Binstock jonathan p et al (5 risultati)

Softcover, 64 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Hardcover. Glossy black boards, 96 pp., color illus. Issued in conjunction with a 2003-2004 exhibition of science-related artwork created by contemporary American artist Jim Sanborn (b. 1945). With illustrated essays by Jonathan P. Binstock, Howard Morland, and Barbara London, and an artist interview conducted by Milena Kalinovska. Includes an exhibition history, selected bibliography, and many artwork examples. Thought-provoking visuals. VG (Average scuffs to covers, otherwise nice.).…

Softcover, 192 pages, new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Condizione: Near Fine. 1st Edition. Quarto. Brand new. Still in publisher shrink wrap. Trade paperback. 192pp. "Gilliam (1933 ? 2022) was an American abstract painter, sculptor, and arts educator. Born in Mississippi, and raised in Kentucky, Gilliam spent his entire adult life in Washington, D.C., eventually being described as the "dean" of the city's arts community. Originally associated with the Washington Color School, a group of Washington-area artists that developed a form of abstract art from color field painting in the 1950s and 1960s, Gilliam moved beyond the group's core aesthetics of flat fields of color in the mid-60s by introducing both process and sculptural elements to his paintings. "Following early experiments in color and form, Gilliam became best known for his Drape paintings, first developed in the late 60s and widely exhibited across the United States and internationally over the following decade. These works comprise unstretched paint-stained canvases or industrial fabric without stretcher bars that he suspended, draped, or arranged on the ground in galleries and outdoor spaces. Gilliam has been recognized as the first artist to have "freed the canvas" from the stretcher in this specific way, putting his paintings in conversation with the architecture of their settings. In contemporary art, this contributed to collapsing the space between painting and sculpture and influenced the development of installation art. While this became his signature style in the eyes of some critics and curators, Gilliam mostly moved on from his Drape paintings after the early 1980s, primarily returning to the form for several commissions and a series of late-career pieces, usually created with new techniques or methods that he was exploring in his other work. "He produced art in a range of styles and materials, exploring the boundaries between painting, sculpture, and printmaking. Other well-known series of works include his early Slice paintings begun in the mid-1960s, often displayed with custom beveled stretcher bars that make the paintings protrude from the wall; his Black Paintings from the late 1970s, which Gilliam created with thick layers of black impasto over collaged forms; and a series of monumental painted metal sculptures, developed beginning in the 1980s and 1990s for several public commissions." - wiki Both fore edge corners bumped, else Fine. …

Hardcover. Condizione: New.