ENSURE JUSTICE at home by reforming health care and reasserting our mission to help the working poor, orphans, widows, and the destitute to find personal, spiritual, and financial refuge; 4. CULTIVATE RACIAL HARMONY AND DIVERSITY by develpping partnerships across racial lines and raising up minority leaders in key politically active ministries; 5. PROTECT RELIGIOUS FREEDOM by learning the truth about the separation of church and state, the current religious liberties battleground, and what the Bible says about the freedom of religion; 6. DEFEND MARRIAGE AND FAMILY by supporting pro-marriage policies and divorce reform at both the national and state levels; 7. PROTECT THE ENVIRONMENT by properly caring for God's creation and making changes in America's energy policies. America's future can be as bright as the promises of God. To realize these promises, we must take action on these seven critical steps in our private lives, in our churches, and collectively in our public policy." - from the rear outer jacket. "REGAINING OUR VOICE TO THE NATION. After being demoralized, vilified, and politically left for dead, Christians today are realizing that changing the culture is a marathon, not a sprint. With nearly three decades of experience, the movement known as the religious Right is maturing and expanding and, as a result, is in a much better position to influence public policy in America today. Personal Faith, Public Policy names the seven areas we must engage in successfully to regain our confidence and clout, and it explains how and why we should do just that. In this positive, biblically based blueprint for activism, Harry Jackson and Tony Perkins give Christians of every color a wake-up call, presenting a strong moral platform and strategy that will enable us to stand together at this defining moment in the history of our nation." - from the inner front jacket flap. Grindley, Karen (cover design); Johnson, Bill (design director) (illustratore). …

Vintage studio still photograph from the 1940 film of Bill Elliott keeping the peace between Iris Meredith and Luana Walters. The fourth and final film in Columbia Picture's "Wild Bill Saunders" series, following Joseph H. Lewis' 1940, "Man from Tumbleweeds." Wild Bill Saunders (Elliott) returns home to find his father mortally wounded by Matt (George Lloyd) and Jake Kilgore (Francis Walker) and their gang. The normally peace-loving Bill is overcome by revenge and sets off to take care of the gang and return peace to the region. 8 x 10 inches. Near Fine, some light edgewear. Pitts 3393.…

Revised Production Draft script for Season 1 Episode 4 of the 2013-2014 television series. From the archive of crew member Chris Scher, with her name on a printed label affixed to the bottom right corner of the title page. Loosely based on the 2011-2018 Danish-Swedish crime series "Bron/Broen." Two detectives-one Mexican and one American-must work together to capture a serial killer operating along the Texas-Chihuahua border. In this episode, the killer continues to broadcast a kidnapped Maria, while Sonya searches for her location. Originally aired on July 31, 2013, on FX. Chris Scher has worked in American films from 1994 to the present. She was a propmaker, construction accountant/estimator/buyer, and carpenter on over 20 movies, including "The Last Seduction" (1994), "Pulp Fiction" (1994), "From Dusk Till Dawn" (1994), "The Horse Whisperer (1998), "Joy Ride" (2001), and others. She also performed the same work for prestige television dramas, including "The Bridge" (2014), "Ozark" (2017), and "Yellowstone" (2018). Self wrappers. Title page present, dated May 3, 2013, with credit for screenwriter Chris Gerolmo. 63 leaves, with last page of text numbered 50. Xerographic duplication on pink stock, rectos only. Pages Near Fine, bound with two gold brads.…

Draft script for the 1973 film. William Morris Agency label affixed to the first page. Based on Tom Wolfe's essay "The Last American Hero Is Junior Johnson. Yes!," first published in "Esquire" in March of 1965. Junior Johnson was an American race car driver made famous by his long and successful NASCAR career, winning over 50 races and going on to own a NASCAR team in the 1970s. Set in North Carolina, shot on location in North Carolina and Virginia. Red titled wrappers. Title page present, undated, with credits for Wolfe and screenwriter William Roberts. 137 leaves, with last page of text numbered 135. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus.…