bousmar eric (22 risultati)

Paperback. 554 pp.; 23x15.5 cm. "Histoire 144" Text in French / Français - As good as new, see picture 820g.

Condizione: New.

Condizione: New. Softcover reprint of the original 1st ed. 2018 edition NO-PA16APR2015-KAP.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - The contributions to this volume were written by historians, legal historians and art historians, each using his or her own methods and sources, but all concentrating on topics from the broad subject of historical legal iconography. How have the concepts of law and justice been represented in (public) art from the Late Middle Ages onwards Justices and rulers had their courtrooms, but also churches, decorated with inspiring images. At first, the religious influence was enormous, but starting with the Early Modern Era, new symbols and allegories began appearing. Throughout history, art has been used to legitimise the act of judging, but artists have also satirised the law and the lawyers; architects and artisans have engaged in juridical and judicial projects and, in some criminal cases, convicts have even been sentenced to produce works of art. The book illustrates and contextualises the various interactions between law and justice on the one hand, and their artistic representations inpaintings, statues, drawings, tapestries, prints and books on the other.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - The contributions to this volume were written by historians, legal historians and art historians, each using his or her own methods and sources, but all concentrating on topics from the broad subject of historical legal iconography. How have the concepts of law and justice been represented in (public) art from the Late Middle Ages onwards Justices and rulers had their courtrooms, but also churches, decorated with inspiring images. At first, the religious influence was enormous, but starting with the Early Modern Era, new symbols and allegories began appearing. Throughout history, art has been used to legitimise the act of judging, but artists have also satirised the law and the lawyers; architects and artisans have engaged in juridical and judicial projects and, in some criminal cases, convicts have even been sentenced to produce works of art. The book illustrates and contextualises the various interactions between law and justice on the one hand, and their artistic representations inpaintings, statues, drawings, tapestries, prints and books on the other.

Paperback. Condizione: Brand New. reprint edition. 484 pages. 9.25x6.10x1.09 inches. In Stock.

Paperback. Condizione: Brand New. reprint edition. 484 pages. 9.25x6.10x1.09 inches. In Stock.

Hardcover. Condizione: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Couverture souple. Condizione: Comme neuf. Edition originale. Lille 2015. 1 Volume/1. -- Comme Neuf -- Broché collé. 24 x 16 cm )( 804 gr ). ------- 512 pages . ************ 4ème de Couverture : "" Dans un article fameux paru en 1975, le regretté Michael Harsgor, a forgé le concept de « bâtardocratie » pour désigner un phénomène qu il observa dans la France de la fin du Moyen Âge et qu il décrivit comme « un puissant essor social et politique des enfants naturels engendrés par des pères appartenant à la noblesse ». Il mettait ainsi l accent sur les rapports entre bâtardise et pouvoir et sur le rôle, souvent important, que les enfants illégitimes, liés non pas seulement à la noblesse mais aux élites en général, ont pu jouer au c ur des institutions ecclésiastiques, politiques, militaires et administratives, dans un contexte tant moral que démographique qui leur était momentanément favorable. Cette réalité, d autres chercheurs, avant M. Harsgor et après lui, l ont également étudiée et mise en lumière, mais elle n avait jamais encore fait l objet d un travail collectif permettant la confrontation de sources, de cas individuels ou non et de situations provenant d aires géographiques diverses et fournissant les matériaux à une approche comparative. C est cette lacune historiographique que les concepteurs et les auteurs du présent volume ont voulu contribuer à combler. Les dix-neuf études contenues dans ce recueil couvrent un champ chronologique allant du xIII e au xvI e siècle et un espace géopolitique englobant les royaumes de France, de Navarre, d Angleterre et d Écosse, les principautés des anciens Pays-Bas, le duché de Lorraine, les seigneuries de la Maison de Savoie et le marquisat de Ferrare. Dans ce cadre, la relation entre naissance illégitime et exercice du pouvoir est envisagée sous différents aspects et selon les grands thèmes que sont le statut politique et juridique, la quête de la légitimation, les destins, les carrières, le mécénat, la bibliophilie, l héraldique. Grâce à cet apport à la fois riche et varié se dessine une image plus nette d un phénomène historique qui a sans doute atteint son apogée au xve siècle pour s affaiblir au seuil de l Époque moderne, quand se modifièrent la situation démographique, les conditions sociales et les exigences de la morale."" ******************** SOMMAIRE : Bertrand SCHNERB, Introduction. Bâtards et pouvoir : un thème de recherche. // Monique MAILLARD-LUYPAERT, Jean de Bourgogne, bâtard de Jean sans Peur, évêque de Cambrai de 1439 à 1480 // Alain MARCHANDISSE, Corneille, bâtard de Bourgogne (ca 1426-1452) // Bertrand SCHNERB, Des bâtards nobles au service du prince : l exemple de la cour de Bourgogne (fin xIve -début xve siècle) .// Jean-Baptiste SANTAMARIA, Les bâtards à la Chambre des comptes de Lille : autour du cas de Denis de Pacy // Alice DUDA, Les lettres de légitimation des ducs de Bourgogne (1384-1477) . // Céline BERRY , La bâtardise au sein du lignage de Luxembourg // Godfried CROENEN, Bâtards et pouvoir dans le duché de Brabant xII e -xIve siècles. // Michel NASSIET, Les bâtards dans l ouest au xve et au début du XVIe siècle // Christophe RIVIÈRE , Les bâtards en Lorraine : emblèmes d une culture politique ou trublions d une société nobiliaire ? // Emmanuel JOHANS, Les bâtards d Armagnac (XIVe -XVIe siècles) // Claire DECHAMPS, un couple de bibliophiles dans le milieu royal : Louis, bâtard de Bourbon, et son épouse, Jeanne, bâtarde de France. // Philippe CONTAMINE, Jean, comte de Dunois et de Longueville (1403 ?-1468), ou l honneur d être bâtard // Alexander GRANT, Royal and Magnate Bastards in the Later Middle Ages : the view from Scotland. // Michael HICKS, the royal Bastards of Late Medieval england // Luisa Clotilde GeNtILe, Les bâtards princiers piémontais et savoyards. // Giovanni RICCI, Les dangers de la bâtardise. Les péripéties de l État seigneurial des este entre xve et xvI e siècles // María NARBONA CARCELES, Les bâtards royaux et la nouvelle noblesse de sang en Navarre (fin XIVe siècle-début XVe **** ref 556 & HG1PL7.

Condizione: new. Questo è un articolo print on demand.

Condizione: new. Questo è un articolo print on demand.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Features over one hundred colour photographs of well-known and less well-known works of artIncludes contributions on western iconology, from Scandinavia to Italy, and even IndiaWritten by top scholars in the interdisc.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Features over one hundred colour photographs of well-known and less well-known works of artIncludes contributions on western iconology, from Scandinavia to Italy, and even IndiaWritten by top scholars in the interdisc.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The contributions to this volume were written by historians, legal historians and art historians, each using his or her own methods and sources, but all concentrating on topics from the broad subject of historical legal iconography. How have the concepts of law and justice been represented in (public) art from the Late Middle Ages onwards Justices and rulers had their courtrooms, but also churches, decorated with inspiring images. At first, the religious influence was enormous, but starting with the Early Modern Era, new symbols and allegories began appearing. Throughout history, art has been used to legitimise the act of judging, but artists have also satirised the law and the lawyers; architects and artisans have engaged in juridical and judicial projects and, in some criminal cases, convicts have even been sentenced to produce works of art. The book illustrates and contextualises the various interactions between law and justice on the one hand, and their artistic representations in paintings, statues, drawings, tapestries, prints and books on the other. 484 pp. Englisch.

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The contributions to this volume were written by historians, legal historians and art historians, each using his or her own methods and sources, but all concentrating on topics from the broad subject of historical legal iconography. How have the concepts of law and justice been represented in (public) art from the Late Middle Ages onwards Justices and rulers had their courtrooms, but also churches, decorated with inspiring images. At first, the religious influence was enormous, but starting with the Early Modern Era, new symbols and allegories began appearing. Throughout history, art has been used to legitimise the act of judging, but artists have also satirised the law and the lawyers; architects and artisans have engaged in juridical and judicial projects and, in some criminal cases, convicts have even been sentenced to produce works of art. The book illustrates and contextualises the various interactions between law and justice on the one hand, and their artistic representations in paintings, statues, drawings, tapestries, prints and books on the other. 484 pp. Englisch.

Condizione: New. Print on Demand.

Buch. Condizione: Neu. The Art of Law | Artistic Representations and Iconography of Law and Justice in Context, from the Middle Ages to the First World War | Stefan Huygebaert (u. a.) | Buch | xxiii | Englisch | 2018 | Springer | EAN 9783319907864 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu Print on Demand.

Condizione: New. Print on Demand.

Condizione: New. PRINT ON DEMAND.

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -The contributions to this volume were written by historians, legal historians and art historians, each using his or her own methods and sources, but all concentrating on topics from the broad subject of historical legal iconography. How have the concepts of law and justice been represented in (public) art from the Late Middle Ages onwards Justices and rulers had their courtrooms, but also churches, decorated with inspiring images. At first, the religious influence was enormous, but starting with the Early Modern Era, new symbols and allegories began appearing. Throughout history, art has been used to legitimise the act of judging, but artists have also satirised the law and the lawyers; architects and artisans have engaged in juridical and judicial projects and, in some criminal cases, convicts have even been sentenced to produce works of art. The book illustrates and contextualises the various interactions between law and justice on the one hand, and their artistic representations inpaintings, statues, drawings, tapestries, prints and books on the other.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 484 pp. Englisch.

Buch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -The contributions to this volume were written by historians, legal historians and art historians, each using his or her own methods and sources, but all concentrating on topics from the broad subject of historical legal iconography. How have the concepts of law and justice been represented in (public) art from the Late Middle Ages onwards Justices and rulers had their courtrooms, but also churches, decorated with inspiring images. At first, the religious influence was enormous, but starting with the Early Modern Era, new symbols and allegories began appearing. Throughout history, art has been used to legitimise the act of judging, but artists have also satirised the law and the lawyers; architects and artisans have engaged in juridical and judicial projects and, in some criminal cases, convicts have even been sentenced to produce works of art. The book illustrates and contextualises the various interactions between law and justice on the one hand, and their artistic representations inpaintings, statues, drawings, tapestries, prints and books on the other.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 484 pp. Englisch.

Condizione: New. PRINT ON DEMAND.