Bom dia books (18 risultati)

Condizione: New.

Paperback. Condizione: new. Paperback. Social Fabric Earth Return is a travel diary of a handwoven poncho with the keynote of interconnectedness. Over a period of ten years, the poncho was sent out as a textile avatar to meet various artists around the world, always handed over in person. The interactions with the poncho, through photography and correspondence, sketch out the journey and tell a story of togetherness in a world that has changed drastically over those years. The project inspires the question: What is the most essential element of what you do, and how can it be shared in a significant way?With Mark Borthwick, Rirkrit Tiravanija, The Wooster Group, David K. Shields, Boris Achour, Ariko Inaoka, Takashi Homma and Takehito Koganezawa, Mayu Tsuruta and Daisuke Nakayama, Meg Stuart and Sketches / Notebook Group with Iris Janke, Ezra Green, Stephane Leonard, Arkadi Zaides with David Adika, Amit Berlowitz, Ruti Sela (Noa Eshkol Chamber Dance Group) and Ruth Agassi, Nelly Agassi, Lori Waxman, Gus Powell, Antoinette Aurell, Annaleen Louwes, Daphna Saker Massey, Elizabeth Young, Christophe Rihet, Mauricio Guillen, Assume Vivid Astro Focus, Asi Rua and Charlotte J. Ward, CAConrad, Vladimir Miller, Barbara Raes and HAU Hebbel am Ufer with Dorothea Tuch, Kirsty Bell.The publication is supported by Gwaertler Stiftung and Fonds Darstellende Kuenste with funds from the Federal Government Commissioner for Culture and Media. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Paperback. Condizione: New. The Nahua concept of ixiptla derives from the particle xip, meaning "skin," coverage or shell. A natural outer layer of tissue that covers the body of a person or animal, the skin can be separated from the body to produce garments, containers for holding liquids or parchment as a writing surface.Originally a Nahua word, ixiptla has been understood as image, delegate, character, and representative. Ixiptla could be a container, but also could be the actualization of power infused into an object or person. In Nahua culture, it took the form of a statue, a vision, or a victim who turned into a god destined to be sacrificed. Without having to visually appear the same, multiple ixiptlas of the same god could exist simultaneously. The distinction between essence and material, and between original and copy vanishes.This edition of Ixiptla is focused on the trajectory of objects collected and produced by archeologists - plaster molds, facsimiles, drawings, photographs, and scale models -, in an attempt to capture and replicate material evidences left by time; these objects emerge from a specific moment in time, producing a doppelgänger of the original milieu, which then takes its own course. For this first issue, a group of anthropologists, archaeologists, artists, and writers have been invited to reflect on the role of the model, the copy, and reproduction in their areas of research and practice.Ixiptla is a new biannual journal about trajectories of Anthropology, it has been initiated by the artist Mariana Castillo Deball. The first issue is published on the occasion of Expedite Expression, 8th Berlin Biennale for Contemporary Art, Berlin, 2014.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New. 2021. paperback. . . . . .

Condizione: New.

Condizione: New.

Condizione: New. 2021. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. 2023. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New.

Condizione: New. 2023. paperback. . . . . .

Paperback. Condizione: new. Paperback. Social Fabric Earth Return is a travel diary of a handwoven poncho with the keynote of interconnectedness. Over a period of ten years, the poncho was sent out as a textile avatar to meet various artists around the world, always handed over in person. The interactions with the poncho, through photography and correspondence, sketch out the journey and tell a story of togetherness in a world that has changed drastically over those years. The project inspires the question: What is the most essential element of what you do, and how can it be shared in a significant way?With Mark Borthwick, Rirkrit Tiravanija, The Wooster Group, David K. Shields, Boris Achour, Ariko Inaoka, Takashi Homma and Takehito Koganezawa, Mayu Tsuruta and Daisuke Nakayama, Meg Stuart and Sketches / Notebook Group with Iris Janke, Ezra Green, Stephane Leonard, Arkadi Zaides with David Adika, Amit Berlowitz, Ruti Sela (Noa Eshkol Chamber Dance Group) and Ruth Agassi, Nelly Agassi, Lori Waxman, Gus Powell, Antoinette Aurell, Annaleen Louwes, Daphna Saker Massey, Elizabeth Young, Christophe Rihet, Mauricio Guillen, Assume Vivid Astro Focus, Asi Rua and Charlotte J. Ward, CAConrad, Vladimir Miller, Barbara Raes and HAU Hebbel am Ufer with Dorothea Tuch, Kirsty Bell.The publication is supported by Gwaertler Stiftung and Fonds Darstellende Kuenste with funds from the Federal Government Commissioner for Culture and Media. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: New. New Book, Direct from Publisher.

Paperback. Condizione: New. The Nahua concept of ixiptla derives from the particle xip, meaning "skin," coverage or shell. A natural outer layer of tissue that covers the body of a person or animal, the skin can be separated from the body to produce garments, containers for holding liquids or parchment as a writing surface.Originally a Nahua word, ixiptla has been understood as image, delegate, character, and representative. Ixiptla could be a container, but also could be the actualization of power infused into an object or person. In Nahua culture, it took the form of a statue, a vision, or a victim who turned into a god destined to be sacrificed. Without having to visually appear the same, multiple ixiptlas of the same god could exist simultaneously. The distinction between essence and material, and between original and copy vanishes.This edition of Ixiptla is focused on the trajectory of objects collected and produced by archeologists - plaster molds, facsimiles, drawings, photographs, and scale models -, in an attempt to capture and replicate material evidences left by time; these objects emerge from a specific moment in time, producing a doppelgänger of the original milieu, which then takes its own course. For this first issue, a group of anthropologists, archaeologists, artists, and writers have been invited to reflect on the role of the model, the copy, and reproduction in their areas of research and practice.Ixiptla is a new biannual journal about trajectories of Anthropology, it has been initiated by the artist Mariana Castillo Deball. The first issue is published on the occasion of Expedite Expression, 8th Berlin Biennale for Contemporary Art, Berlin, 2014.…