Blanter matvey (2 risultati)

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  • Editore: Compozitor (SPb.), 2004

    9790660044322

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    • Spartito

    Da: Ruslania, Helsinki, FinlandiaRuslania

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    Condizione: Nuovo

    EUR 8,00

    EUR 15,00 spedizione 
    Spedito da Finlandia a U.S.A.

    Quantità: 10 disponibili

    Condizione: new. Pages: 12 Language: Russian. Serija s takim nazvaniem ne trebuet osobogo predstavlenija. Etot proekt stal chrezvychajno populjarnym za vesma korotkoe vremja. I neudivitelno: v kazhdom malenkom sbornike soderzhitsja "kvintessentsija" tvorchestva kazhdogo kompozitora ili ispolnitelja. Soderzhanie: DZHON GREJ KATJUSHA GRUSTIT NE NADO Oblozhka mozhet otlichatsja ot predstavlennoj na sajte. 9790660044322.

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    Editore: Moscow, 1925

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    • Prima edizione
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    Da: Bibliophile Bindery, ILAB, London, Regno UnitoBibliophile Bindery, ILAB

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    Membro dell’associazione: ILAB

    Condizione: Usato - Buono

    EUR 539,11

    EUR 10,29 spedizione 
    Spedito da Regno Unito a U.S.A.

    Quantità: 1 disponibili

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    Soft cover. Condizione: Good. 1st Edition. Sheet music for voice and piano by Matvey Blanter, with lyrics by Konstantin Podrevsky. Author's edition, Moscow, 1925. Avant-garde cover. This early vocal work belongs to the formative period of Matvey Blanter, long before his later fame as one of the most recognisable Soviet song composers. In the mid-1920s, Blanter's style is still fluid and experimental, shaped by urban modernism, cabaret influences and the musical language of the NEP-era cultural scene. These early scores are particularly valuable as they reveal a composer working outside the later ideological and stylistic constraints that defined his mature career. Konstantin Podrevsky, a poet and librettist active in the same period, is known for lyrical texts marked by emotional intensity, romantic fragmentation and subtle urban irony. His collaboration with Blanter here results in a piece that feels theatrically expressive and emotionally raw, characteristic of the artistic atmosphere of the 1920s. As a 1925 author's edition, this publication is also of bibliographic interest: small print runs, transitional typography, and often striking avant-garde cover graphics make such scores highly collectible today. It stands as a tangible document of early Soviet cultural modernism, where visual design and musical content are closely interwoven. Pages tears, the spine reinforced with a strip of conservation paper, occasional minor stains.