Boccon gibod isabelle (9 risultati)

Condizione: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

soft cover. Condizione: fine. first edition. In-8°, broché ,159 pages.

Condizione: bon tat. format in-12 broch.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: - Excellent état -. Plein Jour , 2014 - In-8, broché, 159 pages. - Excellent état - Qu'est-ce que le pouvoir Immédiat, celui qui influe directement sur nos vies ? Isabelle Boccon-Gibod, toute jeune femme, a dirigé une usine aux États-Unis et s'est retrouvée dans une positon qui lui permettait de décider de l'emploi et ainsi de l'existence d'hommes qui avaient parfois l'âge de son père. Ce livre est né des questions que cette expérience a suscitées et qui n'ont cessé de la préoccuper.Au travers de douze entretiens elle cherche à saisir la nature de ce pouvoirs ce qu'il provoquer ce qui le justifie aux yeux de ceux qui l'exerce qu'il s'agisse du juge qui décidera de notre libertés, du chef d'entreprise qui peut nous licencier, du religieux qui nous accueille ou nous refuse et par là nous atteint intimement, du commandant de sous-marin nucléaire enfermé pour des mois avec ses hommes, du travailleur social décidant de secourir ou non des familles en détresse, mais aussi du chirurgien ou du général qui, chacun à sa façon, a notre vie entre ses mains.Avec sa sérénité frontale, Isabelle Boccon-Gibod, recueillant une parole presque brute, mais qu'elle ne cesse de questionner permet àtous de se dévoiler de s'approcher le plus près possible des vérités complexes dont ils sont dépositaires même s'ils ne le savent pas toujours Par là, elle offre aussi un tableau original et passionnant de la société française Après une carrière dans l'industrie, Isabelle Boccon-Gibod est aujourd'hui photographe. Elle est l'autre de Fors intérieurs.Rendez-vous avec des matématiciens (2011) et de Paris. Sous les ponts (2014). Mise à jour du Samedi 27 Juin 2026. Paiement PayPal immédiat, Mondial Relay pour : France, Allemagne, Autriche, Belgique, Espagne, Italie, Portugal, Luxembourg, Pays-Bas, Pologne (Communiquer votre point ou locker si connu). Une participation supplémentaire peut être demandée pour les colis lourds hors France où les envois compris entre 5 et 25 kg sont dégressifs : 2 à 4 kilogrammes - 7.99 / 5 à 10 kg - 15.99 / 15 -25 kg - 25.99. Certaines de nos collections ( Vian, Céline, Camus (.) peuvent être expédiées en Franco de port. Pour l'international hors Europe (Suisse, Canada, Japon, Etats-Unis, les frais d'expéditions peuvent varier selon le poids (mise à jour : 1 juin 2026).…

Condizione: very good. Broché bon état .Contenu propre .2011.147 pages . PHOTOS SUR DEMANDE.

Hardback. Condizione: New. From 1839 when it was invented, photography has served to create portraits of individuals, and soon thereafter portraits of families, later placed in photo albums. Photography, collected and archived, entered the intimate sphere, enabling people to arrange the fragmented images of their lives as they saw fit. Following its forerunners (miniature portraits, silhouettes, physionotraces), the photographic portrait also served the new expectations of the emerging urban bourgeoisie and its need for social representation. Studios opened up in cities everywhere to meet the fast growing demand. In addition, the new medium distinguishted itself with its esthetic superiority. "Even as it emerged, although the technique was still very primitive, photography enjoyed an exceptional quality of artistic finish (Gisèle Freund)". What can photography show us to day of the visible and invisible aspects of family sociology? "How do the roles we expect them to play betray the emotional realities and complexities of lived life?" wonders Daniel Mendelsohn, in his introduction entitled "Unknown Faces/ Redeeming Structures". By creating this corpus of fixed black and white images, each composed in a large 5'x7' frame, the photographer has produced a work of anthropological scope, reaching beyond representation by placing the subject at palpable distance, thereby objectifying it. What should we think of these seemingly impassive faces and their hypnotic gazes, what should we think of these postures, seated or standing? What goes on within these families and outside the frame? The use of a rigid protocol similar in all sessions makes every family portraits intriguing, and encourages our reflection. Inspired by the work of Bernd and Hilla Becher, whose esthetics of objectivity tended towards minimalism, Isabelle Boccon-Gibod, a self-made artist, with an interest for technique, has played with a frontality quite similar to that of the Bechers, resting on the idea that our bodies, when joined together, form a sort of architecture. The idea, also, that a face, deprived of its smile, offers a neutrality of expression worth considering: masks fall and reveal a nakedness (naked truth?) to be admired and deciphered beyond the appearances of social games. She was guided, yet not limited, by this principle: the image of a family seen as a façade-like structure, in which faces are the windows.…

Hardback. Condizione: New. From 1839 when it was invented, photography has served to create portraits of individuals, and soon thereafter portraits of families, later placed in photo albums. Photography, collected and archived, entered the intimate sphere, enabling people to arrange the fragmented images of their lives as they saw fit. Following its forerunners (miniature portraits, silhouettes, physionotraces), the photographic portrait also served the new expectations of the emerging urban bourgeoisie and its need for social representation. Studios opened up in cities everywhere to meet the fast growing demand. In addition, the new medium distinguishted itself with its esthetic superiority. "Even as it emerged, although the technique was still very primitive, photography enjoyed an exceptional quality of artistic finish (Gisèle Freund)". What can photography show us to day of the visible and invisible aspects of family sociology? "How do the roles we expect them to play betray the emotional realities and complexities of lived life?" wonders Daniel Mendelsohn, in his introduction entitled "Unknown Faces/ Redeeming Structures". By creating this corpus of fixed black and white images, each composed in a large 5'x7' frame, the photographer has produced a work of anthropological scope, reaching beyond representation by placing the subject at palpable distance, thereby objectifying it. What should we think of these seemingly impassive faces and their hypnotic gazes, what should we think of these postures, seated or standing? What goes on within these families and outside the frame? The use of a rigid protocol similar in all sessions makes every family portraits intriguing, and encourages our reflection. Inspired by the work of Bernd and Hilla Becher, whose esthetics of objectivity tended towards minimalism, Isabelle Boccon-Gibod, a self-made artist, with an interest for technique, has played with a frontality quite similar to that of the Bechers, resting on the idea that our bodies, when joined together, form a sort of architecture. The idea, also, that a face, deprived of its smile, offers a neutrality of expression worth considering: masks fall and reveal a nakedness (naked truth?) to be admired and deciphered beyond the appearances of social games. She was guided, yet not limited, by this principle: the image of a family seen as a façade-like structure, in which faces are the windows.…

Hardcover. Condizione: Very good. Cloth/no dust jacket Quarto. grey cloth, illustration to cover, black lettering, unpaginated, #5/500 Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.