Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.
Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Condizione: As New. Unread book in perfect condition.
Condizione: New.
EUR 11,24
Quantità: 3 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
Paperback. Condizione: New.
Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Paperback. Condizione: new. Paperback. For one year, respected critic and curator Bob Nickas put his money where his eyes are: he decided to become a collector, someone who takes art off gallery walls instead of hanging it there. His ground rules dictated that he would buy one work per month from an artist he had never written about or exhibited before. In this fascinating diary of his year on the market, he tracks the changes in his relation to art, when the commitment becomes one of the wallet and not just the mind and words. It has affected the way I look at art, he writes. On the one hand, if I am unwilling to part with my hard-earned money, how worthy can the art really be? On the other, there are certainly works far above my humble means. For this project, I have had to pay to have my say. For one year, respected critic and curator Bob Nickas put his money where his eyes are: He decided to become a collector, someone who takes art off gallery walls instead of hanging it there. His ground rules dictated that he would buy one work per month from an artist he had never written about or exhibited before. In this fascinating diary of his year on the market, he tracks the changes in his relation to art, when the commitment becomes one of the wallet and not just the mind and words. "It has affected the way I look at art," he writes. "On the one hand, if I am unwilling to part with my hard-earned money, how worthy can the art really be? On the other, there are certainly works far above my humble means . . . . For this project, I have had to pay to have my say." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condizione: NEW.
Lingua: Inglese
Editore: Museum of Contemporary Art, Chicago, Illinois, 1997
ISBN 10: 0933856466 ISBN 13: 9780933856462
Da: The Second Reader Bookshop, Buffalo, NY, U.S.A.
Paperback. Condizione: Good. With general wear to covers & edges; interior clean & bright. Covers are lightly scuffed, with crease to front cover at spine; also creased at cutout, with small closed tear. CD not included. Art Survey; 4to - over 9¾" - 12" tall.
Hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.
Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.
Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.
Condizione: New.
Condizione: As New. Unread book in perfect condition.
Condizione: New.
Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!
Da: HPB Inc., Dallas, TX, U.S.A.
Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
EUR 7,91
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. new title edition. 64 pages. French language. 6.50x4.25x0.25 inches. In Stock.
Da: Bellwetherbooks, McKeesport, PA, U.S.A.
EUR 16,36
Quantità: Più di 20 disponibili
Aggiungi al carrellopaperback. Condizione: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.
Lingua: Inglese
Editore: Rizzoli International Publications, 2014
ISBN 10: 0847842444 ISBN 13: 9780847842445
Da: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.
paperback. Condizione: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages.
Lingua: Inglese
Editore: J&L Books/Centre Culturel Suisse, 2011
ISBN 10: 0982964234 ISBN 13: 9780982964231
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Condizione: As New. Unread book in perfect condition.
Editore: Oliver Kamm/5BE Gallery, 2004
Da: CorgiPack, Fulton, NY, U.S.A.
Paperback. Condizione: VG. Text free of underlining, writing and highlighting. Very nice clean copy. BOB NICKAS THE PAINTED WORLD: PLANS FOR IMAGINARY STRUCTURES In a gallery, the floor below your feet is exactly where you expect it to be. The walls on which the works of art are hung are usually flat, painted white, and well-lit. Galleries, lit by artificial means, are often window-less,1 for a few brief moments, the outside world disappears, and the work, untouched by the light of day, need not compete with any outer reality. A gallery is a seemingly neutral space that conforms to the basic shape of a cube, with walls, ceiling, and floor all at right angles to one another. People viewing the works give scale to both the room and to the works on view, providing human perspective. You more readily grasp the scale of an object when a body is present: the gallery, like a stage set, is animated by bodies in space. The paintings here in this gallery, however, display a range of spatial dislocations that turn our expectations in on themselves, presenting us with a parallel world that resembles, and yet confounds, our own. 42 pages.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
EUR 16,51
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardcover. Condizione: Very Good. Jumbo-sized. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE.
Lingua: Inglese
Editore: Center for Curatorial Studies, Bard College, 2010
ISBN 10: 1936192071 ISBN 13: 9781936192076
Da: Windy City Books, Batavia, IL, U.S.A.
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Edging to dust jacket (shelf wear to edges).
Softcover, 96 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.