Boto g (10 risultati)

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Chlorophylls and Phenophytins (S. A. Analytical Chem. Vol. 50) 1978. S. 392 - 395. gr8. m. zahlr. Tab. br. -3/4) Sonderabdruck.

Tapa blanda. Condizione: New. BOTO VARELA, G., ED.: LA CATEDRAL DE TARRAGONA. ARQUITECTURA, DISCURSOS VISUALES Y LITURGIA (1150-1350). 978-84-17158-34-7, FUNDACION SANTA MARIA LA REAL, 2022. Nuevo 1870 gr. Libro.

Tapa blanda. Condizione: New. BOTO, G., ED.: SALAMANCA-CIUDAD LINEAL-PALAMOS. LAS ARCADAS CLAUSTRALES DE MAS DEL VENT. 978-84-9012-956-2, UNIV. DE SALAMANCA, EDICIONES, 2018. Nuevo 1765 gr. Libro.

Tapa blanda. Condizione: New. VARELA, M. E. / G. BOTO, EDS.: L'AMOR A L'EDAT MITJANA. EXPERIENCIES I INVENCIONS / EL AMOR EN LA EDAD MEDIA. EXPERIENCIAS E INVENCIONES. 978-84-9984-180-9, DOCUMENTA UNIVERSITARIA, 2013. Nuevo 345 gr. Libro.

Condizione: gut. Emerging Naturalism: Contexts and Narratives in European Sculpture 1140-1220 In deutscher Sprache. pages.

Tapa blanda. Condizione: New. VARELA, M. E. / G. BOTO, EDS.: ISLAM I CRISTIANDAT: CIVILITZACIONS AL MON MEDIEVAL / ISLAM Y CRISTIANDAD: CIVILIZACIONES EN EL MUNDO MEDIEVAL. 978-84-9984-202-8, DOCUMENTA UNIVERSITARIA, 2014. Nuevo 570 gr. Libro.

Tapa blanda. Condizione: New. BOTO, G. / M. SUREDA / F. ESPAÑOL, EDS.: LA CATEDRAL ROMANICA DE BARCELONA. PROTAGONISTES, CONTEXT URBA I EDIFICACIONS MONUMENTALS. 978-84-9984-590-6, DOCUMENTA UNIVERSITARIA, 2021. Nuevo 555 gr. Libro.

Condizione: Usado- bueno.

Hardcover, 436 pages, 156 b/w ill. + 18 colour ill., 220 x 280 mm, Languages: English. ISBN 9782503574486. For many decades, specialists in Romanesque and Early Gothic art and architecture have questioned the usefulness of traditional stylistic terminology. It is regarded as having limited relevance insofar as it fails to reflect the complexity and plurality of the period under discussion. Nor does it embrace functional, formal or iconographic specificities. Despite these deficiencies, we still have no better way of referring to the art of the period than Romanesque, Late Romanesque or Early Gothic which we make yet more cumbersome by adding a geographical or political term. Of the various media which were affected by artistic innovation in Europe during the second half of the 12th century, particular attention has been paid to stained glass, manuscript illumination, metalwork and enamel. Monumental sculpture was equally subject to profound change during the period, in addition to developing in directions that were largely independent of other media. As a result, late Romanesque sculpture extends across the period from 1140 to 1220, from Saxony to Galicia, though it is still impossible to encapsulate in a single statement what this complex network represented. However, the attainment of a compelling naturalism does seem to have been a shared aspiration among Latin European sculptors. Emerging Naturalism: Contexts and Narratives in European Sculpture 1140?1220 offers a panoramic analysis of this artistic landscape, focused on a central issue in medieval European artistic production. To narrow this field of study, the book concentrates on the innovations and solutions adopted in the great church workshops of western Europe. Gerardo Boto Varela teaches art history at the Universitat de Girona (Spain), is leader of the international research group Templa, and scientific editor of the journal Codex Aquilarensis. Revista de Arte Medieval. His research concentrates on spatial, pictorial, and liturgical aspects of Spanish ecclesiastical architecture from the tenth to thirteenth centuries, as well as on dynastic tombs and memorial culture in Medieval Iberia. Marta Serrano Coll teaches art history at the Universitat Rovira i Virgili in Tarragona (Spain) and specializes in Medieval architecture and sculpture, particularly in Catalonia. Her research interests include the display of power through artworks and royal patronage in the Iberian Peninsula during the Middle Ages. In addition, she has published in the field of Romanesque sculpture and hagiographical studies. John McNeill teaches at Oxford University?s Department of Continuing Education, and is Honorary Secretary of the British Archaeological Association, for whom he has edited and contributed to volumes on Anjou, King?s Lynn and the Fens, the medieval cloister, and English medieval chantries. He was instrumental in establishing a biennial International Romanesque Conference Series and has a particular interest in the design of medieval monastic precincts. Table of Contents Emerging Naturalism and a New Medieval Morphology ? Herbert L. Kessler I.Shaping Late Romanesque Sculpture. Balance and Perspective The Attainment of a Compelling Naturalism in Sculpture c. 1200 ? Gerardo Boto Varela What is So-Called Late Romanesque Sculpture? ? Xavier Barral i Altet II. Late Romanesque / Early Gothic Sculpture in European Cathedrals (1140?1220) The Role of Burgundy in the Development of the First Column-Statues ? Marcello Angheben Late Romanesque Sculpture and the Cathedrals of South-Western France ? Quitterie Cazes An Enigma Put Aside. The Origin and Interpretation of a Decontextualized Capital from Saint Trophime at Arles ? Juan Antonio Olañeta Around and After 1200. Old and New Concepts of Monumental Sculpture in the German Territories of the Holy Roman Empire ? Claudia Rückert Sculpture and Liturgy: Monuments and Art Histories of Southern Italy (c. 1150?1250 and Beyond) ? Elisabetta Sciroc.…