book william henry (68 risultati)

Hardcover. Condizione: Fair. No Jacket. No dust jacket. Cloth boards have edge wear, scratches, scuffs, rubbed/frayed corners/spine, slightly soiled. Both hinges cracked. Owners' names inside front cover and on flyleaf. Bent page corners. No writing in text.

Hardcover. Condizione: Fair. Ex-Library; 8vo - over 7¾" - 9¾" tall.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 2000 Book: Fine/, (illustratore). 5th or later Edition. Book: Fine/, $28.81 073820384X ROBERT`s RULES of ORDER: NEWLY REVISED * ROBERT, Sarah Corbin; ROBERT, III, Henry M.; EVANS, William J.; HONEMANN, Daniel H.; BALCH, Thomas J.; Perseus Publishing Cambridge, MA 10tH Edition, 1sT Printing 2000 Small D/j + H/c Bronze Colored Spine With Title In Black And 0ff~White Letters, Dust Jacket: Near Fine/Almost Fine/, Slight Shelf, Edge And Corner Wear. Front Interior Flap, $35.00 / $52.95. Hard Cover Book: Fine/, Slight Shelf, Edge And Corner Wear. 704 Numbered Pages Printed On 0ff~White Paper, In Fine/ Condition, Clean And Tight To The Spine. Corners Are Lightly Worn And Square. This Item Will Be Sent Wrapped In Plastic, Taped Shut And In A = Corrugated Mailing Box * * To Prevent Shipping Damage So That It Will Arrive In The * * Description Described Which Applies To This B00K, Only. * = No Odors, No Writing, No Other Names, No Rippling, Not Stuck Together, One Book Plate, Not X~Library, No Other Marks. = Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE *.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condizione: Very Good. 128 pages. Oliver Bock "C Maier's Use of a Reagent in the Vercelli Book" / James P Carley "The Libraries of King Henry VIII: an Update of the Westminster Inventory of 1542" / Aaron T Pratt "Stab-Stitching and the Status of Early English Playbooks as Literature" / Nancy Peters-Maude "The Extended Collaboration pf John Danter and Edward Allde" (U.P.).

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Near Fine. Cover art by Herbert Morton Stoops (illustratore). First Edition. Dayton / New York: McCall Corporation. Dayton / New York: May 1937. First Edition Pulp magazine in Pictorial wrappers [about 6.5" x 10"] [edges trimmed flush], 144 pages, illustrated. Edited by Blue Book Magazine with stories by Henry Rowland, James Francis Dwyer, Fulton T. Grant, William L. Chester, H. Bedford-Jones, Captain L. B. Williams, Leland Jamieson, Richard Wormser, Jack Tooker, Carl Sandburg, N. Baikov. Contents page in Photos. Cover art by Herbert Morton Stoops A near fine copy with minor wear. See photos bx812E.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

SingleIssueMagazine. Condizione: Very Good+. Vol. 65, No. 1. Pulp magazine. Edited by Donald Kennicott. Cover art by Herbert Morton Stoops. Includes "Young Man from Texas" (serial) by Harry Rowland; "The Trasure of Vanished Men" (serial) by James Francis Dwyer; "Beau Brummel of the Blades" by Fulton T. Grant; "One Against a Wilderness" (pt. III - Kioga series) by William L. Chester; "Ships and Men" by H. Bedford-Jones & Capt. L. B. Williams; "Hurricane Patrol" by Leland Jamieson; "The Cannon of Victory" by H. Bedford-Jones; "Heat of the Moment" (novelette) by Richard Wormser. Prize Stories of Real Experience: "Old Brigham" by Jack Tooker; "The Marines Ride" by Gen. Smedley Butler; "A Bad Shot" by N. Baikov; "A Wife Goes to War" by Dixie O'Reilly; "Made in America: Brady" (VII; song choice) by Carl Sandburg. Illustrated by George Avison, John Richard Flanagan, Austin E. Briggs, Jeremy Cannon, Yngve E. Soderberg, L. R. Gustavson, and Peter Kuhlhoff. Bumps and dings to rear, two of which look like red pen tests; minor abrasions to rear; mild tanning; spine a little sunned. Book.

Hardcover. 2nd thousand. [8], 231 p.; 3 pl.; 19.5 cm. Good orig. maroon cloth, somewhat rubbed and frayed. Occas. penc.

. Reprint of 1883 and 1888 editions. Previous owner's stamp on ffep, bfep, upper and outer edges of text. Otherwise VG. 203 and 224 pages pp.

Hardcover. Condizione: Good. Meets or exceeds the good condition guidelines. Nice copy. Has a small amount of writing/highlighting. Five star seller - Buy with confidence!

Paperback. Condizione: New. Print on Demand. This volume explores the multifaceted nature of God, examining the theological principles and the spiritual, emotional, and practical implications of faith. The author delves into the concept of God as revealed in the Bible, offering insights into the divine character, attributes, and relationship with humanity. Drawing on themes of love, grace, forgiveness, and redemption, the book provides a comprehensive understanding of God's presence and influence in our lives. Through historical and contemporary perspectives, the author illuminates the transformative power of faith, encouraging readers to deepen their connection with the divine and discover the purpose and meaning it brings to their existence. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Soft cover. Condizione: . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ (illustratore). 1st Edition. Quarto. Pp. 38. Original stiff wrappers, discoloured. In a very good condition. ~ FIRST EDITION. 008-3.

Hardcover. Condizione: Good. Condizione sovraccoperta: No Dust Jacket. Hardcover in good condition. Covers have some signs of wear, particularly around the spine and corners. Lettering on spine is faded. Pages have some pencil markings and underlining appears periodically thorughout the rest of the book. ; 5.5 x 8"; 205 pages.

Paperback. Condizione: New. Print on Demand. This book presents a collection of sermons delivered by prominent Christian preachers from across the United States in the early 20th century. The sermons cover a wide range of topics, including faith, morality, and the Christian life. These sermons provide valuable insights into the religious and social landscape of the time, offering a glimpse into how Christians navigated the challenges of their era. The author includes biographical sketches of each preacher, providing context for their messages and highlighting the diversity of perspectives within the Christian community during this period. This book provides a unique opportunity to engage with the spiritual and intellectual currents that shaped American Christianity in the early 20th century. Its thoughtfully curated sermons offer insights into Christian thought and practice, shedding light on the enduring themes of faith, purpose, and the search for meaning in life. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Condizione: New.

Buch. Condizione: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

12mo, 1 p, 10 lines. On worn, discoloured paper, with slight loss due to the breaking of two seals. Text clear and entire. The letter has been readdressed in another hand (hence the two seals) to 'Mr Price, Crease & Sons, Smithfield'. Harrison quotes his 'friend of the L. G. [i.e. the Literary Gazette]' as follows: 'Your D'Israeli paper may be useful as there is a new Edition. May I do as I like with its matter?' He asks for 'an answer as soon as possible'.

Print. Condizione: . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ (illustratore). Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne. Clamshell.

Print. Condizione: . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ (illustratore). Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne. Clamshell.

Print. Condizione: . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ (illustratore). Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Some marginal spotting.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne. Clamshell.

Print. Condizione: . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ (illustratore). Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Light spot or two.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne. Clamshell.

Print. Condizione: . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ (illustratore). Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne. Clamshell.

Print. Condizione: . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ (illustratore). Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne. Clamshell.

Print. Condizione: . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ (illustratore). Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (A light spot.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne. Clamshell.

Print. Condizione: . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ (illustratore). Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots, not affecting image.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne. Clamshell.