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  • Editore: Red Ozier Press, New York, 1981

    • Prima edizione

    Da: Boojum and Snark Books, Kanab, UT, U.S.A.Boojum and Snark Books

    Venditore con 5 stelle
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    Condizione: Usato - Quasi ottimo

    EUR 8,97

    EUR 6,96 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibili

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    No Binding. Condizione: Near Fine. 1st Edition. Prospectus for two Red Ozier publications: The Woman & The Knife, by Aime Cesaire, and The Streets of Chance, by William S. Burroughs. Single sheet, 8 7/8 x 11 1/8 inches, folded once, engraving on recto of first leaf. Near fine (slight sunning?). (3214025).

  • Editore: Metropolitan Museum of Art, New York, 1986

    • Brossura
    • Prima edizione

    Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.Between the Covers-Rare Books, Inc. ABAA

    Venditore con 5 stelle
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    Membro dell’associazione: ABAAESAIOBAILAB

    Condizione: Usato - Ottimo

    EUR 17,93

    EUR 4,79 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibili

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    Softcover. Condizione: Fine. First edition. Fine in wrappers. Photos. Exhibition catalogue.

  • Editore: Metropolitan Museum of Art, 1986

    • Brossura

    Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore

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    Condizione: Usato - Buono

    EUR 18,12

    EUR 5,22 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibili

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    paperback. Condizione: Good. Stapled gallery catalogue Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

  • Editore: Codex Foundation, The, Berkeley, 2024

    • Brossura

    Da: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, U.S.A.Oak Knoll Books, ABAA, ILAB

    Venditore con 5 stelle
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    Membro dell’associazione: ABAAILABMBS

    Condizione: Usato

    EUR 22,42

    EUR 7,40 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibili

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    wrappers. 5.5 x 7.75 inches. wrappers. 16 pages. CODE(x)+1 Monograph #18. Number eighteen in the CODE(x)+1 monograph series. While conceptual complexities differentiate the artist book from the world of handmade objects, there is a similarity in reconciling ones vision for a project with its functionality. One of the truest lessons of craft practice is that it is not only difficult to foster innovation and creativity in the absence of constraints, the constraints give birth to them. Italo Calvino described this as escaping the pull of gravity that so stimulates the imagination. The book, a seemingly constrained form, should surely be exhausted by now. Yet it continues. And we continue making them. The books ineffable natureits sustainable, renewable, inexhaustible resourceis found in the potential of the imaginative mind informed by the work of the hand.