bingham john henry (5 risultati)

Paperback. Condizione: Good. The Harvard Crimson; Cambridge, 1929. Tade Paperback. Previous owner, John Slocum (noted Joyce Scholar), handwritten name top title page. A Good, binding sturdy and intact, some handling/scuff marks and several moisture spots to covers, bit of cover edge/corner wear, some age toning to pages, rubbing along spine, a good and overall clean copy in stapled wraps. 8vo[octavo or approx. 6 x 9]., 79pp., b&w illustrations. We pack securely and ship daily w/delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.

First Edition. Signed by the author. Fine cloth copy in a good if somewhat edge-torn (with some loss) and dust-dulled dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall; tight, bright, clean and strong. Physical description: 22 cm. Subject: Sheffield (England). School Board. Sheffield School Board. Education England Sheffield History. Schools. Sheffield. Policy Education Educational History South Yorkshire. 3 Kg.

First Edition. Signed by the author. Fine cloth copy in a good if somewhat edge-torn (with some loss) and dust-dulled dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall; tight, bright, clean and strong. Physical description: 22 cm. Subject: Sheffield (England). School Board. Sheffield School Board. Education England Sheffield History. Schools. Sheffield. Policy Education Educational History South Yorkshire. 1 Kg.

Encuadernación de tapa dura. Condizione: Bien. Bruguera, Barcelona. Primera edición, 1983. Prólogo de Edmund Wilson: A quién le importa quién mató a Roger Ackroyd. 783 páginas. 25 x 18. Novela negra. Policiaca. Ilustrado. Texto a dos columnas. Publicados entre 1981 y 1984, cuenta con acertadísimas portadas de Isidre Monés e ilustraciones interiores a cargo de excelentes dibujantes, entre ellos, Julio Vivas, F. Ripoll o el admirado Carlos Freixas. Bruguera quiso dejar una vez más su impronta en la historia de la edición popular española con esta extraordinaria colección, a través de la cual el público de los años ochenta pudo acceder a muchas de las mejores obras de los grandes autores de la literatura policial y de misterio por un precio moderado (entre 150 y 175 pesetas). En formato de 24 por 17 cms., entre 80 y 120 páginas (dependiendo del número), cubierta a todo color y páginas interiores a dos columnas con ilustraciones en blanco y negro, Club del Misterio ofrece en el interior de la contratapa una breve semblanza del autor, proporcionando en su parte exterior un resumen argumental de la novela. La calidad del papel y el engomado de la encuadernación son excelentes. Tapa dura de editorial ilustrada con lomo símil piel con dorados. Buen estado de conservación.

[24] pp.; 42 x 29 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Second issue of Other Scenes & The New York Seer, published May 1968, edited by John Wilcock. Content include: word art by Charles Henry Ford; "Eartha, Baby. Who's [sic] Song You Gonna Sing?" by Hakim A. Jamal; "Men Who Can't Come Home"; "Manual for Draft-Age Immigrants to Canada;" "Smug!"; "Other Scenes;" "Tuli: Yiggers, Blonkies & Crackers," by Tuli Kupferberg; "The Antic Art by Ed Ruscha," by Irving Blum; "Taylor Mead: Stoned on Peanut Butter," by Jean-Jacques Lebel, with photos of Taylor Mead by John Chamberlain; "Why I Am Proud to Be an American," by Bingham Young; "Displacement," a two page comic; "Models," art by Sivent Lindblom; "Black Flower," by Ted Joans; a full page collage of photographs of Andy Warhol with an Andy Warhol quote and information about a Warhol exhibition held at Museet in Stockholm, February - March 1968; "Cuba Today," by Philip Russel and Dick Reavis; "Turn the Page;" "Fried Fish Country," Country Joe MacDonald and the Fish interviewed by Distant Drummer; "Censorshit," by Karol Ferster; "3rd Pinacle of Success," by Steve the Hawk; "You Can't Fake the Real Thing," letters; "Alex," by Alex Apostolides; "Those Loveable Peace-Nut," comic strip created by Tom Dunphy and Calypso Joe, drawn by Bill Stout; "Cultural Revolution," by Jimmy Plato; "They're Tearin' Down South Street," by DeMaio; "Love Games," by Dick Bagwell "Krassner," by The Fifth Estate. Cover photo by Billy Name. Fair. Recto, verso, and first page are detached with multiple tears along spine edge. Additional wear to recto including: 3.5 cm. loss to bottom edge, 1.2 cm. area of loss to bottom right corner, 4.2 cm. tear to left side edge, and 2.8 cm. of soiling with additional tears. Pages are yellowed and brittle with multiple tears throughout. Contents otherwise clean and unmarked.