Bona illustrator grenier jean (1 risultati)

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    Editore: [Le Chemin des Sources] Librairie L.D.F.,, Cairo, 1955

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    Da: Justin Croft Antiquarian Books Ltd ABA, Faversham, Regno UnitoJustin Croft Antiquarian Books Ltd ABA

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    Membro dell’associazione: ABAILAB

    Condizione: Usato

    EUR 540,73

    EUR 17,50 spedizione 
    Spedito da Regno Unito a U.S.A.

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    First edition, number 144 of 200 copies. Excerpts from the French philosopher Jean Grenier's forthcoming autobiography (Gallimard, 1957) published for the 'Chemin des Sources' series by the Librairie Franco-Egyptienne in Cairo. It includes two small vignettes by Bona de Mandiargues (née Tibertelli), one a flying bird, the other a surrealist crouching fish-woman. Grenier is perhaps best remembered as mentor to the young Albert Camus at the Grand Lycée of Algiers. At the time of publication Bona was married to poet Pierre de Mandiargues, and was integrated into the surrealist circle around André Breton.Bona de Mandiargues, or simply 'Bona' (1926-2000) remains one of the most intriguing women of the French Surrealist movement. Best known for her fabric collages (she cut up her husband's clothes and called them ragarts) she also illustrated a number of books, including several with etched plates issued in limited editions. A frank memoir of Bona's childhood in an Italian villa, Vivre en Herbe (Gallimard, 2001), recalls the early inspiration of her flamboyant artist uncle, Filippo de Pisis, but also episodes of disturbing abuse and the terrors of the Second World War. In Paris in the 1940s she met the poet Pierre de Mandiargues (she married him, twice) and was drawn into the circle of André Breton. Taking inspiration from journeys to Mexico, the world of the Surrealists and her own 'inner eye', she pursued a singular artistic vision. She notably took the motif of the snail as an emblem (admiring its wholeness, its hermaphroditism and its self-sufficiency). Though her work was exhibited regularly, her first institutional retrospective was held at the Nivola Museum in Sardinia (2022). 16mo (200 × 145 mm), pp. 23, [1]. Original printed tan wrappers. Vignettes by Bona to upper cover and colophon. Presentation letter (dated 1 February 1957), signed, from the author to Jacques Brunner loosely inserted. An excellent copy. [Rare: Worldcat lists the Bn and Bibliothèque Jerôme Doucet copies in France, the Harvard copy in the US and another at the American University, Cairo.]. …