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Condizione: NEW.

Brossura. Condizione: new. A cura di Torre A.Ancona, 2023; br., pp. 368.(Immagini nella storia). Come testimoniato da una bibliografia critica non particolarmente estesa, e attenta soprattutto alla ricostruzione storico-filologica di un corpus, le rime di Tasso costituiscono un'esperienza letteraria complessa e travagliata che acquista la fisionomia di un interessante problema culturale ed ermeneutico. È una storia che si caratterizza per l'impressionante volume di scrittura e per la varietà degli argomenti trattati; una storia legata alle occasioni di composizione (testi legati a momenti specifici della vita del poeta ma anche testi composti su istanza altrui, encomi istituzionali legati a precisi eventi, testi di risposta, testi imitativi, pseudo-traduzioni); una storia che conosce infine un iter editoriale quanto mai accidentato e una continua rielaborazione dei testi da parte dell'autore. Nel corso di tale processo compositivo Tasso si misura costantemente con le forme della tradizione, cercando di rinnovarle dall'interno, in un lavoro poetico teso tra la ricerca di solidi fondamenti teorici e il continuo impulso verso sperimentali fughe in avanti. Libro.

Condizione: quasi ottimo. Storia e Critica Literary Criticism History and Criticism bross. edit. ill. - prima edizione OTTIME CONDIZIONI.

Condizione: New. In.

Condizione: New. In.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. This edited collection explores the image of the wound as a cultural symptom and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someones body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily woundfrom Petrarchs representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespearecould respond tothe emergence of Modernity as a new cultural feature. This edited collection explores the image of the wound as a cultural symptom and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: new. Hardcover. This edited collection explores the image of the wound as a cultural symptom and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someones body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily woundfrom Petrarchs representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespearecould respond tothe emergence of Modernity as a new cultural feature. This edited collection explores the image of the wound as a cultural symptom and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: Gut. Zustand: Gut | Seiten: 424 | Sprache: Englisch | Produktart: Bücher | This edited collection explores the image of the wound as a ¿cultural symptom¿ and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someone¿s body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily wound¿from Petrarch¿s representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespeare¿could respond tothe emergence of Modernity as a new cultural feature.

Condizione: New. 1st ed. 2022 edition NO-PA16APR2015-KAP.

Condizione: New. 1st ed. 2022 edition NO-PA16APR2015-KAP.

Condizione: New.

Condizione: New. 2022. Hardcover. . . . . .

Condizione: Hervorragend. Zustand: Hervorragend | Seiten: 424 | Sprache: Englisch | Produktart: Bücher | This edited collection explores the image of the wound as a ¿cultural symptom¿ and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someone¿s body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily wound¿from Petrarch¿s representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespeare¿could respond tothe emergence of Modernity as a new cultural feature.

Buch. Condizione: Neu. Neuware -This edited collection explores the image of the wound as a ¿cultural symptom¿ and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someone¿s body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily wound¿from Petrarch¿s representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespeare¿could respond tothe emergence of Modernity as a new cultural feature.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 424 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware -This edited collection explores the image of the wound as a ¿cultural symptom¿ and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someone¿s body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily wound¿from Petrarch¿s representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespeare¿could respond tothe emergence of Modernity as a new cultural feature.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 424 pp. Englisch.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This edited collection explores the image of the wound as a 'cultural symptom' and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someone's body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily wound-from Petrarch's representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespeare-could respond tothe emergence of Modernity as a new cultural feature.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This edited collection explores the image of the wound as a 'cultural symptom' and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someone's body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily wound-from Petrarch's representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespeare-could respond tothe emergence of Modernity as a new cultural feature.

Paperback. Condizione: Brand New. 411 pages. 8.27x5.83x0.86 inches. In Stock.

Condizione: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.