Blackface stereoviews (1 risultati)
- Foto
Da: Max Rambod Inc, Woodland Hills, CA, U.S.A.Max Rambod Inc
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 230,74
EUR 8,96 spedizioneSpedito in U.S.A.Quantità: 1 disponibile
Aggiungi al carrelloAfrican American and blackface staged photo pair documenting how post-abolition culture turned Black life into a staged subject for white entertainment in the early Jim Crow era, normalizing caricature as public performance after slavery. Issued in 1892, the two cards place Black domestic and musical life inside a system that denied Black equality while making Black bodies as entertainment and spectacle for national consumption. The set bears on the political and cultural aftermath of emancipation, when formal freedom coexisted with disfranchisement, segregation, and a white public sphere that treated racist fantasy as ordinary amusement. Photo archive of 2 albumen stereographs, each 3.5" x 7", United States, D. W. Kilburn, 1892. One card, titled "The Pastoral Visit", shows a staged cabin interior with African American adults and children gathered around a table as an older visitor enters the room; visible details include bare feet, simple stools and chairs, baskets, crockery, framed wall pictures, and a clock, arranged to turn Black domestic life into a legible scene of poverty and rustic living. The second card, titled "Making the old kitchen rattle", shows a staged musical scene with performers posed as comic entertainers, including fiddlers, dancers, and costumed figures in the same staged interior; the exaggerated performance, costume, and facial expressions align the image with blackface minstrel convention seen at during the era. Together, the pair moves from domestic tableau to comic spectacle, showing how published stereoviews circulated both the claim to depict Black life and the openly fabricated ridicule of it. After abolition, Black Americans entered a period of codified exclusion, racial terror, and cultural theft, which popular media helped sustain by presenting Black life as either picturesque performance or comic distortion. Light handling wear; images strong and clear. Overall very good condition. A pointed record of how systemic racism operated not only through law and labor, but through the ordinary published material that taught viewers to accept racial stereotype as entertainment.…