bills emily (22 risultati)

hardcover. Condizione: Acceptable.

Light spine damage to bottom edge. Clean text, crisp pages. Ships next business day from NC.

Condizione: Very Good. Great shape! Has a publisher remainder mark. hardcover Used - Very Good 2020.

Hardcover. Condizione: Very Good. No Jacket.

Hardcover. Condizione: New. The style and mythology of Mid-Century Modern California architecture as seen through the expert lens of Marvin RandLos Angeles photographer Marvin Rand created iconic images of some of the most celebrated architectural creations of his time, photographing buildings by the likes of Modernist masters Craig Ellwood, Louis Kahn, and Frank Lloyd Wright to capture the essence of their work - and, in doing so, played a critical role in shaping the Mid-Century California style now worshiped the world over. The discovery of Rand's archive has brought a treasure trove to life, and California Captured showcases it - and the period - as never before. BEAUTIFUL COPY!!!

Condizione: New. 2020. Hardcover. . . . . .

Condizione: New.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: New.

Hardcover. Condizione: new. Hardcover. The first monograph of photographer Wayne Thom, whose documentation of Late Modern architecture constitutes an architectural/visual archive unlike any other.A key primer to late-twentieth century Modernism, this monograph devoted to Wayne Thom chronicles his practice and the architectural and urban environment in which he worked. Wayne Thom documents key projects by the path-breaking architecture firms at the forefront of Late Modernist design including William Pereira & Associates, DMJM, Edward Durell Stone, SOM, Gio Ponti, John Portman, A. C. Martin & Associates, Arthur Erickson, I. M. Pei, and A. Quincy Jones. Other firms, less-known today but with significant portfolios from that period, are revived through the photographs and demonstrate the era's diversity.Born in Shanghai in 1933, Thom and his family fled the Japanese invasion in 1941 to Hong Kong, where he was educated, and then to Vancouver (his brother, Bing Thom, remained there to establish his globally recognized architecture practice). It was his move to California in the mid-1960s to attend the Brooks Institute that established his technical craftsmanship in the darkroom, a hallmark of his future career. He also became adept at harnessing natural light for both interior and exterior compositions; unlike the architectural photography conventions of the day, Thom used only found lighting. He soon began working with local architects and met the figures who would become his clients and benefcators, most importantly A. Quincy Jones, a prolific architect and Dean of the School of Architecture at USC.Thom's photography became inseparable from Late Modernism in the popular imagination, a period of architectural production that ran from the late 1960s through the 1980s. His images were broadly published in Architectural Forum, Progressive Architecture, Architectural Record, and Domus--where he photographed for Gio Ponti in his dual capacity as the magazine's publisher and as an architect. Wayne Thom- Envisioning the Late Modern is a celebration of this key architectural photographer and a unique chronicle of the works of this era. The first monograph of photographer Wayne Thom, whose documentation of Late Modern architecture constitutes an architectural/visual archive unlike any other Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. The first monograph of photographer Wayne Thom, whose documentation of Late Modern architecture constitutes an architectural/visual archive unlike any otherAn innovative chronicler of the booming West Coast urbanism of the 1960s and 70s, Thom's photographs of key projects by path-breaking architecture firms such as William Pereira and Associates, Edward Durell Stone, SOM, Gio Ponti, John Portman, I. M. Pei, and A. Quincy Jones helped establish the idea of cool architectural glamour of the era.Raised in Hong Kong, Thom moved to California in the mid-1960s and trained in the technical craftsmanship of photography, adept at harnessing natural light for both interior and exterior compositions.He soon began working with the figures who would become his clients and benefactors, most importantly William Pereira and A. Quincy Jones, a prolific architect and Dean of the School of Architecture at USC. As Emily Bills critically assess Thom's career, she demonstrates that his photography became inseparable from Late Modernism in the popular imagination, a period of architectural production that ran from the late 1960s through the 1980s.Wayne Thom: Photographing the Late Modern is a celebration of this key architectural photographer and a unique chronicle of the works of this transformative period of architectural expression.

Condizione: New.

Condizione: New.

Hardcover. Condizione: Brand New. 240 pages. 11.25x9.25x1.00 inches. In Stock.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: New. &Uumlber den AutorrnrnWayne Thom was born in Shanghai in 1933. His work, which spans five decades, documents modern architecture throughout the Western United States and the Pacific Rim, with the bulk of his work documenting the greater Los Ang.

Buch. Condizione: Neu. Neuware - The first monograph of photographer Wayne Thom, whose documentation of Late Modern architecture constitutes an architectural/visual archive unlike any other.A key primer to late-twentieth century Modernism, this monograph devoted to Wayne Thom chronicles his photographic practice and the architectural and urban environment in which he worked. An innovative chronicler of the booming West Coast urbanism of the 1960s and 70s, Thom's photographs of key projects by path-breaking architecture firms such as William Pereira & Associates, Edward Durell Stone, SOM, Gio Ponti, John Portman, I. M. Pei, and A. Quincy Jones helped establish the idea of cool architectural glamour of the era.Raised in Hong Kong, Thom moved to California in the mid-1960s and trained in the technical craftsmanship of photography, adept at harnessing natural light for both interior and exterior compositions. He soon began working with the figures who would become his clients and benefactors, most importantly William Pereira and A. Quincy Jones, a prolific architect and Dean of the School of Architecture at USC.As Emily Bills critically assess Thom's career, she demonstrates that his photography became inseparable from Late Modernism in the popular imagination, a period of architectural production that ran from the late 1960s through the 1980s. Wayne Thom: Photographing the Late Modern is a celebration of this key architectural photographer and a unique chronicle of the works of this transformative period of architectural expression.

Hardcover. Condizione: new. Hardcover. The first monograph of photographer Wayne Thom, whose documentation of Late Modern architecture constitutes an architectural/visual archive unlike any other.A key primer to late-twentieth century Modernism, this monograph devoted to Wayne Thom chronicles his practice and the architectural and urban environment in which he worked. Wayne Thom documents key projects by the path-breaking architecture firms at the forefront of Late Modernist design including William Pereira & Associates, DMJM, Edward Durell Stone, SOM, Gio Ponti, John Portman, A. C. Martin & Associates, Arthur Erickson, I. M. Pei, and A. Quincy Jones. Other firms, less-known today but with significant portfolios from that period, are revived through the photographs and demonstrate the era's diversity.Born in Shanghai in 1933, Thom and his family fled the Japanese invasion in 1941 to Hong Kong, where he was educated, and then to Vancouver (his brother, Bing Thom, remained there to establish his globally recognized architecture practice). It was his move to California in the mid-1960s to attend the Brooks Institute that established his technical craftsmanship in the darkroom, a hallmark of his future career. He also became adept at harnessing natural light for both interior and exterior compositions; unlike the architectural photography conventions of the day, Thom used only found lighting. He soon began working with local architects and met the figures who would become his clients and benefcators, most importantly A. Quincy Jones, a prolific architect and Dean of the School of Architecture at USC.Thom's photography became inseparable from Late Modernism in the popular imagination, a period of architectural production that ran from the late 1960s through the 1980s. His images were broadly published in Architectural Forum, Progressive Architecture, Architectural Record, and Domus--where he photographed for Gio Ponti in his dual capacity as the magazine's publisher and as an architect. Wayne Thom- Envisioning the Late Modern is a celebration of this key architectural photographer and a unique chronicle of the works of this era. The first monograph of photographer Wayne Thom, whose documentation of Late Modern architecture constitutes an architectural/visual archive unlike any other Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condizione: New. The first monograph of photographer Wayne Thom, whose documentation of Late Modern architecture constitutes an architectural/visual archive unlike any otherAn innovative chronicler of the booming West Coast urbanism of the 1960s and 70s, Thom's photographs of key projects by path-breaking architecture firms such as William Pereira and Associates, Edward Durell Stone, SOM, Gio Ponti, John Portman, I. M. Pei, and A. Quincy Jones helped establish the idea of cool architectural glamour of the era.Raised in Hong Kong, Thom moved to California in the mid-1960s and trained in the technical craftsmanship of photography, adept at harnessing natural light for both interior and exterior compositions.He soon began working with the figures who would become his clients and benefactors, most importantly William Pereira and A. Quincy Jones, a prolific architect and Dean of the School of Architecture at USC. As Emily Bills critically assess Thom's career, she demonstrates that his photography became inseparable from Late Modernism in the popular imagination, a period of architectural production that ran from the late 1960s through the 1980s.Wayne Thom: Photographing the Late Modern is a celebration of this key architectural photographer and a unique chronicle of the works of this transformative period of architectural expression.