Lingua: Inglese
Editore: Grace Borgenicht Gallery, New York, 1985
Da: Olana Gallery, Brewster, NY, U.S.A.
Paper. Condizione: Good. Good paper copy ex. cat. September 5 - 28, 1985, spot on front cover and the artist's name in felt tip pen and 1949 -. 16 pp, 7 B/W illus.
Lingua: Inglese
Editore: Borgenicht Gallery, New York City, 1980
Da: Olana Gallery, Brewster, NY, U.S.A.
Paper. Condizione: Good. Good paper copy ex. cat. November 15 - December 18, 1980, 6 pp, 3 pp text 1 by dore Ashton, 2 4/C illus, lists 8 works, 2 pp misc. info.
Lingua: Inglese
Editore: Borgenicht Gallery, New York city, 1963
Da: Olana Gallery, Brewster, NY, U.S.A.
Paper. Condizione: Good. Good paper copy fold sheet with 2 B/W illus. March 5 - 23, 1963.
Lingua: Inglese
Editore: Borgenicht Gallery, New York, 1972
Da: Olana Gallery, Brewster, NY, U.S.A.
Paper. Condizione: Good. Good paper folder ex. cat., 4 pp, 1 B/W illus and lists 17 works.
Lingua: Inglese
Editore: Grace Borgenicht Gallery, New York, 1983
Da: Olana Gallery, Brewster, NY, U.S.A.
Paper. Condizione: Good. Good paper copy ex. cat. 36 pp, illus. in B/W and 4/C.
Lingua: Inglese
Editore: Grace Borgenicht Gallery, New York, NY, 1986
Da: Olana Gallery, Brewster, NY, U.S.A.
Paper. Condizione: Good. X-library good paper copy ex. cat. April 1-26, 1986, 7 b&w plates, 3 full-page color plates including illustration to cover, short introductory essay by Stuart Davis.
Editore: Grace Borgenicht Gallery 1985, 1985
Da: Joel Rudikoff Art Books, White Plains, NY, U.S.A.
Prima edizione
First Obl. 4to, stiff pictorial wrappers. [8] pp, 9 illustrations (3 in color, including cover0, portrait. Exhibition October 29 - November 20, 1985. Fine.
Softcover. First. 4to, stiff pictorial wrappers. 80 pp, 68 illustrations (cover illustration in color), chronology, exhibition list. Text in English and Spanish. Exhibition March - April 1979. Very good except for minor edge wear.
Lingua: Inglese
Editore: Grace Borgenicht Gallery, New York, NY, 1986
Da: Olana Gallery, Brewster, NY, U.S.A.
Paper. Condizione: Good. Good paper copy ex. cat. April 1-26, 1986, 7 b&w plates, 3 full-page color plates including illustration to cover, short introductory essay by Stuart Davis.
Editore: Grace Borgenicht Gallery, 1990
Da: PONCE A TIME BOOKS, SANTA BARBARA, CA, U.S.A.
0 4 p. Includes illustrations. November 30 December 22, 1990. Very good. light shelf wear, ex museum stamp.
Lingua: Inglese
Editore: Grace Borgenicht Gallery, New York, 1993
Da: Olana Gallery, Brewster, NY, U.S.A.
Paper. Condizione: Good. Good paper copy ex. cat., September 23 - October 23, 1993, 10 pp, 2 4/C and 1 B/W illus, 1 pp text by Andrew Forge, 1 pp catalogue of the exhibition, 2 pp miscellaneous information.
Editore: Grace Borgenicht Gallery
Da: Monroe Street Books, Middlebury, VT, U.S.A.
Prima edizione
Softcover. Condizione: Very Good. 1st. Exhibition catalog. Stapled orange wrappers with graphic illustration, illustrated throughout with color and b&w plates, catalogue of exhibition. A very clean, tight copy of catalog.
Editore: Grace Borgenicht Gallery, New York, 1982
Da: Monroe Street Books, Middlebury, VT, U.S.A.
Prima edizione
Condizione: Very Good. Condizione sovraccoperta: None. 24 pages. Softcover. Ex-museum library copy with stamp at top right corner of title. Full color and black & white illustrations. Light wear. Clean, unmarked text. Record # 613902.
Lingua: Inglese
Editore: Grace Borgenicht Gallery, New York, 1981
Da: Olana Gallery, Brewster, NY, U.S.A.
Paper. Condizione: Good. Good paper copy ex. cat 20 pp, 7 B/W and 7 4/C illus plus photo of artist *Library stamp on front cover.
Editore: Grace Borgenicht Gallery, 1982
Da: PONCE A TIME BOOKS, SANTA BARBARA, CA, U.S.A.
0 Includes illustrations. Very good. light shelf wear, ex museum stamp on blank flyleaf.
Editore: Grace Borgenicht Gallery, New York, 1982
Da: BOOK'EM, LLC, Port Orchard, WA, U.S.A.
Stapled. Condizione: Good. No Jacket. Organized by Scott Cook. June 8-July 3, 1982. Minor shelfwear to edges. Covers have slight bends and some very slight shelfwear. Front cover has "Jun 11 1982" stamp on front cover. Pages are slightly bent in the same places as the covers. Stapled Binding. . Art Catalog.
Editore: New York: Grace Borgenicht Gallery, 1983., 1983
Da: Free Play Books, NEW HAVEN, CT, U.S.A.
Soft cover. Condizione: Very Good. 8vo. 36 pp. Blue card wraps. Light edge-wear and rubbing. Very Good.
Editore: Grace Borgenicht Gallery, New York, 1981
Da: PONCE A TIME BOOKS, SANTA BARBARA, CA, U.S.A.
0 Includes illustrations. Various artists including Ida Applebroog. Very good. light shelf wear, ex museum stamp.
Editore: Grace Borgenicht Gallery, New York, [1962], 1962
Da: Resource for Art and Music Books, Ivoryton, CT, U.S.A.
Prima edizione
Paperback. Condizione: Good. First Edition. [8] pp.; b/w ill.; 8vo. Bumping and denting throughout; light must. Well packaged in a box; ships with tracking.
Lingua: Inglese
Editore: Grace Borgenicht Gallery, NY, NY, 1985
Da: Olana Gallery, Brewster, NY, U.S.A.
Soft cover. Condizione: Good. No Jacket. ExCaat, Grace Borgenicht Gallery, Ny, Ny, Jan 4- 30, 1985. Paper, 12 pp., 1 p text by Sally Avery, 1 b&w photo of artist, 4 4/c illus., 12 b&w illus., lists 44 wks.
Condizione: Good. Good condition. (art, exhibitions, paintings) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Condizione: Fair. Acceptable condition. Former Library book. (ernest ludwig kirchner, exhibitions ) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.
Lingua: Inglese
Editore: Grace Borgenicht Gallery, New York, 1990
Da: Olana Gallery, Brewster, NY, U.S.A.
Paper. Condizione: Good. Good paper copy ex. cat., 27 no. pp, 3 pp bio by dates, 14 pp essay "The Paintings of Houghton Cranford Smith Stillness & Light", 8 4/C illus., 7 B/W illus. and 3 B/W photos.
Editore: New York, 1984
Da: Ars Libri, Ltd. (ABAA), Charlestown, MA, U.S.A.
(16)pp. Frontis., 12 illus. 4to. Wraps.
Editore: New York, 1986
Da: Ars Libri, Ltd. (ABAA), Charlestown, MA, U.S.A.
(16)pp. 14 illus. Sq. 4to. Wraps.
Editore: New York, 1985
Da: Ars Libri, Ltd. (ABAA), Charlestown, MA, U.S.A.
(24)pp. Prof. illus. (some color). Sm. 4to. Wraps.
Editore: New York, 1987
Da: Ars Libri, Ltd. (ABAA), Charlestown, MA, U.S.A.
(12)pp. Prof. illus. Sm. sq. 4to. Wraps.
Editore: New York, 1981
Da: Ars Libri, Ltd. (ABAA), Charlestown, MA, U.S.A.
(6)pp., 24 plates (2 color). Lrg. 8vo. Wraps.
Lingua: Inglese
Editore: Grace Borgenicht Gallery, NY, NY, 1973
Da: Olana Gallery, Brewster, NY, U.S.A.
Soft cover. Condizione: Good. No Jacket. ExCat, Grace Borgenicht Gallery, NY, NY, Mar 31- Apr 26, 1973. Paper, 12 unpp., 8 b&w illus, 2 2/c illus.,lists 30 wks. x-library.
Editore: Grace Borgenicht Gallery, New York, 1973
Da: Antiquarian Bookshop, Washington, DC, U.S.A.
Prima edizione
Paperback. Condizione: Very Good. First Edition. 12 pages; Clean and secure in original color pictorial wrappers with a colour image of Avery's "Birds and Setting Sun" on front wrapper and "View from a Mountain" on rear wrapper. Rear wrapper foxxed. Ten b&w reproductions of Avery's crayon works, catalogue listing of the 30 works included in the exhibition. OCLC 20656061 Milton Clark Avery (1885 1965) was an American modern painter. Born in Altmar, New York, he moved to Connecticut in 1898 and later to New York City. For several years in the late 1920s through the late 1930s, Avery practiced painting and drawing at the Art Students League of New York. Roy Neuberger saw his work and thought he deserved recognition. Determined to get the world to know and respect Avery's work, Neuberger bought over 100 of his paintings, starting with Gaspé Landscape, and lent or donated them to museums all over the world. With Avery's work rotating through high-profile museums, he came to be a highly respected and successful painter. In the 1930s, he was befriended by Adolph Gottlieb and Mark Rothko among many other artists living in New York City in the 1930s40s. Avery's use of glowing color and simplified forms was an influence on the younger artists. The Phillips Collection in Washington, D.C., was the first museum to purchase one of Avery's paintings in 1929; that museum also gave him his first solo museum exhibition in 1944. He was elected a Fellow of the American Academy of Arts and Sciences in 1963.